Tag Archives: buildings

Ship Yard Buildings, Crane

Ship Yard Buildings, Crane
Weathered ship yard buildings illuminated by saturated colors of artificial lighting

Ship Yard Buildings, Crane. © Copyright 2018 G Dan Mitchell – all rights reserved.

Weathered ship yard buildings illuminated by saturated colors of artificial lighting

I recently had a chance to return to this old ship yard facility near Vallejo, California to work on night photography. This is actually the place where I first tried out that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph that locations often during the intervening decade and a half, and my night photography expanded from that beginning point to incorporate other subjects and places. (Most recently I have focused on night street photography done with small handheld cameras.)

This photograph is a prime example of several of the things that intrigue me about photographing at night. Scenes that might seem mundane in “normal” daylight are often transformed in the night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this spot, the colors of the light become intense. Here it is the exceedingly green light of a large work light that predominates. Another appealing aspect of night photography is that it lets me make photographs of things that I really can’t see with my own eyes. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal features that I could not see at all, a pure example of “seeing what the camera sees.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Museum Windows, Shadows

Museum Windows, Shadows
Silhouetted figures, windows, and beams of light, Metropolitan Museum

Museum Windows, Shadows. © Copyright 2017 G Dan Mitchell – all rights reserved.

Silhouetted figures, windows, and beams of light, Metropolitan Museum

This is a second “take” on a location I photographed between Christmas and New Year’s Day last year, when we spent a week in New York. It was an exceptionally cold week, and on a few days we decided that we really needed to find indoor activities. (On other days we defied the cold and wind and walked all over Manhattan anyway.) One of the reliable options is a visit to a museum, so we headed to the Metropolitan, where we wanted to see the David Hockney show. You can’t see it in this photograph, but the museum was packed with other visitors who were also looking for a warm, indoor option.

We passed through this room twice, on our way to and from a section of the museum with relatively modern art that we wanted to view. This space is really essentially a very wide walkway, though I suspect that it could also be used for exhibits at times. The row of tall windows along the southern wall opened to Central Park and, further away, the Manhattan skyline. Lots of people took advantage of the wide window sills as a place to sit. The resulting effects of light were intriguing — backlit people in a variety of poses, the faint image of the park and city outside, and the alternative effects of shadows and reflections from the bright light streaming through the windows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

South Beach Harbor, Morning

South Beach Harbor, Morning
Morning light on South Beach Harbor and buildings of downtown San Francisco

South Beach Harbor, Morning. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on South Beach Harbor and buildings of downtown San Francisco

On this late-January morning I was up — you know the drill… “hours before dawn” — to catch a train up the Peninsula to San Francisco for a morning of street photographer and a visit to the San Francisco Museum of Modern Art, where an extensive show of Walker Evans photography was nearing the end of its run. (At some point I should write a bit about my response to the show. A quick summary: great show, some brilliant work, some work I identify with personally, some work that makes me wonder why it is on the wall.) For these trips I’m usually up around 4:00 AM, giving me a half hour for coffee and a quick breakfast before I walk to catch a bus to the train station, where I catch one of the “baby bullet” express trains that has me in San Francisco an hour later.

The weather was in flux, and when by the time I arrived it was clear that a dome of solid high clouds was over San Francisco. However, as I left the train just before sunrise I was able to see some light on the underside of the clouds that was apparently coming from a gap in the cloud cover across the Bay to the east. I quickly headed over to the nearest shoreline location and ended up at the South Beach Harbor. I found some unusual light here as the sun rise. The light was coming through a narrow gap between the western edge of the cloud shield and the low, East Bay hills. Meanwhile, the clouds over and to the north of San Francisco kept the sky there somewhat dark. As the light hit the shoreline area where I had gone, the foreground boats and buildings and so forth were lit by this lovely filtered light and set off against that darker sky. The conditions did not last long — soon the sun rose above that cloud gap and the light soon became gray and flat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Snow, Ridgewood

Snow, Ridgewood
A snowy morning in the Ridgewood area of Queens, New York

Snow, Ridgewood. © Copyright 2017 G Dan Mitchell – all rights reserved.

A snowy morning in the Ridgewood area of Queens, New York

For years, at least since our sons started moving there, we have visited New York City. People who know the place will likely note that we must be nuts for scheduling most visit for near the end of December or, wait for it, in August. (If you have been to New York City in August, you understand how unwise it is to go there once that time of year, and how crazy it is to voluntarily repeat the original blunder. ;-) Truth be told, while August still isn’t impressing us as a wonderful time to go, we actually do like going during the winter. The cold seems like a welcome change for these San Francisco Bay Area Californians, and there is quite a lot to see there at this time of year.

However, we usually miss out on snow, the one factor that would really make it feel like the winter we don’t experience at home. We have been snowed on there during our end-of-year visits, but typically no more than a trace, if that. I’m told that real snow is likely to arrive a few weeks later. This year we got our wish, as it were. We had a full week of terribly cold conditions, and on our last day there it finally did snow — not a lot, but enough. I made this photograph as we left an elevated subway (I know, oxymoron!) in the Ridgewood area, where we were able to look out over the urban environment and see snow-topped roofs fading into the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.