Tag Archives: copse

Photographs: Birds, Photographs: Central California, Photographs: Nature

Winter Birds, Dormant Trees

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Winter Birds, Dormant Trees
Migratory geese fly above a copse of dormant wetland trees, Central Valley, California.

Winter Birds, Dormant Trees. © Copyright 2023 G Dan Mitchell.

Migratory geese fly above a copse of dormant wetland trees, Central Valley, California.

This photograph is emblematic of a minor identity crisis I face this time of year when photographing in California’s Central Valley: Am I a landscape photographer or a wildlife photographer? I think the answer is… yes. A few years ago I collaborated with fellow photographers on a show that focused on what we call “birdscapes,” and that invented term encapsulates my approach. Sometimes I do photograph individual birds or small groups in isolation, but mostly I see them as part of this winter landscape.

I made this photograph on New Year’s Day, when a group of us met to ring in the new year and make some photographs. Photographically it was a bit of an odd day — not the greatest light, and not as many birds as sometimes, both the result of this winter’s wet weather in California. But in the morning we did have some nice light, including this moment when the soft light became a bit directional, illuminating these trees still bearing “autumn” color as geese flew past.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Fall, Photographs: Fall Color, Photographs: Nature

Autumn Trees, Levee Road

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Autumn Trees, Levee road
Trees with autumn leaves along a road winding along a levee in Central Valley wetlands.

Autumn Trees, Levee Road. © Copyright 2022 G Dan Mitchell.

Trees with autumn leaves along a road winding along a levee in Central Valley wetlands.

It just occurred to me that this sequence of photographs roughly narrates the course of a typical day here at this time of year. The ideal day starts before sunrise in thick fog. Then the fog becomes lighter and takes on the colors of dawn if things work just right. Eventually the fog thins more and the light becomes brighter and more directional. Before too long the fog dissipates and I’m left with the winter atmospheric haze, which softens the landscape even as the colors intensify.

I was hours into photographing this location when I came to these trees. Although it was still cold, the sun was shining confidently through the midday haze. The atmosphere was still a bit soft, but the fall colors were stronger. I initially stopped to photograph a bird perched at the top of one of the trees, but soon the bird left and I went into landscape photography mode.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Tall Aspen Grove, Autumn

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Tall Aspen Grove, Autumn
A small group of tall aspens with long, white trunks and colorful autumn foliage, Eastern Sierra Nevada.

Tall Aspen Grove, Autumn. © Copyright 2022 G Dan Mitchell.

A small group of tall aspens with long, white trunks and colorful autumn foliage, Eastern Sierra Nevada.

This photograph is yet another example of the variety of colors during the Sierra Nevada autumn aspen transition. There’s still a bit of green, a lot of brilliant yellow, and highlights of red and orange here and there. Earlier in the season the predominant colors tend to be the yellows set against the greens. But by the second half of the month much (though not quite all) of the green is gone, and the more characteristic autumn colors clearly dominate.

This photograph is also another example of the value of long lenses for landscape photography. I use everything from 16mm to 400mm and sometimes longer for landscape. The long lenses let me photograph subject that are simply not accessible. They allow me to work at a distance from an elevated perspective that isn’t available closer to the subject. They are useful for narrowing down the scope of a composition and eliminating distractions. All of those were in play when I made this photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Autumn Trees, New Hampshire

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Autumn Trees, New Hampshire
“Autumn Trees, New Hampshire” — A dense wall of trees with autumn leaves, New Hampshire.

This vignette of one small bit of White Mountains autumn color is somewhat indicative of the intensity and variety of the color there. My baseline for considering autumn color is California, which means the aspens (and a few other things) of the Eastern Sierra, the maples and oaks and dogwoods of the west slope of the range, and the mixture of native and non-native trees another areas of the state. It is rare to fine large, continuous hardwood forests with a mix of trees in California — almost unheard of, in fact. Yet that seems to be the norm in New Hampshire and other parts of New England we visited. It seems like the period of time with best color may be shorter here, but during the window the variety and intensity is remarkable.

The circumstances of the photography often seemed different in New England, too. (In fairness, this was my first visit, and I can see how my process might adapt to this different landscape over time.) Once I found color in New Hampshire — and, believe me, it was not hard! — in some cases photographing it was almost too easy. Here, for example, I had stopped at a popular roadside pull-out to photograph an open landscape view to the north. When that view turned out to be problematic I turned around and basically looked for colors and patterns to photograph in a large “tree wall” across the roadway!

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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