Tag Archives: base

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Canyon Wall

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Canyon Wall
Broken boulders and strata at the base of a slot canyon wall.

Canyon Wall. © Copyright 2012 G Dan Mitchell – all rights reserved.

Broken boulders and strata at the base of a slot canyon wall.

These canyons are simply full of fascinating details. Unlike much of my familiar Sierra Nevada landscape, where vistas can often go on for many miles, here the size of your world is much smaller. It is constricted to the width of the canyon, the distance to the upper rims (plus some sky), and upstream and downstream to only the next bends. So you are almost forced to focus on smaller details, of which there are many.

Here my attention was drawn to the rocks. I’m no geologist, and I only know enough to speculate about these things. But a close look at the rocks in this scene show material that was created in layers. Near the upper right corner, if you look closely, you can spot a place where there is a striking convergence of angles in the strata. And although this material was laid down in horizontal layers, over time it has been pushed and stretched and lifted until the formerly horizontal now angles up distinctly to the left. There is also an interesting almost vertical fracture between the more solid (and darker) rock on the right, and the lighter color of the broken rocks stacked up on the left.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Juniper, Sandstone Cliff

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Juniper, Sandstone Cliff
An old juniper tree growing at the base of a sandstone cliff, Capitol Reef National Park.

Juniper, Sandstone Cliff. © Copyright 2012 G Dan Mitchell – all rights reserved.

An old juniper tree growing at the base of a sandstone cliff, Capitol Reef National Park.

As I recall it now, quite a few years later, this tree stands on a rise at the base of a large section of sandstone cliff in a place where a canyon makes a sharp bend. It is not a particularly remote or obscure spot, but the cliff is remarkable in terms of the late-day lighting and the patterns on the surface of the rock. The lighting was special — and challenging! — because the section of the canyon is aligned such that little direct light gets there. This means that much of the light is either from the very blue sky or reflected from very red cliffs, creating some almost otherworldly color effects.

My recollection is also that I found it a little complicated to get the compositions I was looking for here. I remember it as one of those places that is remarkable but which doesn’t necessarily present easy photographs. My archive of raw files supports this — I see a variety of different attempts at the subject, and each of them grappled with issues of juxtaposition and with objects that interfered with the composition. In fact, this version of the scene works because I found a different approach to cropping it that managed to eliminate one of this distractions.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Southern California

Spring Wildflowers, Temblor Range

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Spring Wildflowers, Temblor Range
Spring wildflowers in bloom at the base of the Temblor Range

Spring Wildflowers, Temblor Range. © Copyright 2019 G Dan Mitchell – all rights reserved.

Spring wildflowers in bloom at the base of the Temblor Range.

Let’s start with the “Temblor Range.” (First a confession: I’ve always thought that the word referring to earthquakes should be “tremblor,” not temblor. Don’t judge me!) The area of the Carrizo Plain National Monument is one of those locations where the monumental nature of the San Andreas earthquake fault, arguably the most consequential bit of geology in the state, lies out in the open where it is easy to see. The Temblor Range runs from northwest to southeast along the edge of the plain, and its base marks the precise location of the fault. Visitors can easily observe some very powerful evidence of fault movement where creeks have been offset to the north over many thousands of years. From what I read, the geological record shows a leap of over 20 feet in the 1800s and a prior movement of well over 40 feet!

Earthquake faults aside, during the spring this can be the site of truly stupendous wildflower displays. The area is normally very dry and very hot. Most summer or early fall visitors would be struck by how empty and arid the place looks — little vegetation, most of it appearing to be dead, evaporated lake beds, and lots of dust. But when the winter rains are exceptional – as there were during the middle and latter parts of this season — there can be an explosion of wildflowers. This year’s display is quite impressive, though it may not quite equal the “super bloom” of a couple of years ago. The wildflowers were my main reason for going this time, so I headed over towards this likely spot late in the day. Clouds blocked the light an hour or so before sunset, but I thought there might be a bit of light at the last minute when the sun dropped below the cloud’s lower edge before setting. It turned out that this happened… and I had all of about two minutes of soft, warm-colored light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Snow Field, Reflection

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Snow Field, Reflection
A late-season snow field at the base of rugged cliffs, reflected in the surface of a High Sierra lake

Snow Field, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A late-season snow field at the base of rugged cliffs, reflected in the surface of a High Sierra lake

I can say a few things concerning both the objective facts about this scene and about my subjective reaction to it. The facts: We walked to this lake frequently during our September photographic sojourn in the Eastern Sierra backcountry. It wasn’t far from our base camp at another nearby lake, and if we walked directly there it might take all of 10-15 minutes — though, as photographers, our walks are hardly ever direct, more often devolving into stop-and-go affairs as we are distracted by various subjects. The snow bank and the steep wall above the lake were most often in shadow, and by evening the light could become quite dim.

There are many ways I could (and perhaps did) photograph this subject, but here I wanted to focus on the contrast between the form of the bright snow field and the much darker surroundings of cliffs, talus, and shadowed lake. Late in the day a long shadow began along the talus field and gradually advanced across the lake, darkening the water and the surrounding forest and rocks. After sunset, my impression of the place was of stillness and oncoming darkness, and I wanted this version of the photograph to suggest these things.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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