Tag Archives: barren

Abandoned Buildings, Leadfield

Abandoned Buildings, Leadfield
Abandoned Buildings, Leadfield

Abandoned Buildings, Leadfield. Death Valley National Park, California. April 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Abandoned buildings at the site of the Leadfield mines, Death Valley National Park

In a way there is really nothing that special about Leadfield. It is one of many, many abandoned outposts and mining sites found all over California and, for that matter, all over the West. These sites remain, though precariously in some cases, as a reminder of a number of things: history that is not all that distant, the people who must have been willing to come to such places and attempt to scratch out a living by mining, the human capacities for misleading others and for falling victim to those who would mislead, and the temporal nature of things that might seem permanent at the time.

I’m no historian, but I can share a few facts about this particular spot. In the 1920s the town – with some semi-permanent buildings and reportedly many tents – came into existence and died again in the span of less than a single year. Although the reports of ore in the area and situation that might allow it to be successfully mined were wild exaggerations or downright lies, a road was built into this rugged area, work was started on a mill, and today there is still plenty of evidence of mines all around the area. I made this photograph from the tailings pile at the entrance to what I think may be the main mine shaft, looking out over the site in what I imagine might be the direction that a person working that mine might have looked. I wonder it these people took as much notice as I did of the tiny and inconsequential appearance of the human landscape against the vast and rugged natural landscape beyond?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dead Tree and Sandstone Cliff

Dead Tree and Sandstone Cliff -A dead tree stands in front of a sandstone cliff, Zion National Park
A dead tree stands in front of a sandstone cliff, Zion National Park

Dead Tree and Sandstone Cliff. Zion National Park, Utah. April 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A dead tree stands in front of a sandstone cliff, Zion National Park.

Along the Mt. Carmel Road through Zion National Park, the higher elevation areas tend to feature a lot of lighter color sandstone, which I understand may be the remnants of ancient sand dunes. For the most part, these formations tend to be lighter in color than the strikingly red tones of the sandstone cliffs found lower in the park, in the Zion Canyon of the Virgin River for example. These “highland” rock formations have their own appeal, including a wide variety of patterns including beautiful curving shapes.

But that isn’t what you see in this photograph, even though I made it in the highland area. As we rounded a turn at one point, ahead of us and then to the right was a very large and close cliff of red sandstone, and it was still in the afternoon shade. I like shade! Not only that, but in front of this cliff were several large trees that were not only out of the shade but which were also backlit. I like back-light! So we stopped and I photographed those trees. But as I worked on them I also noticed this skeletal and very deal old snag of to one side. I like old snags! Because the rock was in the shade yet lit by reflections from across the canyon, the red tones of the sandstone were intensified. There were a couple of challenges with this scene. The overall luminosity range is not great, the colors are all affected by the reddish glow from the cliff and the light from across the small canyon, and the tonal level of the tree is not that different from that of the rocks. In order to get the tree to stand out at least a bit against the rocks (something that was more obvious on the scene and looking at it in 3D) some work was necessary in post, especially some fine work on the tree itself.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trail Canyon

Trail Canyon - Morning light angles across eroded ridges and gullies on lower slopes of the Panamint Range above Trail Canyon, Death Valley National Park.
Morning light angles across eroded ridges and gullies on lower slopes of the Panamint Range above Trail Canyon, Death Valley National Park.

Trail Canyon. Death Valley National Park. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light angles across eroded ridges and gullies on lower slopes of the Panamint Range above Trail Canyon, Death Valley National Park.

This is another photograph that I’ve been thinking about for a while, and one that I was virtually certain would be in black and white when I shot it. I’ve looked down into Trail Canyon quite a few times and tried to “see” a photograph that would somehow consist entirely of the overlapping ridges and layers of stratified rock, tilted at crazy and seemingly opposing angles. My previous photographs of this location had been made late in the day – when the light is beautiful in many directions from this overlook, but when the canyon itself is often shrouded in early shade.

I made this photograph in the morning. It was my first time at this location high in the Panamints at dawn instead of at sunset. I arrived on a cold winter morning before dawn to find no other people there and no wind. (The latter is a bit unusual here, but was certainly welcome, seeing that I would be shooting with long focal length lenses.) The first subject to shoot was the pre-dawn light on clouds high above the landscape. Then my attention moved to the first light striking various higher points within my range of view, and then followed the light as it worked its way down to lower elevations. After that I turned my attention more to guts of this canyon, but was not getting quite what I wanted at first – until the sun rose high enough to peak over ridges and begin to highlight the inner folds of the canyon as seen in this photograph. I made several different compositions, but in the end decided on this one that eliminates any extraneous elements outside of the canyon itself.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dry Wash, Twenty Mule Team Canyon

Dry Wash, Twenty Mule Team Canyon
Dry Wash, Twenty Mule Team Canyon

Dry Wash, Twenty Mule Team Canyon. Death Valley National Park, California. April 2. 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

A dry wash descends past the barren hills of Twenty Mule Team Canyon in morning shadows, Death Valley National Park.

I made this photograph on an early morning in early April a couple of years ago. I had gone to Death Valley National Park’s Twenty Mule Team Canyon to photograph some folded and eroded patterns in the upper portion of this valley, and a bit after sunrise I noticed a trail heading up a side canyon. I decided to follow it. It started out by ascending the wash shown in the photograph and eventually reached a low saddle along the eroded ridge of between this canyon and the descent to Death Valley itself. When I arrived there, as sometimes happens in Death Valley, I discovered an old vehicle track heading down into the canyon on the other side.

Since I had some other plans for a bit later in the morning, and because I didn’t see anything immediately exciting on the other side of this ridge as the route descended, I instead backtracked into this wash. As my trail crossed the broad area across from this line of hills I looked back toward the main valley and saw this sunlit s-curve in front of the somewhat shaded ridge.

Related: See my extensive posts on Photographing Death Valley

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.