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Sunrise – Telescope Peak, Amargosa Range, Bank Ruins of Rhyolite

Sunrise - Telescope Peak, Amargosa Range, Bank Ruins of Rhyolite

Sunrise – Telescope Peak, Amargosa Range, Bank Ruins of Rhyolite. Rhyolite, Nevada. April 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

Sunrise on Telescope Peak and the Amargosa Range of Death Valley with the ruins of the Rhyollite Nevada bank building in the foreground.

This photograph attempts to pull together three iconic elements of the Rhyolite ghost town experience: the ruins of the old bank building, the view across the Amargosa Valley to the Amargosa Range (just inside Death Valley National Park), and the snow-capped summit of Death Valley’s Telescope Peak in the first light of dawn. This photograph was made just a moment before one that I earlier posted that showed the first direct light hitting the front of the bank, and in this one I was trying to nestle the distant mountains in the curve created by the top of the old wall of the weathered bank building.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: rhyollite, ghost, town, mining, abandoned, ruins, nevada, california, usa, death valley, national park, telescope, peak, amargosa, range, mountains, valley, desert, wall, brick, sage, sky, pink, firsts light, sunrise, dawn, stock, landscape, scenic, travel

Rhyolite, Desert Mountains, Sunrise

Rhyolite, Desert Mountains, Sunrise

Rhyolite, Desert Mountains, Sunrise. Rhyolite, Nevada. April 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

Sunrise light on the ruins of the bank building and other old structures in the ghost town of Rhyolite, Nevada with the Amargosa Range and snow-covered Telescope Peak beyond in Death Valley National Park, California.

I was very lucky to get almost (more on that in a moment) perfect conditions for photographing the ruins of Rhyolite, Nevada when I visited there at dawn on April 1 this year. I’ve visited twice, and both times high thin clouds were in the sky before sunrise. On the previous trip the clouds interfered with the sunrise light, but time beautiful warm light came beneath the clouds right at a dawn and washed the old ghost town with color. Better yet, this same light also illuminated the Amargosa Range across the valley and even snow-capped Telescope peak, the highest point in Death Valley National Park at over 11,000′ elevation. And there is more – the high clouds added a slightly dark texture to the early morning sky. There were only two of us there to witness this beautiful morning at Rhyollite – and I regret not getting the name of the other photographer. (I think he may live in the area. He started out shooting a Nikon SLR system and soon moved to a MF system. I’d love to see the photos he got of this scene!) So, what made it almost perfect as opposed to just plain perfect? In a word, “wind.” The wind was howling on this morning, to the point that camera shake was an issue even on the tripod!

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Dawn Light, Rhyolite

Dawn Light, Rhyolite

Dawn Light, Rhyolite. Rhyolite, Nevada. April 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

Dawn sun strikes the ruins of the bank building in the ghost town of Rhyolite, Nevada, with the mountains of California’s Death Valley National Park beyond.

This was my second visit to the ghost town of Rhyolite, Nevada – just outside the Death Valley National Park boundary and a few miles from the small town of Beatty. Rhyolite is the result of a very brief gold-fed boom and bust cycle in the first years of the 1900s, when it went from being one of the largest towns in Nevada (not much of a challenge… ;-) to being completely deserted in a matter of a few years after the ore more or less ran out. Some structures remain, including this iconic bank building that is probably the most recognized (and most photographed) feature of the town.

On my previous visit, almost exactly one year ago, I arrived before dawn, as I did again this year. Repeating last year’s experience, once again there were high clouds in the sky, and I was concerned about whether or not the light would be good. Last year it never got better than OK, though there were still some interesting photographs to be made. I went ahead and set up, this time standing back from the building and using a long lens to capture an image of the front wall of the bank with the Amargosa range in the distance and beyond that the snow-covered summit of 11,000″+ Telescope Peak in the Panamint Range. At sunrise the light came through below the high clouds, and a brief moment of absolutely stunning light illuminated Rhyolite and the Amargosa Range. Yes, the light really was this color – I actually have reduced the saturation a bit in post.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: rhyolite, nevada, ghost, town, abandoned, bank, school, ruins, abandoned, structure, building, old, historic, desert, mountains, amargosa, telescope peak, panamint, range, dawn, light, sunrise, sage, brush, valley, cloud, sky, dark, death valley, national park, scenic, travel, stock, window, wall, column, brick

Nimitz Avenue at Night

Nimitz Avenue at Night

Nimitz Avenue at Night. Mare Island Naval Shipyard, California. March 7, 2009. © Copyright G Dan Mitchell – all rights reserved.

Night photograph of buildings and shipyard structures along Nimitz Avenue near the waterfront at Mare Island Naval Shipyard, Vallejo, California.

This is perhaps one of the “classic” Mare Island Naval Shipyard scenes, where the giant shipyard scaffolding crosses Nimitz Avenue from the shipyard buildings to the shoreline facilities, varieties of artificial light lend a warm glow to the view up the street, and faint star trails appear above in the dark sky.

I think that this is a good scene for first-time Mare Island night photographers to work with. It presents a lot of interesting challenges, but they can all be handled with some thought and care. You need to get the sky right – not too light and you want at least some star trails. I could have done a longer exposure since a bit more than three minutes left me with short star trails, though they weren’t my main subject. The dynamic range is absolutely huge, especially if you don’t take care to obstruct direct line of sight to some of the lights up the street. I had to look around quite a bit to find one small spot where the composition worked and the buildings and towers are positioned to block them. If you don’t block them you either completely blow out those highlights or else you must shorten the exposure to the point that the foreground roadway ends up almost completely black. The lighting also has to be just right on the structures at the top of the frame. On this night we were perhaps 3 or 4 days short of the full moon so a combination of moonlight and artificial light illuminated the structure. (A full moon might have been a bit better.) Then you need the right focal length to get the right parts of the scene into the frame. Here I used a 35mm prime on a full-frame DSLR and cropped the result a bit to eliminate some distractions along the right edge.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: mare island, naval, shipyard, minsy, night, photography, nocturnes, vallejo, california, usa, building, road, tracks, rail, train, shipyard, structures, minsy, brick, street, sky, star trails, smoke, stack, smokestack, truss, nocturnes, window, light, stock