Tag Archives: canyon

Lee Vining Canyon and Mono Craters, Morning

Lee Vining Canyon and Mono Craters, Morning - Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.
Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.

Lee Vining Canyon and Mono Craters, Morning. Eastern Sierra Nevada, California. July 14, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.

East of Tioga Pass, highway 120 (a.k.a. “Tioga Pass Road”) descends relatively gently past Tioga Lake and then Ellery Lake before it drop precipitously down the eastern escarpment of the Sierra Nevada through Lee Vining Canyon on its way to the junction with highway 395 just south of the town of Lee Vining. I’ve driven over it for years, going back and forth between my home in the San Francisco Bay Area and the east side of the Sierra, so I should be fairly nonchalant about it by now – but every so often as I pass over the route (most often looking down into the canyon from above) I wonder whatever possessed people to think that it would be a good idea to route a road across the talus fields and across the steep headway of this canyon.

During last week’s photographic trip to the Tuolumne Meadows area of Yosemite National Park I went over the pass twice. The first time was to scout out some possible shooting locations around Mono Lake – OK, and to get an espresso at Latte Da in Lee Vining – and the second was the following morning when I returned to shoot one of these locations. The night before I had moved my camp to Ellery Lake (it is a long story), which put me a bit closer to Mono Lake, so I was up well before dawn and at the lake before sunrise. After photographing my primary subject there right at dawn, I stuck around long enough to photograph the early morning light and haze above the lake, then headed back to break up my camp before heading home. As I crossed that headwall high up above Lee Vining Canyon, I looked east toward the Mono Craters. Looking that way is pretty much a habit, but I rarely find it to present anything that I want to photograph. This morning was different. I quickly found a turn-out and drove back to this spot. A nice haze filled the air (I like atmospheric haze for photography!), a few clouds clustered around ridges just beyond the volcanic Mono Craters, and a high line of clouds from monsoonal flow were in the far distance, with the steep walls of Lee Vining Canyon backlit and almost seen entirely in silhouette.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Formations, Morning

Sandstone Formations, Morning - Early morning light illuminates fins, towers, cliffs and ridges in Arches National Park, Utah
Early morning light illuminates fins, towers, cliffs and ridges in Arches National Park, Utah

Sandstone Formations, Morning. Arches National Park, Utah. April 7, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early morning light illuminates fins, towers, cliffs and ridges in Arches National Park, Utah.

After the better part of a week photographing in Utah in early April, the day came to start the long drive back to California. But on the last morning I rose very early and made one last trip up from Moab into Arches National Park to photograph in the morning light. I started up on the ridge around the Windows area, looking for suitable sandstone formations to frame the setting full moon. (Still not sure whether or not the photographs of that subject are going to be share-able or not – we’ll see!) From there I headed back toward the Petrified Dunes area from which a panoramic view of many subjects is available – the towers and spires and arches up on the ridge near the Windows, the La Salle Mountains in the distance, and the huge sandstone formations down in the Wall Street area.

This photograph includes a more distant view of the latter area. Most often I think we view these features from close up, and look up at them from below. And when we are close to them we are more likely to consider one or perhaps a couple of them at once. However, from this elevated and more distant vantage point, the individual features and formations are seen more clearly as part of the larger landscape. From front to back there are first some isolated sandstone features standing alone and apart. Beyond them are the walls of the, well, Wall Street area, which are largely intact but have eroded away in some areas. Next there is a narrow canyon, in shadow in this photograph, and beyond that a wider and more solid wall running down from left to right. This one is thicker and there is a bit of a plateau on top where it appears that plants grow. Then there is yet another valley, another ridge, and the sequence continues on beyond the upper edge of the photograph.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Turk’s Head, Green River, Evening Haze

Turk's Head, Green River, Evening Haze - The Green River curves past Turk's Head in evening haze, Canyonlands National Park, Utah.
The Green River curves past Turk's Head in evening haze, Canyonlands National Park, Utah.

Turk’s Head, Green River, Evening Haze. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Green River curves past Turk’s Head in evening haze, Canyonlands National Park, Utah.

Just to the west of the “Island in the Sky” area of Canyonlands National Park, the Green River flows though deep and rugged canyons on its way to the confluence with the Colorado River. The river and its tributary streams have cut thousands of feet down through the layers of rock, exposing plateaus and steep canyon walls and more sandstone than can be believed. At Turks’ Head the river winds through a very large S-curve that widens the lower part of the canyon.

I had begun shooting the evening light at the Green River Overlook somewhat earlier on this evening, and by the time I made this photograph the direct light was almost gone – a bit of it is still hitting the cliff faces at lower left and glancing across the tops of nearby flat areas. It was a rather hazy evening, which is part of what attracted me to this spot – I love shooting into or across back-lit haze which can almost glow in the right light and which can also enhance the sense of distance in the scene. Of course, most of the “glow” was gone by this time, and the result is something a lot more subtle with the most distant terrain above the far end of a tributary canyon almost disappearing into the distant haze.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree and Sandstone Cliff

Tree and Sandstone Cliff - A tree grows from a crack in the face of a redrock sandstone cliff, Zion National Park.

If this photograph looks familiar, it may be because it is! A few weeks back I posted another photograph of more or less the same subject but in landscape orientation rather than portrait orientation. There are, no doubt, many examples of interesting trees growing out of surprisingly small cracks in the faces of sandstone cliffs in Zion and other similar areas, but I spotted this one in the “Big Bend” area of Zion Canyon, where I had stopped to photograph some spring cottonwood trees along the Virgin River.

I love the juxtaposition of the rich greens of the tree with the reds and browns of the sandstone cliffs. In many ways, these are two of the main colors of this part of the Southwest – with the addition of the blue of the sky. That palette of green, red, and blue is everywhere. And there is actually a bit of the blue here, too. The interesting coloration of the dark areas of the rock seems to be partly the result of reflections of the blue light from the blue sky that was above and behind my camera position.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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