“Dawn Sky, Mono Basin” — Tufa towers in Mono Lake waters reflecting the dawn sky.
It is difficult to resist a visit to immense Mono Lake when I visit the Eastern Sierra, even when it isn’t the main goal of my trip. OK, it is actually just about impossible to resist making at least a quick stop there. In early July I spent a few days around the Sierra crest along the eastern boundary of Yosemite National Park, and one morning I decided to head down to Mono Lake before dawn and spend a few hours photographing in the early light.
I hade this photograph near dawn, when the pre-sunrise light was deeply coloring the sky, which was reflected in the waters of the lake. I love how the apricot-olored sky near the horizon fades to blue far above. The distant mountains are on the far side of this gigantic lake, many miles away, and this cluster of tufa towers stands a good distance out in the water.
“Charlie’s Tree” — Trees growing on the side of a granite dome, Yosemite.
This tree (along with a companion hiding behind it) is situated in an especially picturesque location at the base of a granite dome, where it grows out the upper edge of a pile of rocks. At just the right moment the sun moves around from behind and above the dome and illuminates the tree from behind. (You may have seen this tree in another photograph I recently shared, one that takes a wider view of the scene.)
There are many reason s that I like this tree, but one is that it always reminds me how easy it is to overlook something interesting. It is along a road that I have driven for decades. For years I whizzed past this spot without noticing it at all. Then I saw a photograph of this tree by Charles Cramer, and since then I do notice it. I often stop and look, and if the light is decent I’ll make a photograph or two — but in the end it will always remain “Charlie’s Tree.”
“Meadow, Mountains, Morning Mist” — Morning mist rises from a subalpine meadow with trees in the foreground and peaks in the distance.
For a few days in early July I had this usually-crowded Yosemite location almost to myself. The nearby high-country campground was not yet open, and entry-restrictions to the park reduced the number of visitors. I camped just outside the park’s boundaries, and I entered in the mornings before sunrise — there was no line and I could get to my destinations quickly. On a couple of mornings the sunrise destination was this great subalpine meadow.
The meadow runs from east to west, so sunrise and sunset tend to send light down its length. I positioned myself near the west end on this morning, which meant that I was shooting nearly directly into that morning light. Here I placed a group of trees along the right side of the frame, to contrast the dark forms of their trunks and shadows with the lighter distant mountains, details muted by backlit haze.
“Cones and Needles” — Cones and needles litter the ground beneath old Sierra Nevada lodgepole pines.
I made this photograph at that time of day when the shadows were long and most areas beneath trees were in the soft light. That seems to work better for this sort of photograph, which would have way too much contrast in full sunlight. Photographs of largely random subjects always end up being trickier than I think they will be. Once I see the subject framed in the viewfinder, it turns out to be a challenge to find a composition that works.
This area beneath large lodgepole piles was completely covered with a layer of fallen cones, intermixed with some pine needs and a few branches. The number of cones was actually remarkable, and it reflects the impressive fertility of these trees.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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