Tag Archives: cottonwood

Cottonwood, Fallen Monolith, and Cliff

Cottonwood, Fallen Monolith, and Cliff - Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.
Cottonwood, Fallen Monolith, and Cliff – Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.

Cottonwood, Fallen Monolith, and Cliff. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.

I may be repeating a story I’ve previously told, but here goes. Earlier during my late-October visit to Utah we had wandered into this area, only to be largely stymied by clouds, cold, absurdly strong winds, and even a bit of rain. It was a bit disappointing, in that we had really looked forward to visiting this portion of the Escalante River, and when we started out in the early morning and saw a lot of beautiful fall color we thought we were in for a good day of shooting. Although that day was not a complete loss, it wasn’t what we hoped for – and by the end of the day we were struggling against very strong winds and cold.

Fortunately, nearly a week later we found ourselves back in roughly the same area of Utah, and as we considered the next day’s possible shooting locations the idea of giving this spot a second try came up. After considering that alternatives of trying a new location or going back, we decided to go back. It was a good decision! Where the first visit had been cold, cloudy, windy and even a bit damp, the second visit brought warmer conditions, almost completely clear skies… and most important, nearly windless conditions. (At one point we were cautiously admitting to one another that we had made exposures of foliage that lasted as long as a couple of seconds!) Near one large bend in the canyon there was a spectacular abundance of “targets” – brilliant cottonwood and box elder trees, beautiful canyon walls of various colors, fallen leaves, and more. On the previous visit we had all looked at this little scene of a large fallen section of the canyon wall with golden cottonwoods growing all around, and then pretty much continued on since the trees where being whipped around by the wind. But on this second visit the wind was calm, and light was reflected into the scene from sunlit sandstone walls to our left.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstorm, Dunes, Desert Mountains

Sandstorm, Dunes, Desert Mountains
Sandstorm, Dunes, Desert Mountains

Sandstorm, Dunes, Desert Mountains. Death Valley National Park, California. April 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early evening light on sand dunes with clouds of wind-driven dust above and desert mountains beyond, Death Valley National Park

As it got closer to sunset on this sandstorm evening in Death Valley, I stopped at a low, black hill that I like to ascend so that I can shoot in a 360 degree panorama from its summit. The hill itself is interesting, it that it is made up of material that is much different from that of the surrounding desert, a sort of very dark layered rock. The hill itself is almost completely bare of vegetation, but the flats around it support a healthy crop of arrow weed plants, which can glow with a golden color in the right light.

While my original plan was to photograph the further dunes, from here I saw the conjunction of the golden arrow weed plants, the dark curve of the barren black hill, the bright light and shadows on the taller dunes, the clouds of blowing sand beyond the dunes, and in the far distance the lower peaks and ridges of the Cottonwood Mountains. This is an example of an opportunistic photograph, in that I did not plan on this scene beforehand and because the light died within a minute or two of the time I arrived.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Mountains, Pre-Dawn Haze

Desert Mountains, Pre-Dawn Haze
Desert Mountains, Pre-Dawn Haze

Desert Mountains, Pre-Dawn Haze. Death Valley National Park, California. April 7, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Desert mountain ridges in pre-dawn “blue hour” light rise above Death Valley and recede to highest peaks in the distance

On this April 2013 visit to Death Valley I encountered some very challenging light situations. What you hope for on an early morning like this is beautiful, colorful dawn light, perhaps preceded by a warm pre-dawn glow and followed by bright morning light. But when it came to beautiful early morning light – and evening light, too – I got precious little of it this time. On two mornings a thin overcast and atmospheric haze pretty much killed the dawn light. On one other morning I got some light, but still had to deal with the haze. The clouds were with me on a couple of the evenings, too. I have sort of learned to pretty much go with this flow and accept that difficult light as the balance in the universe that gave me, and will give me again, astonishingly beautiful light.

However, even in such light I try to see what I can find to shoot, and sometimes it provokes me to see things that I might otherwise have overlooked completely. On this morning I was up well before dawn and I headed off to a specific location that I had scouted earlier. I had two possible sorts of photographs in mind for this spot. One involved the view back down and across the main valley, and the other was planned around the arrival of first light on these rugged and stratified hills along the west side of the valley. I got to my spot, was relieved to find that the air was fairly still, and I settled in to wait for the dawn… which never quite came. It was so murky and the light was blocked by so many clouds to the east that I wasn’t even really quite certain when dawn occurred. Things got lighter… but remained hazy. I made this photograph at a moment when, on a clearer morning, these hills might have begun to assume a warm colored glow from light in the eastern sky. But this time it was all blue. The hazy sky was blue, and the mountains were as well. Since the conditions were somewhat unusual, I went ahead and made some exposures. When I first looked at the results I wasn’t very thrilled. But as I looked at them more, especially at very large sizes, I began to appreciate the softer and lower-contrast lighting and the way that details in the formations of the mountains actually become quite visible.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning
Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning. Arches National Park, Utah. October 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cottonwood trees grow in Courthouse Wash with sandstone towers in morning light, Arches National Park

This is not exactly an iconic spot at Arches National Park, a place that is overflowing with icons. Very early on this morning we had engaged in icon photography, from a location near the top of a hill that provided a truly panoramic perspective on huge swathes of the park and from which I had photographed beautiful sandstone structures in the first light and the backlit, haze-filled vista looking toward the La Sal Mountains. We finished there and started to move on, having only vague ideas about what to photograph next, but knowing that if we kept our eyes open we could hardly avoid finding other subjects.

Descending into a wash to cross a stream bed, we came upon a large number of cottonwood trees lining the waterway. These trees were just beginning to transition to their brilliant fall colors, so we stopped. At first I dropped into the wash and made some close up photographs of the leaves themselves, along with some close shots of trees against sky and the nearby sandstone cliffs. Finishing with that I climbed back up to the roadway and there in front of me was another row of colorful trees where the creek emerged from under a bridge, and beyond that some of the same towers that I had earlier photographed from their far side now appeared almost back-lit and with a rim of morning light along their left sides.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.