Tag Archives: blue

Baby Blue Eyes

Baby Blue Eyes
Baby Blue Eyes flower against green spring plants.

Baby Blue Eyes. © Copyright 2019 G Dan Mitchell – all rights reserved.

Baby Blue Eyes flower against green spring plants.

Since the pandemic lockdown began almost three months ago, I’ve made it out into the “wild” only a couple of times. Recently the authorities in our area loosened things enough to permit visits to hiking trails in the surrounding hills. I’ve gone early in the morning on weekdays, when fewer people are there, and I’ve stuck to wider trails that used to be dirt roads. It was great to get out — as recently as last Friday — but I did miss most of this year’s wildflower season around here.

This photograph comes from a favorite place along a little trail through a small valley not far from the trailhead. The trail descends into this valley under a canopy of trees and frequently crosses small creeks. Even on warm days it is a place of quiet and dark refuge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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StRata, Morning Light

Stata, Morning Light
Early morning light on eroded strata with contrasting colors, Death Valley National Park.

Strata, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early morning light on eroded strata with contrasting colors, Death Valley National Park.

This photograph is an example of the transitory nature of light — and how this factor puts the lie to the notion that landscape photography is something always done slowly, at leisure. That is sometimes possible, but more often the most interesting light is fleeting, there only for an instant and sometimes passing its peak before you realize it. Here the layers of colorful strata are in a small canyon, and the light is blocked early in the morning by hills on the other side, behind the camera position. Once the light does arrive, the shadows move down the landscape quickly, and the interval when the light is ideal is brief.

This photograph is also an example of finding balance between an “objective capture” of the scene, a photographic representation of “what it looked like to me,” and something extreme or even fantastical. You have perhaps seen other photographs of these colorful strata, with shades of red, yellow, blue, green and more. Such colors are striking, but they are often quite subtle. In flat or harsh light they are less intense than what you see here. Even in great light and with the kinds of post-processing that I do, the colors are still not exactly intense. I think this subtlety is part of the beauty of these features, and this is lost when the photographer pushes things too far.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Blue Dunes

Blue Dunes
Death Valley sand dunes in evening light.

Blue Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

Death Valley sand dunes in evening light.

Among the things I have learned — or perhaps relearned with greater certainty — during this time of semi-isolation when we are unable to travel to the places we long to see and photograph is that I often overlook photographs with potential as I focus on the most obvious things and as I rush to move forward to the next project. During the past six-plus weeks I have been digging into archives of raw files that I left behind last year, and I’ve discovered some overlooked images that I now find interesting.

I made this photograph on a spring evening. I had been photographing sunset light on dunes and mountains, and I kept photographing (of course!) after the sun set and the light diminished and softened. I made only a single exposure of this particular view of this subject, perhaps thinking that the presence of a few sand-filled footprints across the dune might “ruin” the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Morning, Dune Shadows

Morning, Dune Shadows
Sand dunes with blue-tinted shadows and scattered creosote plants in soft morning light.

Morning, Dune Shadows. © Copyright 2020 G Dan Mitchell – all rights reserved.

Sand dunes with blue-tinted shadows and scattered creosote plants in soft morning light.

As I usually do when photographing here, I arrived very early and began my walk out to a less-busy area of the dunes well before sunrise. The dawn and sunset transitions between night and day move quickly and, of course, present some of the most interesting visual opportunities. I photograph right though these transitional periods, often working quickly to try to take advantage of as many of the transient opportunities as possible.

When I look at this photograph I recall many things from this morning and others like it. The air is still and only hinting at the intense heat that will arrive later. As the first sunlight hits the tops of the dunes there is a striking contrast between the warm colors in the light and the blues in the shadows, where the light comes from the overhead bowl of the blue sky. As sun rises higher the light intensifies and the color gradually becomes less intense, providing new photographic opportunities.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.