Tag Archives: barren

Photographs: Central California, Photographs: Nature

Winter Tree and Pond

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Winter Tree and Pond
“Winter Tree and Pond” — A winter-barren tree at the edge of a foggy pond.

Winter Tree and Pond. © Copyright 2023 G Dan Mitchell.

A barren winter tree at the edge of a foggy pond.

This scene was an unexpected opportunity on my Central Valley visit during the first week of March. When I arrived in the predawn light, the sky was completely clear — so clear that the sunrise photography was actually a bit disappointing. But I try to make the best of what I have to work with, so I did some photography in the first dawn light and then moved on. Then, perhaps an hour later and to my complete surprise, tule fog began to develop, and before long the visibility was down to, well, what you see in this photograph.

I headed back to this spot, which I had passed without bothering to pause in that earlier light, and now the fog turned this bare tree and pond into quite an atmospheric scene. The fog often transforms rather unremarkable scenes into something much more interesting, mostly by muting the visibility of distracting elements and leaving the main features and forms.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Across the Valley

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Across the Valley
A desert wash curves past barren desert hills on its way to the salt flats of Death Valley.

Across the Valley. © Copyright 2023 G Dan Mitchell.

A desert wash curves past barren desert hills on its way to the salt flats of Death Valley.

Visitors to Death Valley might not immediately realize how much of a role water has played (and continues to play) in shaping the place. I like to point out that this location, known for its heat and aridity, is one of the best places to see the effects of water laid bare. The vast playa and salt plains in the valley are formed by water that settles there and evaporates. The Valley once held an ancient (and quite large!) lake. The alluvial fans — like that in the foreground of the photo — are laced with waterways, small and large. The present-day forms of the mountains result largely from water eroding uplifted blocks.

The location of the photograph is on one of the immense alluvial fans that descend from rugged mountains toward the playa. In this area the fan is interrupted by groupings of mostly-barren hills, many featuring darker rock, and they line up in interesting patterns. In the far distance, perhaps up to 50 miles away, lie mountains at the far southern end of the Valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

High Country Lake

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High Country Lake
An alpine lake sits in a treeless bowl below the Sierra Crest, Yosemite National Park.

High Country Lake. © Copyright 2022 G Dan Mitchell.

An alpine lake sits in a treeless bowl below the Sierra Crest, Yosemite National Park.

This is a very remote lake high in the Yosemite Sierra backcountry. For years I had visited areas a few miles away and thought about going here. Finally, on this trip — when I was again base-camped at that close location — I took a morning to wander over this way and explore this rocky basin with its shallow lake.

I looked at my map, pointed “that way,” dropped over a short ridge into forest, and headed toward this bowl. I was far from the first person to go here, but there was no trail and barely any traces of other people. (Perhaps I missed a more obvious route?) After a bit of bushwhacking the route began to climb up toward the lake and gradually open as the trees thinned. I arrived to nearly perfect solitude and silence, broken by the song of a bird or two and occasional shouts from climbers high above on a nearby peak.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands, Morning Light

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Badlands, Morning Light
Soft morning sunlight on colorful badlands terrain, Death Valley National Park.

Badlands, Morning Light. © Copyright 2022 G Dan Mitchell.

Soft morning sunlight on colorful badlands terrain, Death Valley National Park.

This area of Death Valley attracts me on almost every visit to this desert landscape. Unlike many of the places I like to visit in the park, it isn’t in the “back of beyond,” and I often photograph here on a morning when I don’t want to travel too far, for example on the final morning of a visit. Like many badlands locations, this area provides an astonishing wealth of potential photographic subjects, and their appearance changes with the light.

In keeping with the usual practice, we visited early one morning on this trip, arriving in the area before sunrise so that we would be ready for the arrival of the first light. This morning sun can be intense, but a bit of high cloudiness softened the light a bit, and this made the colors a bit more visible.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.