Tag Archives: canyon

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

First Light, Southern Death Valley

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First Light, Souithern Death Valley - As seen from Aguereberry Point, first dawn light spills across the lower end of Death Valley.
As seen from Aguereberry Point, first dawn light spills across the lower end of Death Valley.

First Light, Southern Death Valley. Death Valley National Park, California. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

As seen from Aguereberry Point, first dawn light spills across the lower end of Death Valley.

I have previously photographed from this location high in the Panamint Range and overlooking a vast portion of Death Valley National Park and its surroundings. The view stretches east to 11,000+’ peaks in Nevada and west to the crest of the Sierra Nevada, and great distances north and south to places and features that I cannot identify. My previous visits had all been late in the day, and I had often wondered what the location might be like at the start of the day. So, on this visit to Death Valley, a trip to Aguereberry Point before dawn was on my agenda.

As usual, I awoke well before dawn at my camp site back at Stovepipe Wells. (You can often tell if there are other photographers about – in the dark period an hour or more before sunrise you hear people quietly get up, quickly start their engines, and drive away.) I headed up into the Panamints and turned off at the start of the six-mile gravel road that goes to this point, and arrived just before the first colorful light began to light up the sky – and I was pleased to see that there were some interesting clouds. I have been fascinated by this view over the shoulder of a ridge dropping down toward the Valley above Trail Canyon, so I composed a photograph that juxtaposed this diagonal with the end of the Black Mountains across the valley and the light-filled atmosphere beyond where the very first sun was coming across lower Death Valley.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Granite Ridge and Trees

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Granite Ridge and Trees
Granite Ridge and Trees

Granite Ridge and Trees. Yosemite National Park, California. September 6, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A backlit granite ridge above the Tuolumne River is topped by trees.

I think that this is probably going to be the final riff on the subject of this particular ridge, the subject of several photographs I have posted in recent weeks. As I probably wrote at least once before… I climbed up from our camp onto the top of a small dome-like granite whaleback that gave me an open view in almost all directions and a high point from which to look over a good section of the Tuolumne River as it passes through a section of the Yosemite back-country. I arrived at this spot in the very late afternoon and then stayed there for perhaps two hours as the light gradually shifted from that of afternoon to sunset and then twilight.

This photograph was made before the golden hour, though I think that a bit of added warmth is already beginning to appear in the color of the light. The sun was coming from above the distant ridge seen faintly through the haze above the valley of the Tuolumne, and it was periodically blocked by some high clouds. While the clouds can “blah-ify” the light pretty effectively, when they are not completely covering the sky they can cast interesting and temporary light across the landscape as they move past. For a moment the light came brightly through the clouds and back-lit these beautiful trees that were growing on the granite surface of this dome.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees, Granite, and Afternoon Haze

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Trees, Granite, and Afternoon Haze
Trees, Granite, and Afternoon Haze

Trees, Granite, and Afternoon Haze. Yosemite National Park, California. September 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Late afternoon sun back-lights haze around trees growing on granite domes along the Tuolumne River, Yosemite National Park.

I’m a big fan of shooting almost straight into the sun, especially when haze is involved and even more so when backlit trees can be the subject. This photograph was made in essentially these very backlit conditions, with the direct sun just a bit above and to the side of the scene. I liked the way that the near tree’s branches had more presence in front of the haze-faded low contrast background of the nearby ridge with trees and the further ridge fading into the bright haze.

I posted a slightly different version of this scene last week – one in which I had placed the tree almost directly in the center of the frame. Although some will cite some “rule of composition” to disallow that sort of composition, I think that the rules don’t make a lot of sense if your way of applying them is to simply follow them slavishly. I consider them to be more like “observations about composition” than rules of composition. It isn’t that placing a subject in the center of the frame is wrong, it is just that doing so can have a very different effect than putting it along an edge, one-third of the way in from a corner, at the bottom or top of the frame, and so forth. It is more important to get a sense – either intuitive or analytical – of the effects might be of these different placement options. In any case, I liked the centered composition of the other version – centered compositions can have a certain kind of calm strength, and the centering perhaps focused a bit more attention on the tree and a bit less on the background.

At the same time, I like this more “tradition” composition that places the tree a bit off-center to the right side of the frame. In a way, this opens up the frame a bit and I think it gives the middle ridge and its trees a bit more presence. I think it also allows the viewer to see the subtle light on those middle distance trees a bit better. And speaking of that part of the scene… I made a mistake at the time of exposure. With the sun almost in the field of view of the lens, I had to shield the front of the lens from the sun – but in this image I apparently missed a bit since I found a fairly obvious reddish flare in part of the frame. I’m glad to say that by a combination of color balance correction, some control over saturation, and a bit of work with a curve…. I think that I have managed to make the flare go away!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Tuolumne River Below Glen Aulin, Morning

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Tuolumne River Below Glen Aulin, Morning
Tuolumne River Below Glen Aulin, Morning

Tuolumne River Below Glen Aulin, Morning. Yosemite National Park, California. September 16,2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Early light on morning clouds above the Tuolumne River Canyon below Glen Aulin, Yosemite National Park.

This is the same bend in the Tuolumne River, located below Glen Aulin and before the river descends toward Waterwheel Falls and eventually the abomination of Hetch Hetchy Reservoir, that was shown in a photograph of late afternoon light that I posted here a few days ago. This time it was early morning. We had been up well before sunrise and had wandered off in various directions to find early morning photographic subjects. My main goals were the cascading water along the edge of this section of the river (a bit of which is visible in the lower portion of the frame) and a granite bowl to the right of this view. As I came over the rise above this area before descending I saw the beautiful sparse clods to the west, probably extending to the edge of the Sierra and still with pastel colors from dawn light.

A technical observation about this photograph. This scene presented a technical challenge in the form of an extremely wide dynamic range between the bright and red-saturated first direct sunlight on the ridge at upper left and the much darker areas of forest in shade along the river and in the foreground. With a digital exposure, in a scene like this one, the primary rule for me is “don’t blow out the highlights.” If I had overexposed the sky the clouds would have turned into pure white, texture-free blotches and that bit of early sun on the rocks would have lost detail and taken on a very strange coloration. However, an exposure that protects the highlights in a scene like this one can leave the shadows nearly black. While it is possible to “fix” that a bit in post, the result is not necessarily very good when the dynamic range is very large. One “traditional” solution would have been to use a graduated neutral density filter (or “GND”) that blocked some of the brightest areas at the top of the frame while not affecting the lower 2/3 or so. But I don’t use them, and in this case the result would not have been totally wonderful since the same filtering that would reduce sky brightness would also make the large granite dome at the right end up nearly black at the top.

So instead of filtering at the time of exposure, I decided that I would use the roughly comparable, but more flexible, “exposure blending” techniques in post. With that in mind I made several photographs at different exposures – some at shorter shutter speeds to avoid the blown out highlights and others at increasingly slower shutter speeds to reveal the shadow detail that my eyes could see but which the camera otherwise could not. During the post-production phase, I selected two of the exposures, one that was as bright as possible but without blowing out the sky and sunlight, and the other two stops lighter to reveal that shadow detail in a way that seemed consistent with what I recall the scene actually looked like. The two source images were carefully adjusted during raw conversion and their two layers carefully aligned. With the darker image (the one with the “good” sky) on the top, I began to “paint” out the mask to reveal the details of the foreground forest, river, and rocks. (In answer to the expected question, this is not the same as HDR. That is a more or less automated process that works in a different way. Exposure blending is typically a manual process that relies a great deal on the photographers judgment and recall of the actual scene.)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.