Tag Archives: black and white

Photographs: Night, Photographs: People, Photographs: San Francisco, Photographs: Urban/Street

At the Counter

Leave a comment
At the Counter
A group of people at a coffee shop counter at night

At the Counter. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A group of people at a coffee shop counter at night

This is the first of a group of two more photographs I’ll post from a recent bit of street photography in San Francisco, done on a Friday evening when I joined a small group of other photographers to photograph mostly after dark in urban areas. This on perhaps indulges my inner Edward Hopper a bit — I’m often fascinated by business windows at night and the idea of looking in from the outside to see whatever world is inside.

The photograph was a quick “grab” as I walked past this coffee shop and noticed the group of four people at the window-facing counter, each doing something different and each apparently unaware of the others. (And, of course: these are the places we all sit when we stop in coffee shops alone, right?)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Doorway, Stairs

1 Comment
Doorway, Stairs
A doorway opens to a lighted passageway and ascending stairs.

Doorway, Stairs. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A doorway opens to a lighted passageway and ascending stairs.

A small group of photographers was exploring portions of nighttime San Francisco on a recent evening, making their way from North Beach through Chinatown and towards the Union Square area. As we photographed and walked the light transitioned from evening (with some sun visible in places) to dusk (as lights came on) and then to darkness — at least as dark as it gets in this City on a Friday night. Our path took us to some areas that are not as frequently visited by tourists, but it also took us straight down a section of Grant Avenue.

Grant Avenue is what comes to mind for many people when they think of San Francisco’s Chinatown. Grant is the touristy “main drag” of the area, lined with a range of shops and business and restaurants, many of which appeal to tourists. At night much of this area shuts down, though restaurants remain open — but even as things close the light remains interesting. So we walked down Grant, stopping to photograph various things along the way. At one point we passed this somewhat mysterious doorway. Most such entrances are closed up tight, usually with a locked gate in front, but this one was open and light from the stairway inside flooded out onto the sidewalk. The walls around the door are painted in many colors, and ambient lighting adds another layer of color. My first thought was to make this a color photograph, but as I looked at it in post that seemed just a bit too obvious so I went with this monochrome rendition instead.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Imaginary Landscapes, Photographs: Nature, Photographs: Ocean & Coast

Monsoonal Clouds, Pacific Ocean

Leave a comment
Monsoonal Clouds, Pacific Ocean
“Monsoonal Clouds, Pacific Ocean” — Monsoonal clouds above the Pacific Ocean, Big Sur coast, California

Driving along the central California Big Sur coastline in mid-July we experienced a very unusual coastal summer day. Summers in this area typically feature morning and evening fog and relatively cool temperatures, interspersed with clearer days when the temperatures might rise to near 70 degrees. But for a few days this July, California was affected in an unusual way by a dissipating tropical storm and the early phase of El Niño, and we had unusual light and atmosphere. There were thunderstorms, some of them quite heavy. The ocean was smoother than usual and the swell came from the south rather than the north. Layers of monsoon clouds filled the sky.

This photograph belongs to what I categorize as both minimalist and imaginary landscapes. I wrote more about this in my previous post, so I’ll keep it short here. The idea is to work with simple materials and often not with an obvious central subject, to focus on some kind of subjective reality rather than creating the illusion of objective depiction.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Imaginary Landscapes, Photographs: Nature, Photographs: Ocean & Coast

Pacific Ocean, Clouds

Leave a comment
Pacific Ocean, Clouds
“Pacific Ocean, Clouds” — Monsoonal clouds above the Pacific Ocean horizon, Big Sur, California

This photograph and the one that will follow it belong to a small sub-thread in my photography, but a thread that means a lot to me. I think of these photographs as both imaginary and minimalist landscapes. They are “imaginary” in that they are about the subjective experience of the place and an invented or focused way of seeing it, and they are “minimalist” in that they are about simple forms and patterns, and because they often include large “empty” or near empty areas. These are not remotely photographs that are attempting to show the objective nature of places. They are photographs that are about some subjective way of seeing things. I often say that “all photographs lie,” but it might be more honest to say that “all photographs have a point of view.”

I’m not sure that the specific location or subject is all that relevant to this photograph, but since it is my habit to say something about that when I share photographs online, here goes. We spent a few days along the central California coast in mid-July. This is a very familiar place, but several things were unusual this time — and they may have put me in a somewhat different perceptual state. Monsoonal moisture was streaming up the coast from a Pacific Ocean tropical storm near Mexico and bringing clouds and even heavy rain to parts of California, a very unusual situation here. An anomalous plankton bloom turned big areas of the ocean and Monterey Bay an unusual blue-green aqua color. (That is probably the source of the light patch in the water in this photograph.) The swell was out of the south rather than the more typical northwest, and the water was much smoother than is typical, creating unusual reflections of sky and coastal bluffs.

COMMENT OR QUESTION? Scroll down to the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.