Tag Archives: buildings

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Coastal Farm, Burned Ridge

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Coastal Farm, Burned Ridge
Foggy morning at a coastal far at the base of hill burned by recent wildfires.

Coastal Farm, Burned Ridge. © Copyright 2021 G Dan Mitchell – all rights reserved.

Foggy morning at a coastal far at the base of hill burned by recent wildfires.

On one hand, this is a pleasant enough scene. I had headed to the California coast just north of Santa Cruz for the morning. This is one of the closest coastal locations to me, and I can be in sight o the ocean in a bit over a half hour or so. It was a typical late-spring coastal morning, with thick fog around the peaks as I drove over, and “high fog” (aka “low clouds”) all along the coast. The fog breaks up first over land, and along the this edge of the fog there is often lovely light — mixed sun and shadow, misty atmosphere, and a general soft glow. The bucolic little farm sits against the base of coastal hills, on a flat area near small lagoons.

But there’s something else in this photograph that you may have noticed if you looked closely. That far, upper ridge should be shrouded in forest trees… not the bare, skeletal remains of trees destroyed by last year’s wildfires in the Big Basin region. As a Californian, I’m used to the late-summer and early-autumn wildfire season. In the past decade or so, however, it has become worse and more widespread as the combination of unusual heat and drought have stressed the landscape. This past fire season all kinds of places burned where don’t usually expect to see such huge fires, including locations like this one where the charred forests extend to within sight of the ocean, and in a few cases all the way to it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Tower, Night Sky

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Tower, Night Sky
A tower against night sky at the historic Mare Island Naval Ship Yard.

Tower, Night Sky. © Copyright 2013 G Dan Mitchell – all rights reserved.

A tower against night sky at the historic Mare Island Naval Ship Yard.

This is not the first nor the only photograph I’ve made of this structure. It comes from the historic Mare Island Naval Ship Yard in the San Francisco Bay Area, the place where I did my first serious night photography almost two decades ago. (It happened on more or less a lark when I saw an announcement of a free event, showed up, and became hooked.) This structure is one half of a pair of gigantic overhead tracks that I believe originally supported some sort of lift mechanism that moved heavy mechanical systems (probably engines) to ships that were under construction. The buildings were originally various shops connected to the shipbuilding work, though today, years after the facility was decommissioned, many of them have been taken over for other purposes.

The relationship between night photographs and objective reality is a complex thing. I think of it as revealing “what the camera sees” more than as capturing what we see at night. In truth, in places like this and in lightning like this… we can’t really see much at all. But by extending the exposure times we can make images out of what is largely unseen. (A close examination of this photograph will reveal star trails made as the earth rotated beneath the night sky over the course of a several minute exposure.) In the end, many decisions about such images — luminosity, color, and more — must be subjective, since there really is no objective reality that corresponds to what the camera sees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Night, Photographs: Urban/Street

Doorway, Dark Street

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Doorway, Dark Street
“Doorway, Dark Street” Light from inside a darkened building escapes through a door, casing a pattern on a dark industrial street.

This photograph comes from a San Francisco Bay Area location where I’ve been doing night photography for over 15 years. It is a place with striking visual icons including huge ship yard cranes, old buildings, and (until its removal a few years ago) a gigantic “smoke stack” towering above a power plant. Over the years I became less interested in re-photographing those things, and I began to spend more time searching out subjects that I had overlooked, scenes that are quieter and more contemplative than those icons.

I “discovered” this photograph during my pandemic-era return to old photographs that I had not looked at for years. This one exemplifies several things I’ve observed about the process of reviewing photographs shortly after making them. I usually have a few images in mind that I know will be promising, and I begin with those. As I work on the archive I invariably discover that others are more worthy than I initially expected, and this process of uncovering unexpectedly interesting photographs continues… until I am distracted by the next project, at which point I often move on and leave some interesting work behind. In this case, the “moving on” process was hastened a bit because one of my favorite night photographs came from this same evening, and I think that made me feel like I was done with that night’s work. But I wasn’t.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Architecture, Photographs: San Francisco, Photographs: Urban/Street

In The Urban Canyon

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In The Urban Canyon
A wall of tall buildings in downtown San Francisco.

In The Urban Canyon. © Copyright 2012 G Dan Mitchell – all rights reserved.

A wall of tall buildings in downtown San Francisco.

Keeping with the “canyon” theme of so many recent posts — but with an entirely different sort of canyon — this is a photograph from downtown San Francisco that I made on one of my regular walks through the City. You could find this scene if you walked down the central Market Street that connects the center of the City with the Ferry Terminal.

I have previously written about how I can connect the ways I photograph the wild landscape to how I see the urban landscape. One of the most direct relationships might be between the deep and narrow canyons of Southern Utah and these deep and narrow canyons in urban downtown areas. In both cases, there is not that much direct light in the lowest levels aside from the middle of the day or when the sun aligns with the length of the canyon. Consequently, understanding reflected light is very important in these places.( In addition to the usual diffused light in the depths of wilderness canyons, the urban versions often feature direct reflections from windows, which can sometimes light a subject from more than one angle.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.