Tag Archives: boulder

Disrupted Strata

Disrupted Strata
The fractured and bent layers of a fractured boulder in a Utah slot canyon.

Disrupted Strata. © Copyright 2012 G Dan Mitchell – all rights reserved.

The fractured and bent layers of a fractured boulder in a Utah slot canyon.

This jumble of rocks sits in a Southern Utah canyon, piled on debris and the lower face of a cliff that runs along the banks of a small creek. The bottoms of such canyons are, for obvious reasons, places full of all sorts of debris that either falls from the surrounding cliffs or is washed down the canyon in periodic floods. A good part of the challenge of making progress through such terrain involves contending with this detritus.

As is so often the case in these landscapes, the initial appearance of features may mislead the viewer about their history. Rocks, of course, seem quite solid and immutable. But this little vignette of almost nothing but rock actually shows more about how much it changes than about its stability. This rock was formed in layers laid down by water a long, long time ago. Those layers were compressed, folded, upended and broken over time. Here we see a snapshot of that process. Lying atop a smoother section of the cliff, this deteriorating boulder’s layers are made apparent as they break apart and realign.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Dormant Plant, Fractured Rock

Dormant Plant, Fractured Rock
A nearly dormant plant grows on a fractured boulder against a cliff wall in a Utah slot canyon.

Dormant Plant, Fractured Rock. © Copyright 2012 G Dan Mitchell – all rights reserved.

A nearly dormant plant grows on a fractured boulder against a cliff wall in a Utah slot canyon.

To my way of thinking, slot canyons bring several primary associations. The narrow, twisting vertical walls are near the top of the list. The unusual surfaces of the wash floor are another: sand, mud, rocks. Above all (literally and figuratively) is the light entering far above and then bouncing back and forth among the canyon walls as it descends, picking up the colors of the rock and becoming softer and softer.

There are other associations, too, and although they might not be quite so immediately apparent, once you see them they are everywhere. Almost everything here is, of course, affected by water. The canyons were cut by it and the process continues. When the water periodically moves cataclysmically, rocks and boulders are redistributed downstream and mixed together with material from many different sources. As the water continues to eat into rock it undermines the higher structures, and gravity brings down rock from younger state. All the while the moving water grinds away and polishes the lower reaches of the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Groves, Evening

Aspen Groves, Evening
Autumn aspen groves at dusk on Boulder Mountain.

Aspen Groves, Evening. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn aspen groves at dusk on Boulder Mountain.

With this photograph, I believe I’m coming to the end of the images that came from this October passage along Boulder Mountain back in 2012. It was the second time I visited this area, and like the first visit it was merely a drive through between two other locations. Unlike the first visit, which was in the springtime, I timed this one to coincide with fall colors. (As it turned out, I mis-estimated the date a bit and we arrived for the very tail-end of the colors. ) Like the other photographs of this autumn subject, it was made as the day came to an end.

The distant sky and clouds bring up a subject that always interests me. I’ve lived almost my entire life near the western edge of the North American continent, in a place where the ocean is little more than a half hour away and where the daily weather is affected by it. I’m always aware of this presence. And when I travel I’m equally aware of its absence. Often when I’m in places like the one in this photograph I look west at the end of the day — as this photograph does — and as I ponder how much land lies between me and the ocean I feel its absence.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dusk, From Boulder Mountain

Dusk, From Boulder Mountain
A distant peak in sunset light beyond autumn aspens in the Boulder Mountain area.

Dusk, From Boulder Mountain. © Copyright 2012 G Dan Mitchell – all rights reserved.

A distant peak in sunset light beyond autumn aspens in the Boulder Mountain area.

This photograph marks a step in my process of learning about the remarkable landscape of southern Utah. I’ve written previous about how I managed to miss photographing Utah for a long time — it is a long story having to do with Sierra obsessions and family travels though less visually stimulating portions of Utah when I was very young. My first real photographic visit was in the early 2000s in the springtime… and I was taken by this landscape. On our way across the state we passed through the Boulder Mountain area, and I made a mental note to try to revisit this area’s extensive aspen groves in the fall.

A few years later we went back in autumn, on a long trip that started in the Eastern Sierra, crossed empty areas of Nevada, and arrived in Southeast Utah… where I discovered that fall colors arrive earlier there than in the Sierra. When we eventually worked our way across Boulder Mountain it was clear that we were catching the tail end of the aspen colors, and many groves were already bare. At dusk we found a location where lines of still-colorful trees alternated with bare trunks. Among the photographs I made was this one, looking toward the last light on the Capitol Reef area and higher mountains beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.