Tag Archives: clouds

Photographs: Architecture, Photographs: Southern California

Building and Los Angeles Sky

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Building and Los Angeles Sky
Southern California sky reflected on the surfaces of a modern tower.

Building and Los Angeles Sky. © Copyright 2013 G Dan Mitchell – all rights reserved.

Southern California sky reflected on the surfaces of a modern tower.

Although it seems like it should have been an obvious thing, I recall realizing for the first time that the appearance of modern reflective towers like this one comes more from what is not the building than what is. With the exception of a few boundaries and the varying tones of the lighter and darker portions, the whole surface of the building is not-building stuff, in this case the sky and clouds. It is almost as if this massive structure’s appearance is mostly ephemeral and transient.

I do recall the circumstances of this photograph made back in 2013. We had gone to this area of Los Angeles to visit a museum where an exhibit of photographs by a well-known “nature” photographer was underway. In any case we ended up walking a bit, looking for a place to grab a bite to eat, and we passed an area with several buildings with appearances similar to this one.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

Wetlands, Winter Sunset Sky

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Wetlands, Winter Sunset Sky
Clouds from an approaching winter weather system above Central Valley wetlands at sunset.

Wetlands, Winter Sunset Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

Clouds from an approaching winter weather system above Central Valley wetlands at sunset.

Who can resist a winter sunset sky, a reflecting pond, a few bits of vegetation, and distant mountains? I know I cannot. Recently I have written about sunsets several times — once to describe one that surprised me at the end of a rather gray day and another that, well, stayed gray. On both of those occasions I had little idea about how the sunset would turn out, but I stuck around just to see what, if anything, might develop. This time the event was almost predictable. The front edges of a Pacific weather front was approaching, and the line of clouds had been visible for a couple of hours. I almost hate to admit it, but I showed up in this spot only above five minutes before sunset.

In addition to their colorful attractions, sunsets like this one speak to Californians in an additional way right now. It has been (again!) a very dry start to our wet season, and after too many recent drought years we are getting a bad feeling about this winter. So these clouds, signaling something other than more “perfect” blue sky weather, are exciting in their promise of the potential for rain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Central California, Photographs: Fall, Photographs: Nature, Photographs: Wildlife

Geese, Autumn Sky

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Geese, Autumn Sky
Geese return to Central Valley wetlands under dramatic autumn sky.

Geese, Autumn Sky. © Copyright 2020 G Dan Mitchell – all rights reserved.

Geese return to Central Valley wetlands under dramatic autumn sky.

This has been a strange autumn in California in a host of ways. The state has been contending with the effects of warmer and drier conditions and declining precipitation for at least a decade now, and late-autumn is now part of the wildfire season, a time that used to terminate with the first late-October rains. In my part of California, where the rains usually get going in November and December is one of the three core rainy months., we have had almost no precipitation at all. You’ll pardon us if we spend a lot of time watching the sky and hoping for real weather to arrive.

A week ago I spent some time in the Great Central Valley making photographs. I had been putting off my visits because I prefer “interesting weather,” and there really wasn’t any. I finally went there because there was the tiniest chance of a little bit of fog and because, well, it looked like that would be the best we’d see for a while. The morning was nice — the true fog did not materials, but there was a beautiful softness in the atmosphere anyway. But late in the day it just became… gray… as a cloud shield from a weather front came in from the west. I almost left, and I had actually mostly packed up, when I decided that I might as well stick around a bit longer since I was there. It turned out to be the right decision. One development was something familiar to me from past evenings — as the light moved to the west the hazy atmosphere became more transparent and, like a stage scene illuminated behind a scrim, the shapes of the western clouds became clearer as geese arrived to settle into a nearby pond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Fall, Photographs: Nature, Photographs: Ocean & Coast

Sur Point, Cliff, Autumn

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Sur Point, Cliff, Autumn
“Sur Point, Cliff, Autumn” — Looking south into brilliant autumn light over Big Sur cliffs and Sur Point.

This photograph was made from the same location as the one I shared yesterday and, obviously, it includes the same primary subject. That is Sur Point, just north of the town of Big Sur and the location of the historic Sur Point Lighthouse. I was in that area recently, spending a welcome day in the presence of big vistas, big surf, and the autumn coastal light.

The other photograph focused more on the sky above the Pacific Ocean, placing the Point and a bit of surf close to the bottom of the frame in order include more of that gigantic sky. As an alternative interpretation I also aimed the camera lower to produce a composition that included the dark foreground cliffs just below my position. The curve of the dark foreground seemed to lead toward the peninsula holding Point Sur and to contrast with the brilliant light in the misty, back-lit atmosphere above the water.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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