Tag Archives: bare

Old Tree in Winter

Old Tree in Winter
An old and gnarled tree, leafless near the end of winter.

Old Tree in Winter. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old and gnarled tree, leafless near the end of winter.

Having a large archive of photographs that are sorted and filed by date proves useful in lots of ways. For example, this past week I wanted to remind myself of the likely conditions of a particular subject I intend to photograph soon, and by looking back a few years I was able to get a pretty good fix on the timing of a pretty significant annual change affecting this subject. It also proves useful for non-photographic purposes… such as remembering how our world was starting to close down in March of 2020 and how we responded to it.

This photograph comes from near the beginning of March last year, at a time when we were well aware that danger was on the horizon, but when we had not yet fully responded as a society. (That was about to happen, and I should be able to share some photographs that remind me of that threshold in the next few weeks.) On this day I recall pausing beneath this sprawling wetland tree and appreciating the layers of curves and various sized branches leading upward toward an extremely bright late-winter sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Curving Aspen Grove

Curving Aspen Grove
An aspen grove in various stages of autumn color transition descends from a Sierra Nevada ridge

Curving Aspen Grove. © Copyright 2018 G Dan Mitchell – all rights reserved.

An aspen grove in various stages of autumn color transition descends from a Sierra Nevada ridge

Some of you may recognize this aspen grove as being somewhat iconic — though you probably also know that it is often photographed in a somewhat different way. It is also usually photographed at a different time of day from when I was there — on a cloudy afternoon as a weather front was starting to fill in over the Sierra crest, moving conditions toward the potential for some light rain or even a few snow showers a bit later on.

Once again, I photographed in this soft light rather than in full sun. The direct sun can overwhelm the colors of an aspen grove like this one, while the soft light opens and illuminates the shadow areas and can even make the colors seem more intense, especially when some of that soft light is a bit directional and fills in the color from behind. This grove is rarely all in prime color condition all at once, since it covers a range of exposures and elevations. Here it is quite colorful both at the bottom and the top, though there are clearly areas where the leaves have already dropped.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bare Aspen Grove

Bare Aspen Grove
A dense grove of slender white aspen trees after most leaves have fallen

Bare Aspen Grove. © Copyright 2018 G Dan Mitchell – all rights reserved.

A dense grove of slender white aspen trees after most leaves have fallen

Quite naturally, in autumn our attention turns to the fall color transition, which in the Eastern Sierra Nevada and nearby areas mostly means aspen trees. And this transition can be quite spectacular if you are in the right place on the right day and in the right conditions. The colors — ranging from yellow through orange to red — are often intense, and the biggest groves cover whole hillsides, snake up and down the mountains, and may be reflected in subalpine lakes. But this show is brief, and it ends before the month of October is over.

Fortunately, this isn’t the only condition in which aspens are a worthy photographic subject! In fact, as the last colorful leaves drop my feelings are often mixed — I hate to see the show end, but I also can start to look at the trees in other interesting ways. Bare aspen trees are an interesting subject on their own, suggesting both winter and the end of the warm season… and the prospect of the spring rebirth a few months from now. I know this particular little grove quite well, and I make it a point to visit every season, sometimes more than once. This year I passed by when almost all of the leaves had fallen, revealing the start, nearly white trunks and their fascinating combination of order and complexity.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Sunlight, Waterfall Spray

Trees, Sunlight, Waterfall Spray
Forms of bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

Trees, Sunlight, Waterfall Spray. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

For decades I have had an informal tradition of stopping at a waterfall during my first spring visit to Yosemite Valley, and getting as close — and as wet! — as possible as my way of saying goodbye to the cold winter season and hello to the upcoming warmer times of the year. Most often the location has been Bridal Veil Fall, one of the most accessible in The Valley and one that reliably produces clothing-soaking mist early in the season. Although I have photographed this “event,” the point of the visit has rarely been photographic — it is more about a reconnection with a favorite time of year in the Sierra and a personal celebration of the wild flow of melting snow at this time of the year.

But, of course, I can’t entirely avoid photographing the thing. That said, photographing the drenching torrent up close presents some problems. Cameras don’t like mist-filled air, especially when the mist is sometimes thick enough to act more like rain. Even if your camera is protected against water, you lens is going to get soaked quickly, and water-covered lenses and most landscape photography don’t mix. So my approach is to work quickly with a handheld camera. I know these lovely trees from previous visits, and I was hoping I could get close enough to photograph them against the clouds of spray coming from the waterfall, silhouetted against the brilliant backlit mist. I pre-selected a lens, stuck the camera in a waterproof bag, and headed up the short trail, quickly getting to the location of these trees. Standing behind a larger tree, I unzipped the bag and took out the camera. I stepped out of the shelter of the tree, pointed the camera up towards these slender trees, composed the image I had in mind, and made perhaps a half-dozen exposures before things got to wet and I had to retreat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.