Mountainsides of autumn aspen color rise toward the Sierra Nevada crest
I had a whole bunch of other photographs (late-summer in the Sierra, European travel/street photography) queued up to post right about now… but fall color is currently happening, and it seems better to post the timely stuff. With that in mind, here is another Sierra Nevada fall color photograph, with others to come shortly. By the way, if you are wondering when to go to the Eastern Sierra to see (mostly) aspen fall color, the core season generally includes about the first three weeks of October, with the middle week often being the most reliable. So, as of today… there is still time!
This is probably a familiar scene to those who travel around the Sierra Nevada’s east side in October to search for aspen color. This valley and these peaks are in one of the more popular locations — though, in truth, you can find good aspen color up and down the east side of the range and in a few places west of the crest, too. I’m most often in this particular spot quite early in the day, but I made this photograph later in the afternoon, when backlight illuminated and highlighted the aspen colors, a few clouds cast moving shadows across the scene, and a gentle haze softened the details of the highest peaks.
“Eastern Sierra Stream, Autumn” — Autumn colors line the banks of a small Eastern Sierra Nevada stream
This photograph is of one of those little places — you could easily pass right by it and miss it. I have, and I’ve even stopped nearby and not seen a photograph. This time I was heading up a canyon in cloudy conditions and light rain, and perhaps the unusual conditions helped me to see differently. In any case, as I drove past the area I noticed the red plants growing close to the ground, even though there were largely obscured by intervening trees.
I quickly turned around and came back, parked, and then spent some time poking around and looking. I finally ended up down along the bank of the stream, the closest I could get to the red plants, and I found a composition looking upstream toward more colorful plants and the white trunks of an aspen grove.
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A grove of autumn aspen trees descends to the shoreline of a reflecting lake
I’ll use today’s post for several purposes — the usual photograph shared with comments, plus some thoughts and observations about the Sierra Nevada autumn color season. The photograph comes from a well-known location in the Eastern Sierra. I was fortunate to visit on a day when the usual crowds weren’t there, and I had the place almost to myself! It probably helped that I arrived at an unusual time of day, taking advantage of some broken clouds that produced some special light on the river of aspen trees flowing down the hillside to the edge of this subalpine lake. Parts of the grove were past the proverbial prime, but in some ways I like seeing a few bare trees in the scene.
On this past week’s short trip to photograph Eastern Sierra Nevada fall color I thought a bit about what I’ve learned over the years regarding the timing of the annual transition. One thing that I finally have accepted is that it is more or less impossible (with some minor exceptions) to accurately predict the evolution of the color in a particular year. A second thing I’ve realized is that, despite year-to-year variations within the season, the overall color transition tends to take place on more or less the same schedule each year. In other words, leaving aside truly exceptional times such as year five of the recent five-year drought, things tend to start and end on about the same schedule each year — despite the annual initial “observations” about how the season is going to be an unusual one — beginning high and working down the mountains to lower elevations, with other local variations in the evolution. (I confess… I’ve made those predictions, too.)
While the start/end times of the fall color transition tend to be fairly consistent (for example, week two of October is almost always a good bet), there are sometimes variations within that time frame. Some are obvious. For example, a big, windy storm when there are lots of yellow leaves will blow down many of those leaves, and there will be a gap of a few more days before other leaves change color and take their place. Others are more mysterious. I noted a few of those mysteries this year. For example, in one location where I often find trees losing their leaves somewhat earlier than elsewhere, this year there were still some green trees! Yet, in other nearby locations trees that are often coming into form just a bit later… were in full color already!
What to do? My advice is still pretty much the same. Target a time around the end of the first week of October for your visit, expecting that the week starting then is likely to produce good color. Once on the scene, be alert for variations and be ready to change plans. If one area is still green, try going higher. If the trees you visit seem to be losing (or have already lost!) their leaves when you get there, try a lower elevation, a location with larger trees, or a deep east side canyon. And realize that it is almost unheard of for all the trees in an area to be at peak color simultaneously — you are far more likely to find some bare and some green trees mixed in with your trees in prime condition.
What about this year? Based on what I saw last week, this weekend (October 12, 13, 14) should be great in many places. In addition, given the number of purely green trees I saw in various locations, it should be quite possible to still find excellent color in another week.
Clouds from a dissipating storm, afternoon haze and light, spring aspens and meadows in Lee Vining Canyon
This is another photograph from my marathon one-day trip from the San Francisco Bay Area over Tioga Pass and back earlier this week. This was as close to Monday’s opening of Tioga Pass Road as I could make it. In some ways it may have turned out for the best to not go on the actual opening day. I suspect that there were more people up there that day, and it was fairly deserted a couple of days later. I think that the weather was probably a bit more cooperative when I went, too — it was mostly fair, but with some interesting clouds and even a couple of drops of rain.
By mid-afternoon I had crossed the pass and dropped down to Lee Vining. The midday light isn’t generally my favorite for photography, so I went for a hike near Mono Lake before swinging back to Lee Vining to grab an early dinner before starting my return trip. The plan was to start back up through Lee Vining Canyon as the light was starting to become interesting, giving my as much as a couple of hours of potential photography time along Tioga Pass Road. It was somewhat hazy — a slightly thick atmosphere left behind in the wake of a weather front. This can produce dramatic lighting sometimes, but it can also lower contrast, mute colors, and generally make photography a bit tricky. (One option is to shoot for black and white!) As I started the climb up into Lee Vining Canyon, some beams of light came down from dissipating clouds and began to light the new growth of meadows and aspen trees at the bottom of the canyon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
