Tag Archives: central

Photographs: Abstract, Photographs: Central California, Photographs: Imaginary Landscapes, Photographs: Nature

Winter Landscape

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Winter Landscape
A California winter landscape photograph reduced to its compositional fundamentals.

Winter Landscape . © Copyright 2019 G Dan Mitchell – all rights reserved.

A California winter landscape photograph reduced to its compositional fundamentals.

This photograph fits into a category I describe as “imaginary landscapes,” a type defined loosely by where it sits along the continuum between supposed representational reality and abstraction of landscape-derived materials. That might seem an overly-wordy way to describe it, but I’m always cognizant of the fact that no landscape photograph is truly objective or fully “real” — all photographs and certainly all landscape photographs necessarily are subjective. This could be due to something as basic (and obvious!) as the fact that the photographer chose to point the camera at some specific thing (and not at other things). It includes equipment choices( length of lens, aperture, etc.), basic interpretive choices (color or black and white, and how to handle either of those), and much, much more. In my “imaginary landscape” photographs I think I’m simply making this stuff more plainly obvious.

This one also illustrates, I think, something that figures into the landscape (but not just landscape!) photographs of virtually every photographer that I know of — the photograph is not just about the ostensible subject of the image. For most photographers other things also appeal — the shapes of things, their colors (a huge topic, by the way), how the components fit together, how things may be suggested rather than declared, and more. Allow me to make a musical analogy here. There’s a famous (or infamous) piece by composer/philosopher John Cage called 4’33”. In it a performer, takes the stage in the manner of any classical performer, then sits in front of a (usually) piano silently for 4′ 33″. One way to look at this is to recognize that Cage gave us every element of a musical performance but the one we think is central, thus forcing us to think about all of those “other details” and their central role in our perception of music. A photograph with no details (“the horror!”) may work in a somewhat similar (though not quite identical) way. Or maybe you just like the colors? ;-)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Structures and Objects

Silos And Shadows, Morning

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Silos And Shadows, Morning
California Central Valley silos in morning light.

Silos And Shadows, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

California Central Valley silos in morning light.

This photograph might serve as an example of an approach I sometimes take when photographing, especially when the subjects I had in mind may not present themselves or at least not present well. Basically, I have a backup plan, and I’m happy to switch gears and improvise if my primary subject either isn’t working or isn’t at its best. That was the case on this morning when I had traveled to the Central Valley to photograph birds. I did that, but then I decided to head down a narrow country lane looking for whatever I could find, and in this case the search uncovered some agricultural subjects.

It is always a question whether to stay with the subject you came for or to switch to another target of opportunity. To be honest, I cannot recommend one over the other — I do both, and it is hard to rationalize why I choose one over the other. Sometimes, quite honestly, it is mainly a hunch. If you stick with a subject that isn’t quite working you may eventually find a way to make it work, or perhaps that light you hoped for will appear. On the other hand, you could just as easily wait and find that nothing changes!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Great Egret, Morning Light

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Great Egret, Morning Light
A great egret in California’s Central Valley

Great Egret, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

A great egret in California’s Central Valley.

Way back when I was a college student I first “discovered” egrets. I was in a general education science course that consisted of a sequence of short seminars on various subjects, and the professor teaching one on ecology was obviously an egret fanatic. I don’t recall many specifics from the course, but I recall his passion for “snowy egrets.” Later on, as a dedicated cyclist, I often rode past creeks and canals in the Bay Area where I spotted great egrets (not the same critter as the snowy egret), often simply resting but sometimes in flight. At that time I regarded them as exotic birds, since they were still new to me.

Of course, I eventually learned that they are all over California, wherever there are wetlands — from the Pacific shoreline to the Central Valley. As I learned more about other birds — cranes, geese, herons, ibises — I came to regard the egret as a much less exotic bird. Yet, there is nothing quite like the flight of a great egret, with that long neck, the pure white plumage, and the gigantic wingspan. This one managed to stay put on the ground long enough for me to take its picture on a recent, first-of-the-season bird photography foray into the Central Valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Morning, Florence

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Morning, Florence
People walk the narrow streets of Florence, Italy on a summer morning.

Morning, Florence. © Copyright 2019 G Dan Mitchell – all rights reserved.

People walk the narrow streets of Florence, Italy on a summer morning.

I made this photograph at a sort of “in-between time” in Florence. From midday on into the evening the place can be quite crowded — such a stupendous place draws just as large of a crowd of tourists as you might imagine. On a summer day, especially in the squares, along the river, and near any of the most famous attractions the number of people can be overwhelming — but most often in an energizing way.

To find somewhat quieter moments I went out early and sometimes stayed out late. As the evening wears on there are fewer and fewer people in some of the crowded areas, though the summer heat of Italy does tend to keep people out in the squares and restaurants longer than you might expect. But even better, in some ways, are the early morning hours when it at least seems like most of the sparse foot traffic belongs to locals. I made this photograph a bit later, after those early hours but before the main crush of crowds had arrived.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.