Tag Archives: bif

Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Cranes, Sunrise

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Cranes, Sunrise
Cranes fly above sun rising though fog and haze

Cranes, Sunrise. © Copyright 2018 G Dan Mitchell – all rights reserved.

Cranes fly above sun rising though fog and haze

The past few weeks have not been kind to California, with yet another very dry fall leading to some extraordinarily serious late-season wildfires. In particular, the historic and tragic toll of the “Camp Fire” is on our minds. In addition to those in the area directly affected by the fire, many Californians who live elsewhere in the state have friends who lost their homes and worse. And all across the state unhealthy levels of smoke have affected millions of Californians. (As I write this, we are finally getting our first real weather front of the season and the smoke levels are diminishing a bit.)

I have long pondered how to deal with these conditions photographically. Some years ago I realized that managed fires are a good thing for our environment (and even help reduce the likelihood of first like we recently experienced), but it has still been a challenge to find ways to make “beautiful” photographs of such things. I recently made this photograph on a morning when the air was still thick with this smoke, combined with fog, almost completely muting the light of the rising sun.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Wildlife

Within The Flock

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Within The Flock
Inside the tumultuous take-off of a flock of migratory geese

Within The Flock. © Copyright 2018 G Dan Mitchell – all rights reserved.

Inside the tumultuous take-off of a flock of migratory geese

When I first started photographing migratory birds, I was astounded by the sheer numbers of them and how the flocks behave. I still am. While individuals and smaller groups are sometimes spotted, it is the very large flocks that seem the most remarkable. Sometimes they assemble slowly, a few birds at a time, until there are thousands or tens of thousands of birds. Sometimes they disperse the same way. On other occasions whole flocks move at once, and the visual and auditory experience is astonishing when it happens.

This group took off as a group, in response to some stimulus that escaped my attention. This sort of photograph is a “type” among bird photographers — a long lens photograph that tries to get inside the environment of the flock and what appears to be wild tumult as the birds move all at once.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Wildlife

Three Ross’s Geese In Flight

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Three Ross's Geese In Flight
Three Ross’s Geese in flight against cloudy winter sky

Three Ross’s Geese In Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

Three Ross’s Geese in flight against cloudy winter sky

Quite a few years ago, the first migratory birds that caught my interest in the wild were geese. I specifically recall the occasion or, more correctly, two occasions. (They may or may not have occurred on the same trip — I no longer recall for sure.) The first was on the long drive north from the San Francisco Bay Area. I had departed late in the day, planning to get a motel in the southern Oregon and then complete the drive the next day. Far up the Sacramento Valley at sunset and then on into dusk I began to see huge flocks of the birds over this agricultural landscape. I really didn’t understand what I was seeing, but I was impressed and it planted a seed.

Then, perhaps on the same trip or possibly on another Seattle visit at about this time, I drove up to the Skagit Valley area. As I drove I saw the remarkable trumpeter swans that are found there, and eventually I pulled over on a curve near some old buildings by fields. Far off in the distant sky I started to see strings of birds, and a few minutes later snow geese began landing right next to me… and they kept coming, until the entire field was filled with the white birds. You can imagine how impressed I was — I had not seen something like this before! I made the photograph shared here much later and in a different place.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Geese Take Flight

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Geese Take Flight
Ross’s geese take flight into Central California winter sky

Geese Take Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

Ross’s geese take flight into California winter sky

I have learned a lot from photographing birds — a lot about my own interests, a lot about the mechanics of photography, a lot about developing instincts, a lot about the birds, and a lot about what I/we can and cannot control in the making of photographs. The relative contributions of things including skill, persistence, equipment, vision, knowledge, and luck is a subject of much interest and something that I’m still working out. Clearly a photograph of a goose, filling the frame as it rises abruptly into the sky, does require some skill and some equipment. (I think vision is important, too, though it is hard to have a conscious vision in the fractions of a second during which such things occur.) Just as clearly, there are many things in such a photograph that the photographer cannot control, and plain old luck is very much an important elements. Over all of this is the need to be there a lot, since skill and vision and opportunity are all increased by practice.

I photograph this subject fairly often, traveling to areas where such subjects are found every winter. Sometimes nothing much happens — the light is poor, the birds are somewhere else, I’m looking in the wrong direction. But the more I’m in the field the more likely that I’ll encounter a situation that is special and the more likely I’ll be ready to do something useful with it. This was one of those lucky moments. In a place where the birds are all too often at a distance, I found them settled in nearby. I remained in my vehicle, with the camera on my lap, as I crept up very, very slowly. (At times I might have moved only a few inches in a minute.) Any time I sensed the birds going on alert I simply paused and waited. Eventually I was closer to them than I have ever gotten before in the wild, and they took less and less apparent notice of my presence. As always happens, eventually the flock took off, mere feet from my position, and I was able to make a few quick photographs of the event from a very close perspective.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.