Tag Archives: black

Evening Shadows, Death Valley

Evening Shadows, Death Valley
The evening view down Trail Canyon, across Death Valley, and to the Black Mountains

Evening Shadows, Death Valley. Death Valley National Park, California. April 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The evening view down Trail Canyon, across Death Valley, and to the Black Mountains

The first day of any trip to Death Valley is often a long one for me. Typically it begins with a very early departure from the San Francisco Bay Area for the long drive down the Central Valley, east over Tehachapi Pass and then back to the north to reach the park. This year’s journey to the park was even longer since I took a first-day detour and briefly joined friends on the Carrizo Plain for an evening and a morning of wildflower photography. But the time I was on the road the second day it was mid-morning, and I arrived in Death Valley in the mid-afternoon to find winds and dust kicking up in the Valley. Not looking forward to camping in those conditions, I reconsidered and headed up to Wild Rose Canyon, where the mountains can provide some shelter.

I got there and found plenty of campsites. I grabbed one and just sat around for a while, recuperating from too much time behind the wheel. However, I knew that I wanted to do some photography on this first evening, so I worked up the energy to rise from my camp chair and head out to a favorite spot along the ridge of the Panamint Range. Often my Death Valley visits combine return visits to places I know well and want to continue to explore photographically with visits to places I haven’t been before. This spot is a very familiar one by now, and it seemed like and almost sure bet for this first evening. It was hazy — remember the wind and dust I just mentioned? — but as the color of the light warmed near the end of the day the landscape’s features became a bit more visible. This photograph looks across Trail Canyon in the foreground, with the late-day shadows already concealing the features of the ridge, toward the main portion of Death Valley, with its large salt flats. Beyond lie the Black Mountains and the southern boundary of the park, with further mountains just barely visible through the distant haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Lenticular Clouds, Death Valley

Lenticular Clouds, Death Valley
Dawn lenticular clouds from above the Black Mountains and Death Valley

Lenticular Clouds, Death Valley. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dawn lenticular clouds from above the Black Mountains and Death Valley

After a cold and windy final night camping in the Panamint Mountains of Death Valley National Park this spring, I woke up early and headed to an overlook along the summit ridge for the range before dawn. The most typical experience here is to watch the sun rise into clear skies above the desert landscape, but this time a weather system was approaching. It was cold, extremely windy, and the sky was filled with dark clouds. The only sunrise color I saw was along a distant band of light at the horizon, produced by clearer skies far to the southeast.

I had seen the giant lenticular cloud forming the previous afternoon. These clouds are almost a part of the landscape at times, arising in predictable locations and formed by interactions between the atmosphere and features such as mountain ridges. Unlike other clouds, the lenticular can remain almost stationary for long periods of time — but this is the first time I’ve awakened to see clouds from the previous day still there. The choice to use a monochrome interpretation allowed me greater interpretative latitude in the final image, and this let me draw attention to certain shapes mirrored by the clouds and the geology in the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Edge Of The Valley

The Edge Of The Valley
Evening light on golden hills and a wash at the base of the Black Mountains

The Edge Of The Valley. Death Valley National Park, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light on golden hills and a wash at the base of the Black Mountains

I often use a sort of scheduling strategy when photographing in Death Valley. I get up before dawn and start with some subject that works will in the first light, and then I work a second subject that is promising in somewhat later light. Following a midday break (spent in camp or perhaps traveling to a more distant location) I reverse course later in the day, starting with a subject that works in non-golden hour light and then moving to one that works well around sunset and beyond. If conditions are right, I may even add a night subject! The second morning subject and the first afternoon subject are often canyons of one sort or another, where the edge-of-the-day light can be too dim, but where later light from a higher sun can be wonderful.

I had begun this afternoon’s photography with such a subject, one of the canyons along the eastern side of the valley. In the 90 degree plus afternoon heat I loaded up my pack with camera gear and water and slowly wandered into a narrow canyon where there was beautiful shade and somewhat moderated temperatures. Eventually it was time to return from the canyon and I reversed course and emerged from the mouth of the canyon during golden hour. This time I didn’t even have to travel to the final location since I was already there! At the time I made this photograph the long shadow of the Panamint range had stretched almost all the way across the valley and would soon steal the light from these hills, but for a few moments the golden light produced lengthy shadows and a colorful glow on the hills and along the wash emerging from the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Predawn Clouds Above The Black Mountains

Predawn Clouds Above The Black Mountains
Lenticular clouds build over the Black Mountains before dawn, Death Valley National Park

Predawn Clouds Above The Black Mountains. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lenticular clouds build over the Black Mountains before dawn, Death Valley National Park

Death Valley can be a tough place in general and a tough place for photography in particular. My recent trip in April of this year might be a case in point. The photography was not easy, and I faced different sorts of challenges almost every day. During the morning and evening hours when I typically look for “golden light” subjects, I had rather thick clouds on almost each day. Wind is often a challenge in the park, and this trip was no exception. And with the wind comes dust — yes, I dealt with dust storms on multiple days. On one morning I arrived at what I thought was my location in pre-dawn murky light, loaded up a pack, and wandered out into the landscape… only to realize once the light came that I was in the wrong place! While this sort of thing can make the photography edge a bit more difficult, I know that it comes with the territory, so I’m philosophical about it. If you are out there enough to encounter astonishing conditions, it is not a surprise when you find yourself at the opposite end of the bell curve on occasion. And when this does happen, if I just open myself to the terrain and look more carefully I can almost always find something.

On my second-to-last day of photography in the park I packed up my camp and left one of the popular campgrounds, with a plan of putting myself in a more isolated location, one of several that I had in mind. However, as I drove up the Valley a storm wind began to rise from the south, and soon clouds of dust and sand were filling the air and blowing north towards the places I thought I would visit. I wasn’t in the mood for camping in a dust storm so I switched gears and decided to head up into the Panamint Range where I thought the terrain might give me some protection. I arrived and set up my “camp” (which, in this case, was mostly my vehicle, in which I would roll out a sleeping bag), and almost immediately clouds filled the sky and a strong wind raced through the campsite. I hunkered down, at some dinner, and realized that this was not going to be a photography evening. The next morning, my final in the park on this trip, I was up and out of the campground at around 5:00, heading out on a gravel road to a high place with a grand panorama. As the first light appeared it became clear that the clouds had not gone away, and my hopes of a colorful sunrise were not going to be rewarded. I arrived at the destination to find that gale-force winds were raking the summit ridge. But I was there, I had my camera, I figured something might happen, so I got out and watched the sky lighten. Soon I saw this remarkable lenticular cloud formation to the southwest above the Black Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.