“Oh See O.C.” — The O.C. McDonald sign in San Jose, California
This is not the first time I have photographed this sign. I walk a lot, and one of my routes takes me past this place, the site of a venerable light industrial business in San Jose. The accidental abstraction of the shadows from the neon light always gets my attention, and I can barely see the actual sign now that this comes to the foreground of my attention.
This place is located in an area that is rapidly changing. Years ago it was filled with small businesses and light industrial sites, the latter likely because of its proximity to a rail hub. Over time, like so many similar areas, it began to decay — there are now many abandoned buildings and closed businesses. However, this area that was formerly considered to be far enough from the city center to house less attractive businesses now feels like it is in the center of town. It is rapidly become a development site with new apartments and businesses. It won’t be long before places like “O.C. McDonald” are lost to memory.
“Desert Mountains, Evening” — Desert mountains tower above a huge fan and hills, Death Valley National Park.
First days in Death Valley are always a bit of a challenge. The day typically starts before dawn with a very long drive from the San Francisco Bay Area. It is at least mid-afternoon by the time I get to the park and find a campsite, and it takes an hour or so to get things set up. By this point evening isn’t that far away, so I usually pick a fairly reliable location for the first evening shoot. (I come back to camp for late dinner after dark.)
This time I headed for an area that I know pretty well, along a route that eventually leads out of the park and into Nevada. There are several locations here that I’ve been “working” for years, photographing them regularly on most visits. So I decided that the goal this evening would be to find different views in that familiar area. At my first stop I hiked to the top of a nearby hill without camera gear, just to get the lay of the land. From that elevated vantage point I could see this scene, so I headed back to my vehicle, got my gear, and set up as evening shadows stretched across the landscape.
Hi Greg. Thanks for following my blog and for leaving a comment!
I probably haven’t reached that 75 visit milestone yet, but I’d guess I’ve been there 35 or 40 times, most often for stays of five days or so. My first visit was in the mid to late 1990s, when I went with one of my kids’ school hiking clubs. In some ways, given the near disasters on that trip (it is a long story… ;-) it may be surprising that I ever went back. But as a long time High Sierra backpacker and cross-country skier, there was something magically different about this landscape. I still vividly recall my very first view of Death Valley itself. On the first morning I opened my tent door and looked down into the valley in the early morning light — I had never seen anything quite like it before, and I was hooked.
As to what inspires me to go back, that’s perhaps a complex thing. I love the immense space of the place and the profound silence and stillness once you get away from the more popular locations. I’m attracted to the way that this desert landscape is laid bare, not covered by trees and brush, letting us see the geology directly. It also appeal to me that we can go almost anywhere our feet will take us in this wide open landscape.
But this landscape is also incredibly diverse. People tend to associate Death Valley with sand dunes and barren places, and those certainly are found there. But there are also beautiful canyons, and high mountains. And there are fascinating examples of earlier human presence, ranging from the precious and fragile marks left by the first people who were already there when Europeans first arrived, up through the miners and prospectors, evidence of whose time there is all over the park.
Photographically, this is an outstanding place to work with light. It changes all day and between seasons, and because much of the terrain is not intensely colorful the light takes over and often becomes the main show.
Dan, I have been following your blog for a few years. Amazing photography. Thanks for sharing your experiences. It looks like you have been to Death Valley
75 times or so over the past couple of decades. I have only been 5 times in my lifetime. What inspires you to go back year after year. It is a very visual
landscape. I find it to be very peaceful. Have a great day. Greg
“Afternoon Shower, Albanian Alps” — An afternoon shower in the Albanian Alps of the Valbona Valley.
My experience in Albania is extremely limited — a single day driving from Kosovo up into the Valbona Valley, to what I believe was the end of the road. We started in Kosovo lowlands, gradually ascended, and passed through small towns. Eventually the land became more rural, somewhere we crossed the border, and we saw signs of past military conflicts in the valley. At the end of the road there is a big lodge where we stopped to eat and admire the stunning panorama of alpine peaks looming above us.
The weather was the sort where it is sunny but there’s so much humidity that a shower could develop at any moment. That’s precisely what happened here as we headed back toward Kosovo – a cloud passed by and surprised is with some rain. (“Hey, it is raining! And the sun is out!”) This is some of my favorite light — dappled sunlight moving across the landscape of mountains and trees, with peaks looming overhead as mist swirls and gentle rain falls.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
We visited Kosovo and Croatia and briefly entered a few other Balkan countries back in the summer of 2023 during a very long trip to Europe. There’s a lot to say about this remarkable and complex part of Southern Europe — more than will fit in one post. We stayed in Kosovo, at the home of people with extended family connections. Our closest Kosovo family contact enthusiastically showed us many places we would not have seen had we traveled on our own. One day we headed briefly into the mountains of Albania.
I have to admit to almost complete ignorance about this part of the world. Like most Americans, my knowledge was limited to very outdated Cold War history and a vague recollection of the war there during the Clinton administration. I knew literally nothing of the people or the landscape. Imagine my surprise when our drive took us deep into the Albanian Alps, where the scenery competes with the most spectacular mountains of my California Sierra Nevada.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)