New snow on ledges and trees at the base of the face of Half Dome
This photograph was made the morning after a Sierra winter storm had coated the high country of the Yosemite Sierra with a fresh coat of snow. The snow did not quite make it all the way down to the bottom of Yosemite Valley, but it covered most of the slopes, fissures, and trees of the walls and peaks around the Valley.
I don’t often photograph Half Dome—I can go days in the Valley without doing so at times—but I did photograph it a few times on this trip. At one point I photographed it wreathed in moving clouds and fog, barely visible. Here I photographed the famous face of the mountain, though I wanted to focus on the combination of new snow and small trees dwarfed by the giant and nearly smooth granite face, and to capture something of the cold, hard feeling of this winter view.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Horsetail Fall in afternoon light, Yosemite Valley
As you may already know, Yosemite Valley’s Horsetail Fall draws visitors and especially photographers ever winter, roughly during the last half of February or so. During this period a miraculous conjunction of sunset light, a gap in the ridges to the west, and a wispy waterfall dropping over the edge of El Capitan may produce a momentary “natural firewall” for those positioned to the east of the waterfall. The sight is quite something… but in some ways it is almost more amazing to encounter hundreds of people who have traveled great distances to stand in cold or even snowy meadows to gaze upwards in hopes of seeing this ephemeral light.
I have photographed it in the past so I generally do not photograph it any more. In fact, I like to joke that one of the nice things about Horsetail Fall is that it clears the rest of the Valley of photographers in the evening! ;-) I must have confused at least a few people when I was there on the first day of March, at a time when people are still hoping to catch the phenomenon. We pulled into one of the two popular areas for viewing the fall, but in the late afternoon, well before the light was even hinting at what it could do later on. I looked up at the cliff high above and saw that recent rains had brought the fall to life, and that winds across the upper face of El Capitan were blowing the fall too and fro and carrying its wispy spray in all directions. The rock face was uniformly damp, and the late afternoon light was bright and silvery on the rock. I put a long lens on the camera and pointed it up toward this bright subject and made a few exposures as the wind whipped the falling water back and forth. Then I packed up and left… just as the evening throng of photographers was arriving and finding their positions to photograph what they hoped would be colorful sunset light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Trees, fog, and snow on the granite summit of El Capitan glow in a final beam of sunset light.
Near the beginning of March I was in Yosemite Valley for three days in conjunction with the opening of the Yosemite Renaissance XXIX exhibit. (One of my photographs is in the show.) It was a wonderful weekend in many ways. Lots of artists of all sorts were there for the opening—and for Yosemite!—and I had the chance to get together with many friends among them. It was also a time of atmospheric conditions that were spectacular in ways that interest me as a photographer – broken light, occasional rain, mist and clouds.
On this evening we went to Tunnel View since it was mostly gray down in the Valley and because there was some promise of not only drifting clouds and mist there, but also of some late day light. All of those things happened, but as the end of the day approached, the “lights went out” as the clouds to the west thickened and blocked the setting sun. I continued to shoot for a while, mostly focusing a long lens on small distant details within the scene, but I finally decided that the light was simply becoming too flat and I walked back to the car to pack up, thinking about the friends I would soon join for dinner in the Valley. At the back of the car I removed the long lens, collapsed the tripod, and was packing everything away when Patty, who was sitting the front seat and facing the valley, exclaimed, “Look at that light!” Frankly, I wasn’t expecting much, but when I looked up I saw a blood red band of light stretching across the cliffs of El Capitan on the left and Sentinel Rocks on the right. Apparently the sun had found a narrow gap in the clouds almost exactly at the point it reached the horizon far to the west. I immediately knew that this light would be gone very quickly—at best it might last a minute or two—so I worked very quickly to set up the tripod, attach the camera, and stick a long lens on it… not even looking up at the view as I worked. No time to look! I quickly moved the camera to the nearest possible shooting location and, working almost entirely intuitively, quickly picked out perhaps four different shots, each focusing on the momentarily best bit of light as the scene evolved quickly. The final bit of light was a rapidly fading stripe just across the snow- and cloud-shrouded summit of El Capitan, where the upper rocks, snow, and trees picked up the intense red light for a matter of a few seconds, and then it was gone.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Dusk light silhouettes the rugged Marin headlands above the Pacific Ocean disappearing into distant haze.
On a day that began with a visit to the De Young Museum (the final weekend of the David Hockney exhibit) we ended up with some hours of free time in San Francisco… so we decided to head across the Golden Gate and try to be in position somewhere for interesting evening light. We didn’t really have a concrete plan, and we could have ended up in the headlands, along the bay, or perhaps further north along the coast. We stopped for coffee and killed a bit of time in the mid-afternoon light, and by the time we finished the early winter sunset was closer than we had expected.
Looking at the late hour (hey, it was a “vacation day!”) we realized that we didn’t have nearly as much time as we imagined, so we quickly figured out that our best bet was just to head back into the Marin Headlands on the very popular Conzelman Road – yes, the place where hundreds or thousands of people go almost every evening to watch the sun set or the fog roll in (or, sometimes, just a plain old wall of fog!) over the Golden Gate. We drove up the road and the crowds were, as expected, large enough that there were few places to park. In fact, I had to pass up a few possible photographic subjects since I could not stop. Eventually we found a place to pull over and get out and take a look. It was a pretty evening, but the view of the City was not unusually spectacular and I left my camera equipment in the car and just enjoyed the evening view and crisp air. As I stood there, I saw that the backlight over the Pacific outside the golden gate was starting to produce a beautiful diffused light over the water as the atmosphere became increasingly opaque toward the horizon. So I grabbed the tripod and camera and walked up the road a ways to make a few photographs of the ocean and the steep, rugged Marin Headlands cliffs plunging toward the edge of the water.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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