Tag Archives: coffee

Photographs: Europe, Photographs: Spain, Photographs: Travel, Photographs: Urban/Street

Churros Time

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Churros Time -- table with churros, a cup of chocolate, and coffee cups.
“Churros Time” — Churros, chocolate, and coffee, Madrid Spain.

Yes, this is at Madrid’s Chocolatería San Ginés, one of the better-known (and more touristy) churros shops. Even though it is located down a less-than-obvious side street, the place is often packed. They have come up to the challenge, with a unique (to me, anyway) method of taking orders and allocating tables. The churros and chocolate are the classic combo, with the coffee a nice accompaniment.

I am glad we visited this place, since it is an icon. But it isn’t my most favorite churros experience in Spain. That was in Zaragoza, where we heard that a particular place on an obscure back street is loved by locals. While Americans like us might expect this to be a morning thing, this place only opened at 4:00PM, and the locals were already lined up inside and at the outside walk-up window. And, even better, it seemed that no one spoke English, aside from a helpful customer who was willing to put her limited English to work helping a couple of confused Americans.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Photographs: New York City, Photographs: Urban/Street

Free Beans

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Free Beans
A very worn, largely illegible, and graffiti-covere sign on a Manhattan business.

Free Beans. © Copyright 2022 G Dan Mitchell.

A very worn, largely illegible, and graffiti-covered sign on a Manhattan business.

We don’t know if they are good beans, but at least they are free, or so we are led to believe. This window, made opaque, was under scaffolding that covered a sidewalk next to the building in Manhattan. Such scaffolding seems ubiquitous to me. I can’t vouch for this, but I was told by someone who should know about such things that the scaffolding contractors like to leave the stuff up since it is less expensive than moving it and warehousing it!

This kind of forgotten urban detritus fascinates me. At some point in the past, someone must have put some thought into the signage, determining which colors to use, what size fonts to use for different text, and aligning those yellow lines that divide it into sections. But neglect, weather, and graffiti have done their work, and today it is hard to even figure out what the sign is about.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: People, Photographs: San Francisco, Photographs: Urban/Street

Morning, Caffe Trieste

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Morning, Caffe Trieste
Patrons in line for coffee at Caffe Trieste, San Francisco.

Morning, Caffe Trieste. © Copyright 2021 G Dan Mitchell – all rights reserved.

Patrons in line for coffee at Caffe Trieste, San Francisco.

Last week I spend considerable time in San Francisco’s North Beach neighborhood. I’m a member of Studio Nocturne a group of night photographers (descended from “The Nocturnes”) who have been photographing and exhibiting together for decades. Every fall we do an “open studio” as part of The City’s Artspan Open Studio event. This year we were in the Live Worms Gallery on Grant in North Beach. We’ve been in various locations over the years, and I think this may have been one of the best spots we’ve used — lots of foot traffic, lots of places nearby to eat and drink, great atmosphere. (Terrible parking though!)

Each day I arrived an hour or so before we opened, and on the last day, Sunday, I headed a half block up Grant to this famous espresso shop. You might not know it if you just dropped in on a Sunday morning, like I did, but this is a somewhat historic location in San Francisco. In addition to being a meeting place for all sorts of interesting folks for years, it was the first espresso bar on the West Coast.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Pacific Northwest, Photographs: People, Photographs: Urban/Street

Storyville Coffee

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Storyville Coffee
Patrons sitting at the window of a Seattle coffee shop

Storyville Coffee. Seattle, Washington. September 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Patrons sitting at the window of a Seattle coffee shop

As you may have noticed — at least if this isn’t the first time you have seen one of my posts — I like to photograph a rather wide range of subjects. Some know me as a “landscape” or “nature” photographer, but my subjects include many other things: night photography, street photography, urban landscapes, musicians, and more. One line of thinking holds that this is not a good thing — that it dilutes one’s photographic identity and fails to produce a recognizable style. Yet, it turns out that I’m not alone, and lots of other photographers are fascinated by multiple subjects. (Last weekend I ran into a couple of fine photographers and friends high in the Yosemite Sierra, people who have a reputation for photographing the natural world. When I met them they were just finishing up photography of peeling paint on an empty building…) Once they have been typecast, they tend to accept that — since being recognized for a type of photography is a good thing — but they occasionally admit to being frustrated when their other work isn’t understood.

So this is from my “other photography” — the work I do when I spend time in urban environments. It is hard for me to explain the fascination of “street photography” to those who don’t get it, but I’ll try. First, I think we can regard this world as a kind of “urban landscape” — and some of the same attractions of light and texture and color and form are found here. Second, it can be an incredibly dynamic “landscape.” When things are going well, I often feel that I’m in the midst of a continuous flow of people and compositions and their collisions and that there is almost too much to see. The trick is often (though not always) to stay tuned in and to be read to see and photograph quickly. Third, the human layer is something found much less in landscape photography, and it fascinates me. Here I just happened to spot one of the little vignettes that are everywhere in the city — an interest group of people in different poses and likely with different attitudes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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