Tag Archives: blown

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Creosote and Dunes, Evening Light

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Creosote and Dunes, Evening Light
Creosote plant in eveing light as wind-blown sand softens the contours of receding dunes.

Creosote and Dunes, Evening Light. © Copyright 2022 G Dan Mitchell – all rights reserved.

Creosote plant in eveing light as wind-blown sand softens the contours of receding dunes.

This is (yet another!) photograph that demonstrates the conjunction of a range of things: planning, good luck, responding quickly to conditions, and more. Regarding the planning, I had made a long drive to a place a mile or so from this spot, where I set up a primitive camp and waited for the late-day light. A lot of good luck was involved — this was my first time at this location, so I had to make some guesses about where to be when the evening light arrived… and the guesses turned out pretty well.

As to conditions, several things were happening here. First, it was extremely windy, so I made some decisions about camera setup to deal with that. I made the exposure during a short interval of less wind. Second, there was only a brief interval when the light acquired the warm, evening color, and then the shadows from a low mountain range to the west “turned out the lights.” If you look closely you can already see some shadows starting to creep into the edges of the frame.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Desert, Photographs: Nature, Photographs: Northern California, Photographs: Owens Valley

Three Towers, Morning

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Three Towers, Morning - Three tufa towers in morning light, surrounded by wind-blown patterns on the surface of Mono Lake, California.
Three tufa towers in morning light, surrounded by wind-blown patterns on the surface of Mono Lake, California.

Three Towers, Morning. Mono Lake, California. July 14, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Three tufa towers in morning light, surrounded by wind-blown patterns on the surface of Mono Lake, California.

In mid-July I was in the Tuolumne/Tioga Pass area of the Sierra for a few days of photograph. In the end, I decided to stay over one extra night so that I could drive down to photograph around Mono Lake early in the morning before heading home. I was up before dawn, quickly in my car, and down to the shoreline of Mono Lake before sunrise. My first objective was to try to photograph sand tufa formations – not the more famous tufa towers. I found what I was looking for, and spend the sunrise period photographing them in first light. However, this opportunity quickly ended, so I turned my attention to the lake itself, along with its surroundings of low hills.

While the tufa towers are the iconic visual symbols of Mono Lake, I have some other and perhaps strong associations with the place. Most of them are connected to a time of day, early morning, when I most often visit. They involve near silence, broken only by the sounds of the many gulls and other birds that are found in and around the lake. In my memories, the air is still, and it is warm, the warm of early an early desert morning that holds the smell of sage and dust. And while the moment of sunrise is what I often go there to find, in the end it is the light that comes a bit later that sticks most in my mind. This light is bright – almost too bright to look into if the lake is hazy – and it is blue with distance. This is the light that I saw on this morning, with a bit of very light breeze forming slight patterns on the surface of the lake near three isolated tufa towers.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Fallen Aspen Branch, Snow

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Fallen Aspen Branch, Snow
Fallen Aspen Branch, Snow

Fallen Aspen Branch, Snow. Sierra Nevada, California. October 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A small aspen tree branch blown down by an early fall storm rests on snow, North Lake, California.

Time to share aspen photos again! Each fall when the aspens change colors I head to the eastern Sierra to go aspen hunting! I made my first foray of the season this past weekend. I visited a number of the usual places – Bishop Creek, McGee Creek, Rock Creek, and Lee Vining Canyon. I’ve come to think that every aspen color season has a personality, defined by how and when and with what intensity the color appears, along with the related issues of the changing weather.

This year I think (from what I’ve heard) that the higher elevation trees were just changing colors about a week ago… before a strong early season storm came across the Sierra, dropping temperatures and quite a bit of snow. Over the weekend I saw up to about one foot of snow in places, which is an unusual amount for so early in the season. The aspen color was not exactly astonishing, and I think that the weather may be at least partially to blame. It seems that many of the mature colorful leaves were knocked down by the storm, and others that might now be colorful instead turned black and brown. While there was some interesting color, in many places I saw trees with leaves missing or trees that were almost fully still green.

The good news to take away from this is that since the lower elevation trees are still very green, there should be some fine aspen color very soon.

But I’ve often thought that a single leaf can be enough to make a photograph, and sometimes the single leaf can make a more effective image than a huge, colorful grove spanning many acres. So when I find that the color isn’t what I expected, one response is simply to look harder. As I walked along the road that passes North Lake, many of the subjects that I might have expected to photograph were nowhere to be seen. There were not large, spectacularly colorful trees. There was quite a bit of snow on the ground. So I looked harder… and one of the subjects I noticed was this single, small branch full of intensely colorful leaves lying on the snow.

G Dan Mitchell Photography
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What Does “Purist” Mean?

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So, let’s say you happen to be spending some time in a popular place doing photography and other things. In the course of your day you wander down to a spot that is very popular with tourists, and you discover an interesting and impressive-looking gallery of photographs. You go inside and read about the photographer – a self-described “purist” who says the photographs show the scenes as they were at the time of the exposures and don’t use fancy and artificial post-processing.

But all but a few of the photographs look like the saturation slider in Photoshop was pushed up to about 100. (OK, I exaggerate… a bit! :-) Highlights in clouds and such are blown out. Shadows are blocked. And colors are pushed in odd and impossible directions.

You understand why such an approach is appealing to folks unfamiliar with fine photographic work, especially when the presentation and pricing of the prints screams “This is Great Photography!” But you’ve seen really, really fine photographs that did not depend on heavy-handed post-processing. In fact, among the photographs in this collection you see a few that take the high road and don’t go over the top, and which remind you of some of those other fine and subtle and sophisticated prints – and which even inspire you a bit.

The artist’s statement keeps coming back to you – the business about being a “purist” and about not post-processing and about presenting in the photographs an unadulterated and real vision of the original subjects.

What do you do? Do you get mad? Do you laugh? Do you try not to think about it? Something else?

Just wondering…

BTW: A few things for the record:

  • I am not criticizing any specific photographer, but rather thinking about an issue that we might all have to deal with.
  • You do not know what photographer (or “popular place!”) I might be writing about – and since the specifics don’t matter I won’t confirm or deny anyone’s guesses.
  • Consider the possibility that I might have just made up the whole story as a literary device for this post… :-)