A cove and rocky beach near the outlet of a silt-filled stream along the Big Sur coastline of California. Photographed during my late July photography trip up the Big Sur coastline via Highway One, the Coast Highway.
The interesting and unusual coloration in the water of the cove seems to come from silt in a nearby stream and/or a shallow underwater sand bar. (I’m not certain which, but I’m inclined toward the former.)
keywords: big sur, california, landscape, nature, ocean, pacific ocean, seascape, seashore, summer, travel, usa, water, waves, usa, sea, cove, beach, rock, headland, cliff, silt, haze, mountain, bay, island, stock
Brilliant afternoon light on the Pacific Ocean near Point Reyes.
Black and white photograph of Point Reyes and the Pacific Ocean with afternoon reflections. This photograph was made in extraordinarily windy conditions from a high point a bit further along the bluffs of the point with late afternoon sunlit brightly illuminating the ocean surface. (There is also a color version of this photograph in the queue, and it should show up here soon.)
There are several things that I like about this photograph. First, the memory of the circumstances of the photograph is a powerful one. Point Reyes is a wild and windy place, well out in the Pacific and facing out to see – usually with strong winds blowing. On this day the winds were incredible; so strong that it was all I could do to get a steady shot even while holding tightly to the tripod, which was lowered down to near the ground. And the reflection off of the ocean surface was astonishingly bright – impressive in its own right and a real photographic challenge. Finally, I like the way that the land of Point Reyes seems to extend only tentatively into what is primarily an ocean photograph.
Sunlight illuminates submerged boulders near the cliff face at a lake on the High Sierra Trail – Sequioa National Park.
I first visited this lake decades ago during a two-week trans-Sierra backpack trip along the High Sierra Trail. I recall arriving and recognizing it from a well-known 1932 Ansel Adams photograph, but I made no serious attempt to photograph it at the time. In the summer of 2008 I retraced the route with a group of friends, and on the third morning I again climbed the spectacular trail toward Kaweah Gap. After crossing a lovely section filled with springs, flowing water, and wildflowers the trail topped a rise and suddenly arrived at this lake. I spent a half hour or more photographing from the shoreline. Finally I finished, packed up my photography gear, and we started up the switchbacks toward the pass.
A moment later as the trail climbed above the lake I glanced back and saw a stunning sight as sun broke through the clouds and intermittently illuminated the submerged talus at the base of the cliffs. Ironically, my first reaction was to think, I just finished shooting, and I’m not going to take this pack off and set up all that gear again!” I almost kept going. Fortunately, I’ve learned my lesson a few times — shoot it now while you have the chance! — so I dropped my pack, set up my tripod and camera, and waited for the right light to appear as broken clouds moved overhead.
This photograph was originally titled “Submerged Boulders, Precipice Lake”
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Cliff wall mirrored on the surface of a rockbound alpine lake in Sequoia National Park, California
I just returned from a 9-day trans-Sierra backpack trip that passed by the lake on the route over Kaweah Gap as we travelled from Crescent Meadow on the west side of the Sierra to Whitney Portal on the east side. The lake is near the top of the approx. 2500′ climb from Upper Hamilton Lake to Kaweah Gap, a pass across the Great Western Divide into the area near the Kaweahs. After struggling up the steepest portion of the climb – thankfully done in morning shade – you top a small saddle and there it is in front of you. I remember my first visit 30 years ago – although I had seen the famous Ansel Adams photograph of these cliffs I did not know where they were located… until I topped this rise and saw the actual scene right before me.
Shooting the “classic” lake view is almost embarrassingly easy. Walk up to the edge of the lake on the trail and drop down to some nice rocky spots along the shoreline, take out tripod, aim at opposite cliff (one of the signature features of the location), make photographs. It is my impression that this is one of those places that can be good to shoot a bit later in the day – perhaps around mid-morning as the light begins to spill over the ridge and onto portions of the water, where it can illuminate some very interesting underwater rocks.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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