Tag Archives: cornfield

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Devil’s Cornfield, Evening

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Devil's Cornfield, Evening
Devil’s Cornfield, Evening

Devil’s Cornfield, Evening. Death Valley National Park, California. April 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Arrowweed plants at the Devil’s Cornfield

I’ll confess upfront that one reason I made this photograph is that I barely have any of this specific site in Death Valley, one that is well-known enough to warrant a place to pull over on the highway and look at it. I have not found it to be an easy place to “see” photographically.

The “corn” is actually the arrowweed plant, whose roots seem to manage to block and trap blowing sand and dust on this playa-like area. As the plants grow they manage to hold onto these piles of soil and thus group above their surroundings a bit. I made the photograph from a slightly elevated position and during evening hours where the golden light emphasized and enhanced to colors of the plants.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Devils Cornfield, Morning

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Devils Cornfield, Morning
Devils Cornfield, Morning

Devils Cornfield, Morning. Death Valley National Park, California. March 31, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early morning light on Devils Cornfield and receding ridges, Death Valley National Park

I’m a fan of shooting in the very early morning – what photographer isn’t? – and of shooting directly into the brilliant light of the rising sun, especially when that light shines through an atmosphere containing haze or dust. These conditions appeal to me in a variety of ways. The inclusion of this haze emphasizes the effect of atmospheric recession, and sometimes the most distant elements of the scene can fade to near invisibility as the atmosphere lowers the color saturation and contrast of the scene. Shadows, especially if bit of detail can be retained, can produce dramatic contrasts, and light glancing across the edges of features such as plants can be intensely colorful.

This photograph includes features of a scene that is easily accessible but perhaps one that people don’t often spend much time considering, especially at this time of day. Most photographs of the area that I see are made in fairly normal daytime light or perhaps in the warm and clear light of the evening golden hour. Here I found a slightly elevated camera position and aimed across the tops of clumps of grasses, a small nearby hill, and a succession of higher and more distant ridges leading away toward the mountains along the east side of the valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Devil’s Cornfield

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Devil's Cornfield
Devil’s Cornfield

Devil’s Cornfield. Death Valley National Park, California. March 31, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early morning light slants across the arrow weed plants of the Devil’s Cornfield area of Death Valley National Park

For the record, while I have no evidence either way regarding the role of the devil in creating this terrain, there is definitely no corn growing in this field! The plant is known as “arrowweed” (or arroweed or arrow weed), and the tall shapes are apparently formed as the sand erodes from around the roots.

This spot is one of several in Death Valley that have been hard for me to see as photographs. (Other “challenges” include the Devil’s Golf Course – which mostly looks like crusty, dried mud to me – and Salt Creek – which I’ve mostly visited at the times of day when the light hasn’t been idea.) I came close once before with a closer view of the plants that revealed their actual color a bit more and which placed them in front of a backdrop of more distant barren mountains. This photograph certainly doesn’t provide a strong center of visual interest, but I like the sense of the plants leading off into the distance, the angles of the blue shadows, and the contrasting warm colors of the plants in near golden-hour light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Hill Near Mesquite Flat, Dusk

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Hill Near Mesquite Flat, Dusk
Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dusk light above a hill near Mesquite Flat in Death Valley, backed by a large alluvial fan from Tucki Mountain.

At the end of this day I was shooting from the top of a low hill in the Valley east of Stovepipe Wells, and there were interesting subjects throughout almost the entire 360 degree panorama around this elevated position. With this in mind, I had chosen to use the long 100-400mm zoom so that I could have some flexibility in composing elements of this huge scene.

I was mainly working with things that were in the large arc to my west (dunes and Cottonwood mountains and base of Tucki Mountain), north (the main Valley and transverse dunes), and east (the mountains running along that edge of the Valley) since the further subjects of the lower Valley were more or less out of sight beyond the alluvial fan that appears in the photograph. But I kept being intrigued by the low, dark hill on the flats below the similar hill on which I was standing. There is a row of them stretching from near the Devils Cornfield area up and across this alluvial fan. As the evening light transitioned towards post-sunset light I saw that the glow from clouds (a bit of which is visible in the distance above the Black Mountains) was lighting this hill and the surrounding flats in an interesting and colorful way.

But I had a little problem. I was still working a number of subjects and once and I really needed to keep shooting that 100-400. 100mm was still too long for this scene, but I didn’t have time to remove it and put on a shorter lens. I figured that I could simply change the camera to vertical orientation, very carefully level the tripod, and include the whole scene in four panning vertical frames that I could stitch together later. People often do this so that they can produce extremely high-resolution image, but that wasn’t my goal at all. In any case, it worked, and not only did I manage to get the shot that needed a wider lens, but as a bonus it is a very high-resolution shot.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.