Tag Archives: blue

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Morning, Dune Shadows

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Morning, Dune Shadows
Sand dunes with blue-tinted shadows and scattered creosote plants in soft morning light.

Morning, Dune Shadows. © Copyright 2020 G Dan Mitchell – all rights reserved.

Sand dunes with blue-tinted shadows and scattered creosote plants in soft morning light.

As I usually do when photographing here, I arrived very early and began my walk out to a less-busy area of the dunes well before sunrise. The dawn and sunset transitions between night and day move quickly and, of course, present some of the most interesting visual opportunities. I photograph right though these transitional periods, often working quickly to try to take advantage of as many of the transient opportunities as possible.

When I look at this photograph I recall many things from this morning and others like it. The air is still and only hinting at the intense heat that will arrive later. As the first sunlight hits the tops of the dunes there is a striking contrast between the warm colors in the light and the blues in the shadows, where the light comes from the overhead bowl of the blue sky. As sun rises higher the light intensifies and the color gradually becomes less intense, providing new photographic opportunities.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

At The Edge Of The Dunes, EVening

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At The Edge Of The Dunes, Evening
Evening light on sand dunes, Death Valley National Park.

At The Edge Of The Dunes, Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

Evening light on sand dunes, Death Valley National Park.

Much of Death Valley consists of landscape laid bare, with the earth itself exposed in ways that aren’t seen in other landscapes where forests and meadows dominate. Even the places where sagebrush and similar desert plants grow are only thinly covered, and other than a short period each year these plants have the same colors as the earth.

At first this can seem, well, barren. But after you make a few adjustments this sort of landscape presents remarkable opportunities. Of course, this landscape turns out to be less barren than you first thought. Perhaps a single bush can be more remarkable when it stands alone. But even more important, the quality and color of light become more evident as it works its magic on this ostensibly barren place.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

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Weathered and cracked numbers painted on the wall of an old San Francisco hotel

50. © Copyright 2019 G Dan Mitchell – all rights reserved.

Weathered and cracked numbers painted on the wall of an old San Francisco hotel.

Photographs like this one have, at least for me, several purposes or rationales. To some extent, walking into a regular city environment and looking for little visual odds and ends is an important exercise in visual awareness. It is so easy to walk through such places and not pay a lot of attention, and when you do so while searching for images you see things that you’d otherwise miss. It is also interesting, I think, to “excerpt” small things from their larger context. (This bit of signage, is small enough that you might barely notice it if you took in the whole building at once.) With this one there is also a bit of that odd characteristic of some photographs, where their age — or the age of the subject — becomes somewhat interesting on its own.

So, what is it? It is a bit of a hand-painted street number sign on a very old (and somewhat iconic) building on a street in San Francisco that I often walk on these street photography visits. What else is it? It is color and form, abstracted to some extent from its original context. But not entirely abstracted, since if you look closely you might notice the extremely weathered and cracked paint and you might wonder about the history of this little bit of a sign, especially in an era when one-of-a-kind hand-painted signage is increasingly replaced by industrial signage.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Near Point Sur

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Near Point Sur
Morning fog clears above a long beach and coastal bluffs near the mouth of the Little Sur River and Point Sur

Near Point Sur. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning fog clears above a long beach and coastal bluffs near the mouth of the Little Sur River and Point Sur.

The summer/fall seasonal boundary is not necessarily my favorite time to visit the California coast, but sometimes I get lucky! Although it may seem counter-intuitive to folks who aren’t familiar with this region, the beginning of autumn is generally the sunniest and warmest time of the year on the coast. And while that may seem like great news to people who go to the coast to visit beaches — and who want warmth! — as a photographer I prefer more “interesting” conditions: large surf, clouds, incoming and departing storms, or at least some fog!

The weather report wasn’t promising on this day — it looking like the coast would (literally) be “clear.” But since I had the morning free I headed towards the area south of Monterey anyway. The first hint that the weather reports might be wrong in a delightful way came halfway there when I entered thick inland fog that clearly had come from the coast. Monterey Bay was largely socked in, and below Carmel the fog was still reaching up into coastal hills. As I approached this familiar bay, where the Little Sur River reaches the ocean just above Point Sur, the fog was intermittently thinning and rebuilding, so I stopped in a high location and waited for the right conditions to emerge.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.