Tag Archives: california

D4 Industrial Brownhoist

D4 Industrial Brownhoist
“D4 Industrial Brownhoist” —A massive ship yard crane at night, Mare Island Naval Ship Yard

Among the iconic structures at the historic Mare Island Naval Ship Yard, these huge, movable hoists are possibly the most visible and the best know. Seen from across the water in the town of Vallejo, they tower above the rest of the island, and they have strange forms that suggest something alive. There are a number of them surrounding the dry dock areas, where they were used in the manufacture of military ships. Today they are used to dismantle some of the same sorts of vessels.

During the dozen or so years that I’ve been photographing Mare Island at night, the hoists have always been behind security fences, and it wasn’t possible for me to get very close to them without hopping fences. (Most of us who photograph here eschew such illegal activities, and the result has been mostly very good relationship with the island and its residents.) So when I finally walked over towards the waterfront near the end of this evening’s shoot, I was very surprised to find that this hoist had been moved, rolled out on its tracks to a location where I could walk right up to it. After years of photographing them straight on from a distance, I was glad to have the opportunity to photograph this one from almost directly below, highlighting its immense height and bulk.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Grove of Bare Aspen Trees

Grove of Bare Aspen Trees
A few autumn leaves linger on a grove of bare aspen trees, eastern Sierra Nevada

Grove of Bare Aspen Trees. Eastern Sierra Nevada, California. October 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A few autumn leaves linger on a grove of bare aspen trees, eastern Sierra Nevada

No, I’m still not done with my photographs from autumn 2015 in the Sierra Nevada! This year I first photographed this grove in late September, much earlier than would normally be the case. Even then many of the trees had already lost their leaves, seemingly in response to the fourth serious drought year in the Sierra. The drought affected trees in a variety of ways, ranging from early color change to simply dropping leaves without a color change to seemingly going dormant. (Other trees that were less stressed seemed to change later than usual, perhaps in response to later warm temperatures resulting from climate change.) I was less than satisfied with those first late-September photographs of these trees, so I thought more about them after returning home and made a plan to return the following week and refine my ideas.

And that’s just what I did. I made this photograph one week after those first images. This time I spent less time at the grove since I already had a fairly clear idea of what I was trying to produce. Given how few leaves there had been the week before, I was somewhat surprised to find any color still left here — but I was also happy that there was some! Bare and near bare late-season aspen trees seem compelling to me, for reasons I cannot quite put my finger on. Is it that they signal the fine, incontrovertible end of the warm season? Or is it that they signal the certain arrival of the beauties of winter? Perhaps there is something about these bare trees standing in groups and their promise of new life the following spring? When there are still just a few colorful leaves remaining, as in this scene, somehow the effect seems even stronger.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Steps and Concrete Walls, Night

Steps and Concrete Walls, Night
“Steps and Concrete Walls, Night” — A stairway in the dark, Mare Island Naval Ship Yard

I made this photograph recently, on a night photography visit to the Mare Island Naval Ship Yard with my friends from the Nocturnes, the San Francisco Bay Area night photography group. We assembled for an “alumni” event, so almost all of us were veterans of night photography at this location. Many of us have photographed here for a decade or more.

Instead of beginning with the usual subjects, I needed out into the night with the goal of avoiding them, at least at first, and instead looking in unlikely places that I had not previously photographed. I spent more time that I would have expected in the area of this staircase. I first happened on it almost by chance. I was photographing this building from some distance away, and as I worked on that photograph I began to notice the potentials of some of the concrete structures near the front of the building. I wandered over there, slowly considered the possibilities, and was first drawn to this stairway. It took be a bit of work to finally arrive at this composition — my first thought was to use a vertical composition.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Eastern Sierra Ridges, Rain

Eastern Sierra Ridges, Rain
A passing squall drops rain on hills at the base of the Eastern Sierra

Eastern Sierra Ridges, Rain. Round Valley, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A passing squall drops rain on hills at the base of the Eastern Sierra

I first stopped here with a very different sort of photograph in mind. I pulled off US395 just north of Bishop in a spot where I knew I could overlook pastureland spotted with autumn color cottonwood trees and backed by the mighty eastern escarpment of the Sierra. But the weather was extremely changeable, and within minute a passing squall almost completely obliterated the view, leaving me looking mostly at a thick curtain of falling rain.

I waited a bit, hiding under the rear door of my vehicle with my tripod set up, and before long the conditions began to change again — I could see that the moisture-filled atmosphere was beginning to glow to the south where clouds were thinning and sun was illuminating the falling rain. As I watched, the distant low hills of the eastern Sierra gradually began to re-emerge. These conditions not only make the view opaque but they also desaturate the colors. Believe it or not… this minimalist landscape is a color photograph!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.