Tag Archives: bank

Pacific Ocean, Big Sur

Pacific Ocean, Big Sur
Looking west across the Pacific Ocean from the Big Sur mountains on a quiet autumn day.

Pacific Ocean, Big Sur. © Copyright 2022 G Dan Mitchell.

Looking west across the Pacific Ocean from the Big Sur mountains on a quiet autumn day.

Views like this never fail to make me pause. There’s something about an expanse of “empty” earth, whether liquid or solid, that focuses the attention. It could be standing at the Arctic Circle and looking north (which I’e done only once), viewing expansive desert terrain from a mountain ridge, or looking across the ocean toward the distant horizon from a high viewpoint. I’m not sure I can articulate the attraction precisely, but it includes the immense space, the absence of obvious human presence, and the encounter with deep time in a place that has probably looked like this for what seems like forever.

Perhaps ironically, this particular view is from a spot along the Pacific Coast Highway that can be crowded ruing the high tourist season. However, on this late-autumn weekday morning there was almost no one else around, and I shared this spot with a single cyclist who had stopped for a snack at the top of the climb.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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River Bank Forest, Autumn

River Bank Forest, Autumn
Autumn trees along the banks of the Swift River, New Hampshire

River Bank Forest, Autumn. © Copyright 2022 G Dan Mitchell.

Autumn trees along the banks of the Swift River, New Hampshire

Perhaps you thought that I had shared all of my photographs from our early-October trip to photograph New England color. You might be wrong. I took a break from sharing those so that I could post some of the photographs from this year’s crop of Sierra autumn color images. And, I am not quite done with material either, so expect to see me alternate between coasts for a bit longer. Somewhere in all of this, there will also be some urban photographs from a brief visit to Manhattan.

I previously noted that it is often difficult to get longer views in the area of New Hampshire where we photographed. The forest is thick, grows right to the edge of roadways, and there are not many places to pull over. There are some openings, and when I found them I tried to take advantage. They came on a few routes that climbed to higher elevations, some areas with lakes and fields, and occasionally along rivers. This photograph is one of the latter, made while wandering along the banks of the Swift River, where I could photograph across and along the open areas above its course.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Entering the Narrows

Entering the Narrows
Light reflected in the water of the Virgin River as it emerges from a narrow section of the canyon.

Entering the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Light reflected in the water of the Virgin River as it emerges from a narrow section of the canyon.

We visited this popular area of Zion Canyon twice on this particular day. The first was very early in the morning after we caught almost the first shuttle bus into the valley and arrived during blue hour light. We walked slowly up to just about to the actual beginning of the narrows and back again, taking lots of photographic detours along the way. This trail is a bit of an odd one on which to photograph. Early in the morning there is a nearly unbroken procession of people heading to the narrows. But step off the trail a bit and you can be almost entirely alone. As we walked, I made mental notes about spots that might be interesting to photograph much later in the day.

Indeed, we went back late in the day, knowing that the sun would now come from the opposite direction, light the upper canyon walls, and reflect warm-colored and soft light down into the bottom of the canyon. We were not disappointed. The effect of that reddish reflected light shining softly on sandstone walls is spectacular in a quiet sort of way, and there was a lot of photography to be done! This photograph looks up the canyon toward one of the sunlit walls, and the reflection colors the surface of the Virgin River as it passes between the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Streamside Cottonwood Trees

Streamsiode Cottonwood Trees
Streamside cottonwood trees along the Virgin River begin to change to autumn colors.

Streamside Cottonwood Trees. © Copyright 2021 G Dan Mitchell – all rights reserved.

Streamside cottonwood trees along the Virgin River begin to change to autumn colors.

This photograph comes from a very busy place in Zion National Park, along the trail to one of the more popular destinations in Zion Canyon. Fortunately, as is almost always the case in well-known national parks, you can usually step even a little ways off the main trails and put some distance between yourself and the hordes. That’s more or less what I did here — I just walked a little ways away from the main hiking thoroughfare to where the trees were overhanging the river a bit. (However, a warning: When there are so many people around, sometimes a critical mass of them may see you making photographs and decide to follow. Unfortunately, that happened here to some extent. On some occasions I’ve been known to go to some lengths to obscure my visits to such places!)

Once again, I was really mostly attracted by the reflected canyon light — that special light that reflects from sunlit red rock walls and then gently fills in shadows with softly-directional, warm light. (One challenge: if there is a breeze it can be hard to deal with the motion of the leaves in this low light.) I chose the portrait orientation for this photograph so that I could include a bit of the stream and the boulder along with a bit of the canyon wall above and beyond the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.