Tag Archives: big sur

Coastal Bluffs and Trail

 Coastal Bluffs and Trail
A trail crosses springtime coastal bluffs to approach the rugged Big Sur coast south of Carmel, California.

Coastal Bluffs and Trail. © Copyright 2021 G Dan Mitchell – all rights reserved.

A trail crosses springtime coastal bluffs to approach the rugged Big Sur coast south of Carmel, California.

This is a fairly “straight ahead” photograph of a popular section of the Big Sur coastline. There are several reasons for is popularity, not the least of which is the impressive number of sea stacks and the rocky junction of sea and land. It is also in the upper section of this area, not that far from locations like Carmel and Monterey. In addition, it provides fairly close access to the coast, including the trail crossing the bluff in the lower section of the photograph.

Most of the time I would hesitate to photograph a scene like this one, instead preferring something a bit more unusual — perhaps some dramatic light or maybe some fog. But it occurred to me that in many ways this scene on this spring day embodies the ideal of “normal” along this coast with the green hills, blue sky, and darker blue water. Oh, and about that trail… should you ever decide to try it or one like it, may I remind you that a lot of poison oak grows here?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Surf, Sand, and Fog

Surf, Sand, and Fog
A wave breaks on a Big Sur coast beach on a foggy morning.

Surf, Sand, and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

A wave breaks on a Big Sur coast beach on a foggy morning.

This may be one of the “quieter” photographs I’ve posted in a while, but maybe that’s a good thing. It comes from another recent visit to the Big Sur Coast below Monterey, California. While it has been historically hot and dry in virtually all of California this year, the coastal areas have provided a welcome exception. Even on some of the days when heat (and dryness) records were toppling further inland, along much of the coast it was typical summer weather, cool and foggy. (Some folks are now referring the the current month as “Fogust.”)

We live in a San Francisco Bay Area location that, while not on or ever all that close to the water, is near enough to pick up the ocean influence, which here typically means high fog in the mornings and a breeze in the evening. On the day of this visit to the coast there was fog (and some wildfire smoke and haze) almost everywhere, but it was the thin sort that simply mutes and softens the features of the landscape rather than rendering them invisible. I stopped here to photograph something else, and after finishing that task I looked at the beach and saw this very quiet and peaceful scene of a bit of beach, a single breaking wave, and the ocean extending toward the foggy horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sea Stacks and Bluffs, Fog

Sea Stacks and Bluffs, Fog
Thinning morning fog above sea stacks and bluffs along the Big Sur coast.

Sea Stacks and Bluffs, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thinning morning fog above sea stacks and bluffs along the Big Sur coast.

Because I am fortunate to live close to some rather famous places I often find myself at certain photographic icons. Over time I have developed an odd relationship with such places — a sort of love/hate relationship. I recognize why they have become icons, and acknowledge that in many circumstances they are truly amazing places, locations that any visitor to these various parks and other locations will want to see. But over a long period of time two things changed in my thinking about them as a photographer. First, there are so many photographs of such locations that it is probably not a good use of my time to rephotograph them. (To new photographers, it certainly can be a good exercise to photograph them, if for no other reason that to think about how the great photographs of these places were made.) The second change is that, to a certain extent, they start to seem less special.

I have written before about, for example, how I most often drive past the famous tunnel view in Yosemite without even stopping. (I’ve also written about a memorable occasion when witnessing someone else’s reaction to seeing this view for the first time reminded me of what an astonishing thing it is.) Because I have visited the Big Sur coast for decades, I’m less and less inclined to stop for icons… and I’m more likely to stop at random, odd turn-outs just to see what new thing I might find. But this week as I drove past this spot and looked to my right the combination of blue water, drifting fog, and thin light on the foreground rocks persuaded me to quickly pull over and photograph this… icon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Coastal Pinnacles, Fog

Coastal Pinnacles, Fog
Rocky pinnacles rise above the rugged Big Sur coastline.

Coastal Pinnacles, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky pinnacles rise above the rugged Big Sur coastline.

On some days photography is easy. It seems that subjects are everywhere, and all of them are obvious, compelling, and beautiful. But most days aren’t like that. This week’s day trip to the Big Sur coast was great but it had its challenges. Ironically, the major challenge came from the trigger for this visit: fog. California summers can be “too beautiful,” if your idea of beauty is perfect warm blue sky days. (Though such days are increasingly affected by wildfire smoke, but I digress…) I prefer more interesting conditions, and coastal fog fills the bill. But it presents some challenges, often related to fickle local conditions. The ideal is to have just the right amount of fog, which means enough to be interesting but not so much as to kill all directional light. (A tourist stopped while I was making this photograph and, obviously distressed by the near invisibly of the nearby ocean, asked “is it always like this?)

On the plus side, there is virtually always something to see no matter where you stop along the Big Sur coast, and I “discover” some new features on every visit. For no particular reason I stopped above a small bay filled with fog, and when I walked to the edge I spotted this dramatic feature below near the edge of the surf — a peninsula with pinnacles running out toward a small island nearly obscured by the fog. I set up and made a few exposures, then settled in to way for a bit more clearing. The for was right up against the coast, and there was occasional sunlight only feet behind me, so I figured that the fog would continue to dissipate. I was wrong. Even though it was midday, when the sun usually wins out over the fog, the view became more obscure and this photograph, on of the first I made, turned out to be the keeper.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.