Tag Archives: building

Reflective Building

Reflective Building
“Reflective Building” — Reflections in the windows of a downtown tower, San Francisco

I photographed the exterior of this building while walking in the financial district of San Francisco in the early evening. I was mainly shooting street subjects with a 50mm prime, but fortunately I had a telephoto zoom in my bag that I could use to isolate this section of the building from its surrounding context. In addition, I decided to take some liberties with the image in post, including some serious perspective adjustments that brought the vertical lines into nearly parallel alignment.

When walking around in an urban environment like this one, it is easy to focus on the grit and “reality” and noise and all the rest. But if you look past that you can find some astonishing images in this environment, some of which are quite abstract and perhaps border on hallucinations. This is a building – that is fairly obvious. But what in this photograph is actually the building? Not much. The thin, darker vertical lines are the frames around the window glass, as are the even thinner diagonal lines running upward from left to right. If you look closely you can see a few bits and pieces of what is inside the building, mostly in the form of interior lighting. But the main portion of the image is not really the building at all, instead consisting of warped and distorted forms that are the reflections of its surroundings, reflected in its glass surface.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Embarcadero Center Tower

Embarcadero Plaza Tower
“Embarcadero Plaza Tower” — Black and white rendition of Embarcadero Plaza Tower, San Francisco.

This may be a bit of a rude shock after all of the recent nature images, but here we go. I made this photograph in early July while spending a couple days in San Francisco. On the first afternoon I went out armed primarily with a, uh, 50mm prime, and I found myself interested in photographing the tall downtown buildings from very close up and with somewhat steep upward angles so that I could accentuate the converging perspective lines. (Some of the others in this series will be significantly abstract interpretations of these subjects.)

I made this while walking through”the row of Embarcadero Center buildings. It was quite close to sunset, so the shadows were beginning to fill a bit more with light than they would during the middle of the day, when the light and shadows are more harsh. However, since I was shooting in shadows and low light, I ended up hand holding the camera at a fairly low shutter speed since I need a relatively small aperture for depth of field, especially since I decided to let the two overhead support beams intrude into the space of the taller building. This image was also the result of some significant work in the post-processing stage, including the application of a blue filter layer (to get the sky to blow out to white) and a blurred overlay layer.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Pier, San Francisco Bay, Morning

Pier, San Francisco Bay, Morning - An old pier along the Embarcadero, San Francisco Bay, with structures of the Port of Oakland, California across the water.
An old pier along the Embarcadero, San Francisco Bay, with structures of the Port of Oakland, California across the water.

Pier, San Francisco Bay, Morning. San Francisco, California. July 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

An old pier along the Embarcadero, San Francisco Bay, with structures of the Port of Oakland, California across the water.

I wonder how long it will take for me to feel that I have exhausted the possibilities of this walk along San Francisco’s Embarcadero? Here is (yet another!) morning photograph made it this area, once again with what is perhaps my favorite light in this location – the early morning glow of backlit fog/haze over the waters of the Bay.

I made this photograph on a very calm summer morning when there waters of the Bay were almost completely smooth, at least until a bit of boat traffic began to come by and a breeze came up. Interjecting itself into the left side of the frame is one of the old piers along this section of the waterfront. In the far distance, all the way on the other side of the bay and muted by the morning haze, are giant cranes used at the Port of Oakland.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Bus Stop, San Francisco

San Francisco Photograph - A person sits at a bus stop in downtown San Francisco, California.
A person sits at a bus stop in downtown San Francisco, California.

Bus Stop, San Francisco. July 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A person sits at a bus stop in downtown San Francisco, California.

I made this photograph a year ago during one of my summer walks through downtown San Francisco. These walks have become a sort of tradition for me during this time of the year – I take the train into The City, arriving very early, and then head out on foot to photograph various areas, most of which I’ve visited a number of times. I prowl for several different sorts of subjects – the early morning light above the waterfront, people, bits of color and shape, and “architectural landscapes.”

Things can evolve very quickly in this urban environment. As I recall, the first thing that caught my attention here was the solitary figure on the bench, obscured by the semi-transparent material around the bus stop shelter, followed by the juxtapositions of yellow colors on its room and the sign across the street. The scene was incredibly busy, with people walking between me that the shelter, cars and buses passing by on the street, and people moving in and out of the frame on the other side of the street. So here, as I often do in such situations, I used what I might call the “compose and wait” approach – I found a composition around the shelter that centered the far widow and red sign in the opening… and then I waited for something interesting to appear in the right parts of the frame and for the distracting elements to disappear. I made perhaps a half-dozen or more exposures. In one, a bus passes through the frame. In another, blurred people appear in the foreground. But in this one, the person in dark clothes walked right in front of the red sign as another person emerged across the street to the left of the shelter, and no other people or vehicles interfered.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.