Tag Archives: central

Pond, Fog, and Sun

Early morning sun muted by tule fog, illuminates a late-autumn pond.

Pond, Fog, and Sun. © Copyright 2022 G Dan Mitchell.

Early morning sun muted by tule fog, illuminates a late-autumn pond.

Continuing with the fog theme, here is another photograph from this week’s visit to the California Central Valley. Even though I scheduled this visit because I knew there was a good chance of thick fog, I was a bit surprised by how much of it I encountered. I ran into serious fog before leaving Santa Clara County to cross to the Great Valley, and it was a more or less constant companion on my two-hour drive. When I arrived at my destination before sunrise the fog was extremely thick, and there was hardly enough light for photography at first.

On these days the fog determines what the landscape looks like: what is the condition of the light? How transitory are the conditions? How far can we see? Is the fog dim and gray or does light in the sky above add color and make it luminous. While it started out on the dim and gray side on this morning, the thick fog wasn’t deep enough to block the light from the rising sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pond, Clearing Fog

Tule fog begins to clear above a Central Valley pond on a late-autumn morning.

Pond, Clearing Fog. © Copyright 2022 G Dan Mitchell.

Tule fog thins above a Central Valley pond on a late-autumn morning.

The core of my landscape photography follows a pattern linked to the seasons — no surprise, I suppose, since the landscape is so profoundly affected by seasonal changes. Every year at this time my attention turns to California’s Great Central Valley, where the combination of migratory birds, tule fog, and its minimal landscape become my focus. I finally made it out there this week for the first time this season.

I suppose “normal people” would avoid this area on a day like this. Objectively speaking, this thick fog is not conducive to travel, and those who live there get tired of days and weeks of the cold and damp. But these conditions turn a landscape that can be a bit pedestrian into something mysterious and atmospheric. When I arrived before dawn the fog was so thick that I couldn’t see more than perhaps a hundred feet. But shortly after sunrise the fog began to drift and thin, faint windows opened in the sky above, and soft light began to subtly illuminate the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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The Urban Wilderness

The Urban Wilderness
“The Urban Wilderness” — People climb on a rock outcropping at The Lake, Central Park, New York City.

This photograph comes from a well-known, popular rock outcropping along the shore of The Lake in Manhattan’s Central Park. I made the photograph on an October morning as we killed time before heading to the airport for our flight back to the West Coast. We wandered across the park, down the East Side to the Columbus Day parade, and then back to our hotel. One thing that struck me about this scene was how familiar the appearance of the people climbing the rocks was — I could find a similar scene in the Sierra..

I enjoy the parallels between photography of the urban and natural worlds. There’s no denying that they are rather different, but I think there are similarities,. too, and I’m able to apply my experience photographing the natural world to urban photography. It is possible to see the human presence in the city as almost a kind of wildlife — and photographing people and wild life can be challenging in similar ways. The city also presents a landscape, and the same principles that work in wilderness can work here, too. ( I sometimes think that the particular landscape in this photograph, with those ridiculously tall and slender buildings, may have more I’m common with movie depictions of cities on distant planets!)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Food Cart, Fifth Avenue

Food Cart, Fifth Avenue
“Food Cart, Fifth Avenue” — A food cart vendor on 5th Avenue, near Central Park, Manhattan.

This photograph comes from the second of our two recent visits to Manhattan, this one about a week into the month of October. The previous visit was in August. (I can just hear the New Yorkers: “What!! You went to New York City in August? Are you nuts?”) Let’s just say that the weather on the first trip was different than on the second. In October it was quite pleasant, and there was a hint of autumn. Things seemed to be slowing a bit, and the light was different. In fact, in the urban canyons of Manhattan, the later sunrise meant that many places were still in shadow later in the day, including this street corner along the east side of Central Park.

We were staying a few blocks west of Central Park, and on this morning we went out for a walk through the park. I came upon this food cart when we reached the far side of Fifth Avenue. Two things catch my attention about this cart. First, it sure isn’t very busy! Second, because of those shadows the cart’s lights almost make it look like evening. It also occurs to me that something about the colors of light and shadow and the empty streets creates a sort of autumnal feeling.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.