Tag Archives: black and white

Trees and Boulders

Trees and Boulders
Trees grow behind a large boulder below Yosemite Valley cliffs.

Trees and Boulders. © Copyright 2023 G Dan Mitchell.

Trees grow behind a large boulder below Yosemite Valley cliffs.

This photograph and its companion (to be published here within a day) are both black and white — which I suppose connects to my earliest roots as a photographer. Decades ago when I was a child my father encouraged me and my siblings to make photographs, first using old-school Brownie cameras and later graduating to his loaners. Before long he took us into his home darkroom (a temporarily converted bathroom) and taught us to make prints. He also had a collection of photography books on a shelf that I could reach. The first landscape photograph I recall making — black and white of course — was in Yosemite Valley.

This one comes from my late May epic one-day up-and-back trip to photograph in the Valley. While the best light is early and late, on these quick visits there’s no time to waste, and I keep at it almost all day long. I made this photograph in the mid-afternoon, beneath cliffs on the north side of the Valley. This photograph posed a significant technical challenge, as the difference between the deeply shaded rock face and the brightly lit clouds at upper right was extreme. What to do? Approach like any old school photographer and make an exposure with sufficient image data to bring it to life in post!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Distant Mountains

Distant Mountains
The view toward the distant Sierra Nevada from the crest of the Panamint Mountains on a hazy evening.

Distant Mountains. © Copyright 2023 G Dan Mitchell.

The view toward the distant Sierra Nevada from the crest of the Panamint Mountains on a hazy evening.

Here is yet another photograph from a high place in Death Valley National Park, from which the peaks of the Southern Sierra Nevada are visible in the distance. I made the photograph late in the day, shortly before sunset. This explains the deep shadows on the foreground hills and the luminous quality of the back-lit atmosphere.

The distant peaks of the Sierra are familiar to me, and from this location and a few others in the park I looked at them through binoculars and long lenses and relived Sierra adventures from many past seasons. These include some wonderful trips around and out of the Cottonwood Basin area, various ascents of Mt. Whitney, and more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning Dunes

Morning Dunes
Sand dunes and shadows in early morning light.

Morning Dunes. © Copyright 2023 G Dan Mitchell.

Sand dunes and shadows in early morning light.

Sand dunes provide an endless laboratory for experimenting with curves, light, shadow, and texture. To the best of my memory, I have never failed to photograph then during a visit to Death Valley National Park, and some of the dunes have become old friends. But that long familiarity doesn’t eliminate surprises, and I discover something new on every visit.

I photographed this scene on a late-March morning, back when the weather in the region was still more like winter than summer. In fact, this clear and pleasant morning was a bit of an exception, and we encountered snow, high winds, and rain at other points during our visit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Valley to Mountains

Valley to Mountains
An expansive view of rugged Death Valley National Park desert mountain landscape.

Valley to Mountains. © Copyright 2023 G Dan Mitchell.

An expansive view of rugged Death Valley National Park desert mountain landscape.

I don’t think most people think of Death Valley as a “mountain park” along the lines of Yosemite, Rocky Mountain, Sequoia-Kings Canyon and similar places. Most of the popular routes and sights are in valleys, including the great one that gives the park its name. But there are mountains, spectacular and very tall mountains, and it is possible to venture into them. This view comes from a place high in the Panamint Range, to the west of the main valley, topped by 11,000+’ Telescope Peak.

I made the photograph close to sunset, when long shadows began to highlight the textures of the terrain. This high perspective reveals features that are difficult to fully appreciate close-up. For example, it is very hard to get a sense of that remarkable terrain formed by flowing water at the bottom of the frame. Desert mountains rise behind, and beyond them is the Amargosa Valley and even more distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.