Tag Archives: blue

Photographs: San Francisco, Photographs: Urban/Street

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Weathered and cracked numbers painted on the wall of an old San Francisco hotel

50. © Copyright 2019 G Dan Mitchell – all rights reserved.

Weathered and cracked numbers painted on the wall of an old San Francisco hotel.

Photographs like this one have, at least for me, several purposes or rationales. To some extent, walking into a regular city environment and looking for little visual odds and ends is an important exercise in visual awareness. It is so easy to walk through such places and not pay a lot of attention, and when you do so while searching for images you see things that you’d otherwise miss. It is also interesting, I think, to “excerpt” small things from their larger context. (This bit of signage, is small enough that you might barely notice it if you took in the whole building at once.) With this one there is also a bit of that odd characteristic of some photographs, where their age — or the age of the subject — becomes somewhat interesting on its own.

So, what is it? It is a bit of a hand-painted street number sign on a very old (and somewhat iconic) building on a street in San Francisco that I often walk on these street photography visits. What else is it? It is color and form, abstracted to some extent from its original context. But not entirely abstracted, since if you look closely you might notice the extremely weathered and cracked paint and you might wonder about the history of this little bit of a sign, especially in an era when one-of-a-kind hand-painted signage is increasingly replaced by industrial signage.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Near Point Sur

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Near Point Sur
Morning fog clears above a long beach and coastal bluffs near the mouth of the Little Sur River and Point Sur

Near Point Sur. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning fog clears above a long beach and coastal bluffs near the mouth of the Little Sur River and Point Sur.

The summer/fall seasonal boundary is not necessarily my favorite time to visit the California coast, but sometimes I get lucky! Although it may seem counter-intuitive to folks who aren’t familiar with this region, the beginning of autumn is generally the sunniest and warmest time of the year on the coast. And while that may seem like great news to people who go to the coast to visit beaches — and who want warmth! — as a photographer I prefer more “interesting” conditions: large surf, clouds, incoming and departing storms, or at least some fog!

The weather report wasn’t promising on this day — it looking like the coast would (literally) be “clear.” But since I had the morning free I headed towards the area south of Monterey anyway. The first hint that the weather reports might be wrong in a delightful way came halfway there when I entered thick inland fog that clearly had come from the coast. Monterey Bay was largely socked in, and below Carmel the fog was still reaching up into coastal hills. As I approached this familiar bay, where the Little Sur River reaches the ocean just above Point Sur, the fog was intermittently thinning and rebuilding, so I stopped in a high location and waited for the right conditions to emerge.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Late Season Wildflowers

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Late Season Wildflowers
A patch of late-August lupine flowers in the John Muir Wilderness

Late Season Wildflowers. © Copyright 2019 G Dan Mitchell – all rights reserved.

A patch of late-August lupine flowers in the John Muir Wilderness.

Over the years I’ve seen some outlier seasons in the Sierra Nevada. A few years ago we experienced a serious five-year drought that left the range dry very early in the season, producing summers that were mostly brown up high and autumns that featured stressed aspens. I’ve also experienced summers that followed extremely wet precipitation seasons, including several during which the high country really did not open until July. In those years there was snow around all summer, and even at the end of the season there were still flowing water, green meadows, and even wildflowers.

This summer fell into the latter category. Although last winter’s season started out looking dry, a series of strong storms arrived a bit later and produced a much larger than average snowpack. Once again, the opening of the high country was delayed, and when it did open up there was water everywhere. My recent visit was during the final few days of August and the first couple of days of September. Despite the late date, many areas were still green — especially in the well-watered valley we visited — and wildflowers were still blooming. Not far from our camp I found extensive patches of lupine in full bloom.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: France, Photographs: Travel, Photographs: Urban/Street

In Tatters

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In Tatters
Remnants of street posters, Paris

In Tatters. © Copyright 2019 G Dan Mitchell – all rights reserved.

Remnants of street posters, Paris.

One thing I look for when photographing in cities is examples of street art and posters and similar that have been up long enough to have been weathered and otherwise distressed. In some cases they reveal many layers of imagery and text — some painted, some in ink, and some pasted to walls and on top of previous materials.

Beyond being in Paris I no longer recall the specific location or larger context for this splash of color. I just recall that the bright colors, abstracted from their original context by being torn to pieces, caught my attention as we walked by, and that the background white field almost reminded me of paper product wrapping. There’s just enough form to the colors that I might imagine that I could figure out what was there originally…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.