Tag Archives: clouds

Black Sands Beach, Coastal Cliffs

Black Sands Beach, Coastal Cliffs
Black Sands Beach and the Lost Coast, Shelter Cove, California.

Black Sands Beach, Coastal Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

Black Sands Beach and the Lost Coast, Shelter Cove, California.

Previously I have shared my dark secret: for decades I barely visited the portions of California north of the San Francisco Bay Area, Sacramento, and Tahoe line. Sure, I visited Lassen National Park with my family when I was young, and I’ve been on Mt. Lassen a few times, and — of course — I have driven north out of the state on Interstate 5. But the Northern California coast remaining mostly off my radar for decades. A decade or two ago this began to change — slowly — as we visited areas in Mendocino County and along the path to and from there, and when we pushed a bit further north from that base on some day trips.

Finally, during the last decade or so, I began to get more serious about this wonderful region and, among other things, I began photographing in the redwoods. (I have photographed closer redwoods for decades.) And then I pushed out toward the coast. On this year’s visit we finally made it to the edges of the Lost Coast area below Eureka, a portion of the coast so rugged that even “the coast highway” takes an inland jog. In the middle of this region lies the isolated (but surprisingly large) community of Shelter Cove. Black Sands Beach extends from this local toward the northern section of the Lost Coast, and no roads touch the coast again for many miles.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Edge of the Continent

Edge of the Continent
The rugged cliffs of the Big Sur coast meet the Pacific Ocean under cloudy skies.

Edge of the Continent. © Copyright 2021 G Dan Mitchell – all rights reserved.

The rugged cliffs of the Big Sur coast meet the Pacific Ocean under cloudy skies.

Although I was born in the Upper Midwest, I don’t think I could live there anymore — even though many aspects of the place are in my blood and feel comfortable to me. I recall visiting a few decades ago — and, honestly, generally enjoying myself — but watching the sun set and thinking about how many hundreds (more than a thousand, actually) of miles it is to the ocean. I can’t quite put the feeling into words, but it just seemed odd to this guy who has lived perhaps 25 linear miles from the Pacific Ocean for, well, more than a couple of decades.

I was thinking about this feeling as I visited the area in this photograph, the Big Sur Coast of California, the rugged interface between North America and the vast Pacific Ocean. The sense that there is an empty, unknown space that we don’t inhabit has long had a powerful effect on us, and here at the edge of the continent we can come face to face with a wilderness that most of us will never fully explore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Wetland Trees

Autumn Wetland Trees
Trees with autumn golden leaves against a foggy sky in California’s Central Valley.

Autumn Wetland Trees. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees with autumn golden leaves against a foggy sky in California’s Central Valley.

Yesterday I travelled down the Central California coast to photograph in what I think of as the upper Big Sur region, going as far as about Big Creek. I was originally thinking that I might have a new photograph from that endeavor to share today, but it did not quite happen. (Stay tuned though, I’m sure there will be something eventually.) So today’s photograph is a fall color subject that has been sitting on my computer for a while, awaiting its turn for sharing.

The photograph comes from a beautiful early December day, during the end of the “before times” when we could travel more freely. It was one of my first forays out into the Great Central Valley that autumn, largely to look for migratory bird arrivals but also to photograph the landscape. Light in this place is a tricky thing and can often be challenging. It can range from “blah” flat light through bright and harsh light, to fog so thick that you cannot see through it. There are ways to photograph in all of these, but they aren’t always easy. But every so often nature offers up some just plain beautiful light like I had this day. Diffused sunlight was striking the nearby trees with their autumn leaves, while the more distant sky was darkened and deepened by some fog and haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Point Sur, December Sky

Point Sur, December Sky
High clouds, brilliant reflecting light on the water, and fog at Point Sur.

Point Sur, December Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

High clouds, brilliant reflecting light on the water, and fog at Point Sur.

There is a lot of “accepted wisdom” about photography that turns out to be not quite true when you stop and consider your actual picture-making experience..Yesterday I was having a conversation with a photographer friend (Hi, Charlie!) about various things, including the way that some photographs don’t quite make sense to us until we return to them long after making the original exposure. If one ideal is to pre-visualize the photograph perfectly (and I do believe in the value of pre-visualizing), then it would seem that being surprised months or years later to find that a forgotten image works is hard to explain. But it happens — quite a lot, actually. One of my ideas about this is that at first we are too invested in what we believe the photograph to be that we are unable to look beyond that and see what it actually is.

All of this is a long way of getting to a point about this photograph. When I first viewed it right after the day I visited the Big Sur coast, I had a hard time with certain aspects of the light and the color and, to a lesser extent, the way it was framed. Originally I settled on a black and white interpretation. (Yes, a neat way of copping out about the color issues!) Recently I went back and looked at it again, and this is the result. I ended up with a slightly different crop, some work to lighten portions of the scene, and some new thinking about color of clouds and sky and about how to handle the bright yet low contrast reflections on the water out near the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.