Tag Archives: birds

Winter Wetlands, Clearing Fog

This “quiet photograph” of winter wetlands, clearing fog, and bits of sparse vegetation is as evocative of the experience of such places as those featuring flocks of birds and winter sunrises and sunsets. The latter are remarkable and compelling features of this landscape largely because they are exceptional. Most of the time these places are quiet and still, and never more so than on a foggy morning.

Fascinating transitions of light occur as tule fog clears. The day begins in muted, gray, even oppressive darkness, with visibility measured in feet. Because tule fog is shallow it often becomes luminous as the sun begins to rise. Then, here and there, it begins to thin and break up, and soft directional light appears. Then the blue sky becomes more clearly visible, more distant features being to appear, and remnant clouds float above the landscape, and soon it is day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Geese, Winter Pond

On the best winter days, migratory birds gather by the hundreds of thousands (millions?) up and down California’s Central Valley, especially where the winter wetland ponds form. I first became vaguely aware of this decades ago on a winter drive up the Sacramento Valley on my way to Washington, when for the first time I saw multitudes of birds in the winter sky. Later a chance comment by a friend led me to a location in the delta where birds gather by thousands. Since then, I’ve been addicted to experiencing and photographing this annual wonder.

I made this photograph on a cloudy morning. The cloud shield overhead extended to the edge of the Sierra, which meant we had a brief but brilliant sunrise above the mountains. Then everything went mostly gray and hazy, and the light turned soft. These geese — largely a mixture of Ross’s, snow, and white-fronted — settled into a pond where I paused.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandhill Cranes, Wetland Pond

Sandhill cranes were the main reason that I went to the Central Valley on this winter morning. My plan was to be there before dawn — and I was! — so that I could photograph them taking flight in luminous fog at sunrise. But the fog over-achieved, and was so thick at sunrise that the birds weren’t visible at all. At that point the fog itself become my dawn subject.

As the morning wore on the fog thinned, and eventually the cranes and other birds became visible. I found a large group in a shallow pond where they had spent the night. One of the challenges of photographing groups of these birds is that much of the time their heads are down as they groom themselves or reach for the water. So I watch and wait, hoping for that instant when a few —or all! — of them raise their heads at once.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Winter Birds, Virga

An incoming storm from was just beginning to make its presence known on this morning. The front would not arrive until that night, but high clouds were already producing virga — rain that fails to fall all the way to the ground. I made the photograph as a group of migratory geese passed in front of a cloud lit by early morning light.

I’m going to give away a secret about this photograph and some others that I have made. Because I used a very long lens, I was able to isolate a small, interesting section of the sky. I frequently see small, distant, and very interesting things in the landscape. When this happens I like to use long lenses to extract them from the larger scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.