Tag Archives: brush

Dawn Light, Alkali Lake and the Minarets

Dawn Light, Alkali Lake and the Minarets - Pink dawn light illuminates the surface of an Alkali Lake and the Minarets, and Mounts Ritter and Banner
Pink dawn light illuminates the surface of an Alkali Lake and the Minarets, and Mounts Ritter and Banner

Dawn Light, Alkali Lake and the Minarets. Eastern Sierra Nevada, California. October 9, 2011.© Copyright 2011 G Dan Mitchell – all rights reserved.

Pink dawn light illuminates the surface of an Alkali Lake and the Minarets, and Mounts Ritter and Banner

Although it has been almost a year since I made this photograph, I recall the morning very well. I had stayed at a cheap motel in Mammoth Lakes the night before, and when I got up well before dawn I had no specific shooting plan other than to head in the general direction of places where I would find aspens, most likely somewhat south of Mammoth. I drove down to highway 395 from Mammoth and spotted the steam from the hot springs along with some fog in Long Valley. Figuring that I wasn’t certain where I would find the aspen color I was looking for but that I was certain that interesting stuff was happening out in the valley, I changed plans and headed there instead.

I drove to small lake where I have photographed a number of times in the past, pulled off the road, grabbed my gear, and headed out to the bank of the lake opposite the still relatively dark Sierra crest. This was an unusual early October, and three relatively large winter-type storms had passed through during the previous week, dropping substantial early season snow all along the upper reaches of the Sierra. As a consequence, at a time of year when it usually looks more like summer, the range had taken on a very wintry appearance. As the first pre-dawn light came to the sky, it turned the slightly hazy atmosphere a beautiful shade of pink and this light was reflected in the surface of the small lake.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Early Fall Color, McGee Canyon

Early Fall Color, McGee Canyon - Early fall color comes to McGee Canyon in the eastern Sierra Nevada, California
Early fall color comes to McGee Canyon in the eastern Sierra Nevada, California

Early Fall Color, McGee Canyon. Eastern Sierra Nevada, California. September 16 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early fall color comes to McGee Canyon in the eastern Sierra Nevada, California.

I’m going to use today’s post not only as the opportunity to share another daily photograph, but also to share some observations about the arrival of the fall aspen color season in the eastern Sierra Nevada range, where I spent a good part of the past week.

I made the photograph at the very end of a three-day backpack trip up into the McGee Creek drainage, where we settled in at a 10,000+” lake for a couple of nights to enjoy the late-season solitude. (Before starting the pack trip I had spent a couple of days in Tuolumne Meadows, and upcoming posts will concern that part of the trip.) McGee Canyon is an eastern Sierra “type” – a typical trailhead canyon that rises from the high desert, into forests, through increasing rugged and rocky country, and finally reaches the crest of the range at a pass. On this early afternoon we were fortunate to get a few clouds, moderating the intense sun and adding a bit of texture to the landscape. The photo was somewhat casual – still wearing my full pack, I shot hand-held.

About the onset of fall color… I have watched this transition carefully for a number of years. While I have learned a lot about how the process unfolds, I have also learned that many aspects of it defy precise prediction. Every September, those of us who chase eastern Sierra aspen color start to watch for signs that might provide clues about the nature of this season – the amount of snow during the previous winter, how late it remained before melting out, long-range weather forecasts, early color changes in many other plants that can show up even in late August, and more. But, truth be told, in the end every aspen season seems to hold surprises and defy out attempts to know in advance how it will play out. A season may start with early color up high, only to be interrupted by early storms. Or a season may start late and then move very quickly. Or poor early color in one part of the range may lower expectations… only to be followed by great low-elevation later on. Or there may be any number of other possible variations, too numerous to list.

All of this is my way of saying to take my observations with a suitable dose of salt. :-)

Several weeks ago I began to read the typical early September notes about “early color” here and there, especially in portions of the Rockies and some areas of the Southwest. I was intrigued, but not ready to believe it. I read and hear these reports of early color every season – and generally the correlation between what is written and what occurs in the actual event is weak.

This has been an odd summer season for me, for reasons I won’t go into here. As a result, I had not been to the Sierra since early July or so – a very large gap of time for me, since I rarely allow more that a couple of Sierra-free weeks to occur in the summer. I was not there at all during August – which is almost unheard of. I usually catch my first hint of oncoming autumn on one of those late-August visits. It is hard to put my finger on precisely what it is, but invariably (well, almost invariably, since it didn’t happen this year…) there will be a day when I sense “something” in the air that reminds me that summer will end very soon – whether it is a breeze, a quality of light, a change in the plants, I can never tell for sure. But I am sure when I experience it.

Soon there are more concrete signs. The golden-brown dried meadow areas start to expand, the wildflowers are harder to find, corn lily plants begin to turn golden-yellow, bilberry leaves turn dark red (and brilliant red when back-lit) and the leaves of willows near streams and lakes turn yellow. By mid-September all of this is typically underway, and at this point I start thinking about aspen color in earnest. Whether it is because we tend to go to different places to find our aspens or because we have experienced different seasonal variations, individuals will tell you to look for the aspen show to begin at somewhat varying times. I tend to look for real aspen color around the very beginning of October, and to expect a peak roughly a week into the month in the higher country. Except for watching for the odd tree with a branch full of yellow leaves, I don’t expect to seem much real color in September.

But… I just returned from a pack trip that was right in the middle of September… and I saw a significant amount of aspen color. As I drove over the Sierra crest on my way to the east side I was not expecting to see aspen color, and I did not see much. Despite the other sources of fall color, the aspens just east of Tioga Pass and down in Lee Vining Canyon were almost uniformly as green as I expected. When we arrived at our eastern Sierra trailhead, there were a few yellow leaves here and there, but nothing too out of the ordinary. However, a mile or two up the trail I was quite surprised to find large stands of aspens in which many trees were showing color – just a few leaves on some, but perhaps a quarter or a third of the tree in the most extreme cases. In my experience, this is unusually early – but at least a week and arguably perhaps a bit more. (Not all of the color in the photograph comes from aspens, by the way.)

What does this mean? I’m not sure. If I had a bit more time I would have investigated one or two other east-slope canyons to see what is going on elsewhere – it could be that this canyon is somehow out of sync with others. But I doubt it. All I’ll say is the following: Some aspen color is already beginning to appear in some areas of the eastern Sierra. While no one knows when the main show will arrive (or what it will look like), if I were making plans for a visit to the eastern Sierra to photograph aspen color, at this point I would lean toward going a little bit early rather than a little bit late. However, as always, realize that you cannot count on the timing or the quality of the display, and flexibility increases your odds of being there at a good moment.

More articles on Eastern Sierra aspen photography:

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Spring Torrent, Impossible Tree Fall

Spring Torrent, Impossible Tree Fall - An early spring snow-melt torrent flows over Impossible Tree Fall, Yosemite National Park, California
An early spring snow-melt torrent flows over Impossible Tree Fall, Yosemite National Park, California

Spring Torrent, Impossible Tree Fall. Yosemite National Park, California. June 18, 2012. © Copyright 2011 G Dan Mitchell – all rights reserved.

An early spring snow-melt torrent flows over Impossible Tree Fall, Yosemite National Park, California.

This photograph takes me back to last year in mid-June, on the day that the Tioga Pass Road opened for the season. That was a very different year than this drought year! Back then the pass opened very late – though not the latest ever – and in mid-June there was still water, snow, and ice everywhere! One of the special treats of crossing the pass on the first day of the summer after a very wet winter is that the landscape comes alive with flowing water. Water is on the move almost everywhere. Rivers are full to their banks and beyond, waterfalls flow across almost every cliff, and there are creeks everywhere, including places that you might never have imagined they would flow when you visited later in the season.

This small cascade flows very close to Tioga Pass Road, tumbling down over boulders and a series of small benches and ledges. One of the most notable features is the single tree growing right in its path, seemingly “impossible” not only because its roots seem attached only to bare granite but also because it grows in the middle of a seasonal waterfall! I came upon the fall a bit later in the morning, when the rising sun was just barely topping the ridge above the waterfall, sending light down across the slopes and backlighting the tumbling fall.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rock Garden, Atmospheric Haze, Morning

Rock Garden, Atmospheric Haze, Morning - Black and white photograph of a rock garden of sandstone towers in morning light, backed by atmospheric haze and barely visible La Salle Mountains, Arches National Park
Black and white photograph of a rock garden of sandstone towers in morning light, backed by atmospheric haze and barely visible La Salle Mountains, Arches National Park

Rock Garden, Atmospheric Haze, Morning. Arches National Park, Utah. April 7, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Black and white photograph of a rock garden of sandstone towers in morning light, backed by atmospheric haze and barely visible La Salle Mountains, Arches National Park.

So far, each time I’ve thought I was hitting the end of the photographs from my early April weeklong trip to Utah, I come up with another one… and another… and another. I still have a few more waiting to be posted, but those are photographs that I had already worked up but held off posting for one reason or another. This one, however, may be the final one to actually emerge from the collection of exposures from the trip. (But I make no promises! There is one more that features some reflected light inside alcoves in sandstone that still may work.)

This photographed ended up in black and white for several reasons. I was sort of leaning that direction when I made the exposure, since the color components of the scene were both difficult to work with and a bit less than exciting. In addition, I like the way that black and white can sometimes abstract the shapes of things, perhaps taking them a few degrees further from their “real” nature. I had stopped alongside the road between the Windows Area and Wall Street as I begin my exit from Arches National Park on my last morning of shooting there. There was a lot of haze, especially when looking into the light, as this photograph does. The backlit haze is thick enough that the snow- and forest-covered La Salle Mountains, which actually fill the upper part of the frame, all almost impossible to see, and the foreground features gradually lose contrast as they progress away from the camera. However, because the light is in front of the camera and coming from just out of the right side of the frame, the edges of the rock towers gain a bit of extra definition against that hazy background.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.