Tag Archives: art

Horse Stencil, Walls

Horse Stencil, Walls
“Horse Stencil, Walls” — A stencil of a horse at a place where two walls meet in Siena, Italy.

Some years back, in the pre-pandemic era, we spent a bit more than a week in Tuscany. It was quite a trip — we mostly stayed with and traveled with family. We spent a week in the Chianti hills at a villa where our oldest son and our daughter-in-law exchanged wedding vows. We also managed to very briefly visit Florence (barely more than one day) and Siena (literally a few hours). Needless to say, that was only enough to make us want to return for longer visits — which we did this summer.

This time we had three nights in Siena, where we stayed in a little place just minutes from the Piazza del Campo, the famous central plaza. If you have been following along, by now you know that our mode of travel is a bit different. We do see some of the Big Sights (and Sites), but we also spend a lot of time just walking and wandering and getting the feel for the place. As a result, we sometimes end up with photographs of small things that you might miss on a more hurried visit — like this little stencil of a horse near the meeting of two walls along a Siena walkway.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Street Art, Bologna

"street art, bologna"
Street Art, Bologna” — Weathered layers of street art and graffiti on a Bologna wall.

Recently I have noticed that American visitors to Europe are surprised by the amount of graffiti (aka “street art”) in some cities. There is a lot of it, but I’m not sure if there is more of it than in the US. Perhaps they/we just end up in places where it is found more often when traveling, or maybe we are so used to it at home that we no longer “see” it. Another possibility: In the US I think there are efforts to control graffiti in places that tourists go, but in at least some parts of Europe that seems to be less the case. (This is not to suggest that graffiti isn’t a problem, as some recent stories about cretins writing and carving on antiquities has shown.)

One of the European cities where I first started to notice this is Bologna, Italy. Almost a decade ago we spent one night there during a drive from Germany to Tuscany — and I have this strong memory of walking through unlit streets with tons of graffiti at dusk. (After our recent trip, when walks in the same area at the same time of day included quite a few people, I’m beginning to distrust that early memory.) This photograph comes from a side-street in Bologna, where it was one of many examples. This one fascinated me, with its top layer of glued-on paper deteriorating to reveal layers of earlier marks and its interesting palette of colors.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Door Knocker

Door Knocker
Door knocker, Siena, Italy

Door knocker. © Copyright 2023 G Dan Mitchell.

Door knocker, Siena, Italy

We had been to Siena once before — on a very quick day trip from the Chianti hills. Our time there was, literally, only hours. My recollection is that we parked, walked in from the west, headed to and then past Il Campo, briefly visited the front of the main cathedral, grabbed a bite to eat… and left. It was just enough to leave us very intrigued by what we saw and determined to go back and spend more time. On this 2023 visit we finally were able to do that, staying in the city long enough to explore.

There are lots of intriguing details in Siena, even by comparison to other places in Italy that share this attribute. I just happened to notice this door knocker — one of two on a matched pair of doors — as we walked up a narrow street. The figure is impressive, but almost seems more likely to scare away visitors than to encourage them to knock!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mural, Caution Tape

Mural, Caution Tape
Caution tape and a few cones witha giant street mural on the side of a brick building, Manhattan.

Mural, Caution Tape. © Copyright 2022 G Dan Mitchell.

Caution tape and a few cones witha giant street mural on the side of a brick building, Manhattan.

I’m not sure how others see and react to murals like this one in Manhattan, but I respond in several different ways. Sometimes I just see them as what they are — essentially large paintings (or equivalents of painting) displayed outdoors — and I think of them as, essentially, not part of their surroundings but as things that stand alone. At other times I do see them in the context of their surroundings, and when I do the result can be carrying. This one feels more like the latter case to me.

The mural, by Emmanuel Jarus, is near the UN Building in midtown Manhattan. I think it is supposed to produce a sort of uplifting response in viewers, and I’m certainly fine with that. But I saw it more as an element in a complex scene of shapes and colors that includes the intrusion of the sunlit balconies at the right and the odd color and context juxtaposition with the “emergency colors” of the pylons in front of the two benches.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.