Tag Archives: california

Photographs: Abstract, Photographs: Nature

Succulent Leaves

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Succulent Leaves
Patterns formed by the bright edges of succulent leaves.

Succulent Leaves. © Copyright 2013 G Dan Mitchell – all rights reserved.

Patterns formed by the bright edges of succulent leaves.

This image comes from 2013, and was made in a sort of off-hand manner on a family visit to San Diego. (Off the top of my head, I can’t actually recall exactly where I photographed it, though it may have been at Balboa Park.) Indeed, it is another photograph that emerges from my pandemic review of my archives of old raw files.

Photographs like this one are both fun and challenging, at least in my experience. Like many photographers, I’m intrigued by forms, shapes, curves as abstract things, and they often underly photographs that seem to be about more obvious content. The opportunity to work with subjects where these elements of shape are almost the entirely of the image is hard to resist. It also almost always (again in my personal experience) turns out to be harder than I think it will be. More often than not, when I first see such a subject I am certain that it will work… but as I begin to actually make the image small things interfere with what I’m looking for. In this case, I do like the result, and I enjoy trying to see the pattern of the bright leaf edges as their own abstract form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Wetlands Cranes, Dawn

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Wetlands Cranes, Dawn
A flock of sandhill cranes at a wetland pond at dawn.

Wetlands Cranes, Dawn. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes at a wetland pond at dawn.

This group of sandhill cranes was “hanging out” along wetland ponds earlier this autumn, standing quietly in the soft light of a foggy morning. These noble birds are found across vast areas o f America, and at this time of year they visit more southerly locations. When I go out to photograph migratory birds, one of the things I look forward to every time is opening my car door when I arrive before dawn and hearing the distinctive call of the cranes.

From looking at a lot of bird photography (and reading some of the descriptions of it) you might think that it is a thrill-a-minute, non-stop action endeavor. You would be wrong. The reality is that much of the time is spent not photographing the birds! There’s the pre- and post-photography drive to get to these places and home again, usually done in darkness. Then there are often some very busy moments right around sunrise and sunset. Between those times there is a lot of quiet sitting and waiting, wandering around trying to find the birds, napping (!), snacking, followed by more wandering and waiting. This is not necessarily a bad thing. In a world full of constant demands and stimulation, the slow and quiet times with these birds can be restorative.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Winter Mist, Tomales Bay

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Winter Mist, Tomales Bay
Morning mist rises above Tomales Bay on a cold winter morning.

Winter Mist, Tomales Bay. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning mist rises above Tomales Bay on a cold winter morning.

One advantage of living near iconic locations (in this case, the Point Reyes National Seashore) is that I can go there on short notice at times when few other visitors are around. Being only a short distance north of San Francisco and less than an hour’s drive from some populated areas of the greater Bay Area, a visit here on a summer weekend can be considerably less than a solitary experience. But on a freezing cold (literally!) late-winter weekday morning you might find yourself all alone in such a place.

I have passed by this spot many times, and this was not the first time I stopped to make photographs here. (Nearby and just out of sight are a couple of iconic regional photographic subjects.) On this morning it was the light that stopped me, along with the new grass on the coastal hills along the far shore. (Winter is our green season in much of California.) As I worked, the thin morning fog above the waters of Tomales Bay drifted slowly, backlit by the low-angle morning light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Flock of Cranes in Flight

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Flock of Cranes in Flight
A flock of sandhill cranes in flight against clear blue sky.

Flock of Cranes in Flight. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes in flight against clear blue sky.

Today’s post gives me an excuse to explore a few technical (and aesthetic) considerations about photographing birds, so I’m sharing this photograph both as an image and as an illustration of a few things I’ll mention below. I made the photograph in the morning (contrary to a possibly erroneous bit of EXIF data in the file), when the rising sun was still low and the light was muted a bit by thin fog. I positioned myself in a spot that groups of cranes were crossing, and I simply waited for them to approach.

There’s a lot going on inside a dynamic flock like this one. Some things are at least partially subject to decisions by the photographer, while others must simply be accepted as “what is.” Even those that are subject to photographer decisions improve the odds rather than producing certainty. I identified a spot over which groups of birds were flying. I chose to position myself on the “sunny side” of that point so that passing birds would get some direct illumination. This is important, since backlit birds against a back sky are… challenging. The second issue has to do with the positions of the birds in the frame and relative to one another. With practice one can become better at framing the flying birds in desirable ways. More difficult is keeping track of how the birds interact with one another in flight. Ideally you probably want them close together, but you don’t want one bird obscuring the head of a nearby bird. The birds rarely understand this! But you can increase the odds by developing your ability to watch this positional interplay among the birds. You learnt to avoid triggering the shutter when the positions aren’t great and (to some extent) time your shots for when they are. In the end, as in this photograph, while all of these intentional acts help, there are still significant elements of chance in the result… and here it worked and not a single bird’s head is blocked by another in the group.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.