Tag Archives: blue

Photographs: Nature, Photographs: Sierra Nevada

Clearing Storm Clouds

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Clearing Storm Clouds
Blue sky appears as storm clouds dissipate above the Eastern Sierra Nevada.

Clearing Storm Clouds. © Copyright 2022 G Dan Mitchell.

Blue sky appears as storm clouds dissipate above the Eastern Sierra Nevada.

Perhaps the most interesting skies are associated with transitions from one kind of weather to another. This includes not only the arrival of storms but also their departure. If the storm has been large and long, the first hints of its passage bring a feeling of home and light. Thinner areas appear in the cloud cover, in some places the sky becomes more blue than gray, perhaps a bit of sunlight shines through. The storm usually doesn’t depart all at once — more likely in fits and starts as lingering clouds move in and out.

After more than 24 hours of mostly rain, some of it heavy, the clearing finally began in the very late afternoon of the second day of our Sierra backcountry visit. At first we mostly just noticed that the rain had stopped, even though the clouds were thick and gray. We left our tents and wandered out to overlooks, hoping to make some photographs. Gradually the clouds rose higher, and gaps began to appear. Soon a bit of light came over the ridge to our west and the clouds over the lowlands to the east began to break up, revealing blue sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

After the Storm

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After the Storm
“After the Storm” — Brilliantly colorful clouds above the Eastern Sierra as a summer storm clears at sunset.

Every so often, if you are out in the field enough, nature serves up light and color that can seem almost unreal. These exceptional moments are rare, but they are memorable when they happen. Sometimes they are predictable, but more often they seem to emerge from conditions that don’t seem likely to lead to extraordinary light — the cloudy aftermath of clearing storms, thin clouds that dissipate at sunset to reveal the sky beyond, beams of light that sneak in under a cloud deck. This was one of those times.

After more than twenty-four hours of mostly rainy conditions, the precipitation stopped and the clouds thinned a bit… and we photographers headed out to see what we could find. At first, the conditions were not promising. Low clouds obscured peaks and the light was a bit flat. But before long the clouds began to thin behind peaks to our west, and there was hope that some light might come through. And then, just at sunset — as the sun dropped below the edge of the cloud deck far to the west — the clouds began to glow in shades of red and orange, against a background of darker clouds. and deepening blue sky. I made several photographs of the landscape that included the clouds, but in this one I decided to just let the clouds be the full show.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Reflection Deception

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Reflection Deception
The glass surface of a New York building reflects and distorts its surroundings.

Reflection Deception. © Copyright 2022 G Dan Mitchell.

The glass surface of a New York building reflects and distorts its surroundings.

Scenes like this are, of course, common in big urban centers that are filled with tall, modern buildings. This one comes from Manhattan. One striking difference between many new buildings and those from a much earlier era is that today the surfaces are often nearly 100% windows and, as such, the buildings are extremely reflective. A few years ago it occurred to me how odd it is that what we see when we look at these buildings today is mostly not the buildings at all. The building is essentially invisible beyond the slender outlines of frames between windows. The “surface” we see is composed of other things — sky, clouds, other buildings — that are distorted by the qualities of the reflective surface. (I have an idea for a photo project: Remove all of the reflective surfaces from images of these buildings, leaving only the minimal structural elements that are actually visible.)

These buildings are one reason that I often refer to these places and photographs of them as “urban landscapes. There is a continuum in landscape photography. At one end lies subjects that are entirely “natural” — or at least seem to be so. Somewhere in between we enter the realm of historic landscape paintings, in which it was common to include the human presence. Continue along that trajectory far enough, and it is possible to see cities as being just a different sort of landscape, and that way of seeing leads to different ways of photographing them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Blue Stone

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Blue Stone
Detail of fractured blue stone with colors intensified by light from overcast sky.

Blue Stone. © Copyright 2022 G Dan Mitchell.

Detail of fractured blue stone with colors intensified by light from overcast sky.

At some point on almost any backcountry trip I end up spending time looking at things that I might not notice and photograph at first. The initial focus is often the grand landscape of mountains and valleys and trees and rivers — but eventually I focus on the more “intimate” aspects of the landscape. Among these are the infinitely varied patterns and colors of rock, miniature landscapes of textures and fractures and more.

While walking back and forth between our camp and a nearby high point from which I photographed the larger landscape I had noticed several bands of interesting rock and made a mental note to return to them. A few days into our stay that moment arrived and I spent a few hours wandering slowly through this area, looking intently and finding more to photograph than I had initially seen. The intense color of these rocks is partially due to their innate blue tint and partly due to photographing them when they were in shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.