Tag Archives: black

Oaks, Meadow, Drifting Smoke

Oaks, Meadow, Drifting Smoke
“Oaks, Meadow, Drifting Smoke” — Smoke from a management fire drifts among autumn black oak trees in Yosemite Valley.

This photograph and the circumstances that led to it are a reminder about how things sometimes turn out differently than you might expect. I had left for Yosemite Valley hours before sunrise, planning to arrive in time to photograph in early morning light. Everything was going fine until I got into the lower Valley and discovered that smoke from a managed fire was blanketing the subject! I was quite disappointed as I drove along the south side of the Valley. But there I was, and there the smoke was, and I was there to make photographs — so I decided to see what possibilities might remain.

I crossed over to the north side of the valley, and looked back into the sunlight and these trees silhouetted in the drifting smoke, which was now glowing in the backlight from sunlight coming over the Valley rim. The backlight made the brown autumn oak leaves glow, and the slowly drifting smoke constantly altered the landscape, sometimes revealing and sometimes hiding features.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Black Oak Trees

Autumn Black Oak Trees
“Autumn Black Oak Trees” — Autumn black oak trees in a Yosemite Valley meadow.

When we think of fall colors, most often trees like maples or (in the West) aspens come to mind, not oak trees. But in the right light the black oaks of Yosemite Valley can put on quite an autumn color show. While the leaves tend more toward brown than yellow, when backlit they glow and the yellow tones predominate. I photographed these trees in soft backlight, and the color shift is clear.

Oaks are common all over California and the Sierra foothills, but there are some special circumstances in Yosemite Valley that enhance their appearance. Obviously, simply being in this place has some advantages! But because its cliffs are so tall, beams of sunlight appear and disappear as they move around the Valley, highlighting the trees in fascinating ways. Here a bit of light from the top of the background cliffs illuminates these trees, while the more distant forest remains in the shade.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Mono Shoreline, Dawn

Mono  Shoreline, Dawn
“Mono Shoreline, Dawn” — Dawn at Mono Lake near Black Point.

At some point on virtually every visit to the Eastern Sierra I end up photographing at Mono Lake… again. I’ve photographed the place for decades, but I still find new ways to see it on almost every visit. This time I headed to the northwest ‘corner” of the lake to watch the sun rise, and I got lucky with the beautiful sky colors and their reflection on the water.

I like photographing this subject early in the day when, with few exceptions, it is quiet and the air is often still. Sunrise light here is often special. Because the Mono Basin is vast and open to the east, there’s plenty of atmosphere (and haze!) to pick up the sunrise colors, and the sky can be very impressive. On top of that, these colors reflect on the surface of the lake. Because the large-scale scenic elements are backlit and so far away, details are usually muted, and the landscape can easily lean towards a kind abstraction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Desert Mountains, Morning

Desert Mountains, Morning
“Desert Mountains, Morning” — A sunrise view across rugged desert mountain rainges from Dantes View, Death Valley.

I arrived at this well-known location high the Black Mountains well before sunrise. I’ve photographed here in the evening, but this time I was looking for sunrise light, which first touches the peaks of the Panamint Mountains across Death Valley, then works its way down and across the valley. Aside from the moments just before and after sunrise, these things happen relatively slowly, so I had plenty of time to look around at other subjects, too, including this view of layered desert mountain ranges.

Death Valley is the star attraction here for most people, but it is surrounded by impressive mountain ranges on all sides, and most of them are visible from this ridge. They stretch off into the far distance to the southwest. (Yes, somewhere in that direction lies Los Angeles!) The photograph looks southward along the flank of the Black Mountains, then across salt flats in Death Valley, and on toWard far more distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.