Tag Archives: cottonwood

Sandstorm, Dunes

Sandstorm, Dunes
Sandstorm, Dunes

Sandstorm, Dunes. Death Valley National Park, California. April 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Strong winds lift clouds of sand high into the air above desert sand dunes, Death Valley National Park.

Sandstorms are common in Death Valley, especially when I visit, typically in the spring. I wasn’t totally surprised (nor totally pleased!) when one arose on the second day of this early April visit. After photographing all morning, I was back in camp to get something to eat and take care of camp business before heading back out in the mid-afternoon for the second shoot of the day. As I sat by my camp I saw a few pillars of dust out in the valley near dunes, and at that point I had a pretty good idea of what might be in store for me in the next few hours. It wasn’t long before the wind began to pick up, soon becoming strong enough to stir up a lot of dust and blow down any weak tents left by campers who had headed out for daytime activities elsewhere.

In objective terms, a sandstorm is an unpleasant thing. It is hot. It is dry. It is full of blowing sand and dust, and the fine dust gets into everything, no matter what you do to try to protect against it. In the worst cases, the blowing sand can damage the paint on vehicles. However, in visual terms, a sandstorm can be quite interesting – as long as you can find ways to shoot it that don’t risk destroying your photographic gear. It looked to me like the main storm was in the middle of the valley, so I figured I might be able to cross the valley, take road along the other side, and skirt the far edge of the storm, and photograph back into it with the light coming from behind. I drove across the valley and stopped right at the edge of the blowing sand and mostly shot from inside my vehicle so as to minimize the dust contamination. From this vantage point I could use a long lens to photograph the abstract shapes of sand dunes, backed by clouds of whirling and drifting sand that obscured the Cottonwood Mountains on the far side of the valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood Trees, Escalante River Canyon

Cottonwood Trees, Escalante River Canyon
Cottonwood Trees, Escalante River Canyon

Cottonwood Trees, Escalante River Canyon. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cottonwood trees, in various stages of fall color, beneath a tall sandstone cliff along the Escalante River, Utah

There is a little bit of a story behind this photograph. We had visited this canyon area almost a week earlier when we first arrived in the Grand Staircase-Escalante National Monument area, but the results had not been quite what we had hoped. We were imagining clear and sunny skies reflecting colorful light down into canyon depths, warm temperatures, still air, and more. Instead we got partial clouds, freezing cold temperatures, and high winds! All of these factors had turned out photographic plans into an extremely difficult challenge. We made it up our canyon to about this point, but the winds were too strong and we were perhaps too cold to stick around. But I had noticed this group of trees at different stages in the transition to fall color and backed by huge boulders and a massive cliff of sandstone.

Nearly a week later we had some extra time and we decided that a second try at this location might be worthwhile. In contrast to that earlier visit, now it was warmer, sunnier, and less windy. We made it to the same portion of the canyon – and a bit further, too – and now found that photography was a lot more possible than it had been only a few days earlier. The color and light on this little scene might need some explanation. The cottonwood trees were, indeed, exhibiting color variations from yellow/gold, through golden brown, and even some still-green leaves. The light came from out of the frame to the right, where a very large and tall sandstone cliff was in full sun and reflecting warm colored light down into this shaded section of the canyon. The color of this light was very surprising. You can see a bit of what was going on by looking at the large boulder behind the trees. The surface facing my camera position appears blue, partly because it was in shadow and partly because that is close to the actual color of this rock. But if you look at the left side of this rock, where a large surface faces that sunlit cliff, it has taken on a color that is almost the same as that of the tree!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh and Trees, San Joaquin Valley

Marsh and Trees, San Joaquin Valley
Marsh and Trees, San Joaquin Valley

Marsh and Trees, San Joaquin Valley. Central Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Scattered trees grow in the marshland of the San Joaquin Valley, California

This photograph comes from a trip to California’s Central Valley on New Years Day with a group of friends – and I can’t imagine a better way to start a new year then by meeting up with friends in the pre-dawn darkness to begin a day photographing the migratory birds and generally hanging out with good people!

For me, photographing these marvelous birds turns out to be about more than the birds themselves, as remarkable as they are as a visual subject. There is a whole range of sensory associations that come to mind when I think of these winter visits to the marshlands to photograph the geese and cranes and other birds. The sound of thousands of geese never ceases to (literally) make me smile when I first hear it, and the sound of the cranes, especially when it comes from overhead or float through the fog, is evocative. The cold and damp and frequently foggy atmosphere is part of it, as is the long drive through the pre-dawn darkness (sometimes alone) and then arriving to find friends waiting. And the landscape itself draws me, which surprises me given how much it contrasts with the wilder landscapes of mountains and deserts and coastline. Often when I’m photographing birds, I interrupt that work to photograph this landscape, which is what I did here. I lined up a few trees, side-lit by the slightly fog-softened light, against the blue haze of clearing tule fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

White Pelicans in Flight

White Pelicans in Flight
White Pelicans in Flight

White Pelicans in Flight. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A flock of white pelicans crosses the marsh before landing at a San Joaquin Valley wildlife refuge

I believe that I have written in the past about the first time I saw white pelicans in the Central Valley of California. The preface to that story is that I somehow managed to live in this part of California for my whole life without realizing that this valley is filled with an amazing diversity of migratory wildlife every winter, so I’m still “discovering” things that many other take for granted. In any case, I was out in the valley at one of the wildlife refuges on a very foggy morning when it was impossible to see more than a few dozen feet into the murk. I could hear birds, but certainly not see them. I stopped and opened the window of the car to listen, and almost immediately a flock of large birds coasted silently into and out of sight. I was somewhat taken aback and thought for a moment that they “looked like pelicans,” but since I had no idea that such birds would be found here I dismissed the thought. Later that day my friends began to talk about seeing “white pelicans,” and later they showed me where a flock was resting on a small island in a marsh.

This flock arrived late in the day and was again unexpected. We had travelled to the edge a marsh to watch a large flock of Ross’s geese. They were settled in for the afternoon, but we knew that they would begin to fly out as the end of the day approached. This time it was almost completely clear, so it was easy to see this large flock of birds as it silently floated over the edge of the marsh – with almost no flapping of wings, in great contrast to the geese! This time I more quickly figured out what I was seeing and I photographed them as the crossed into the center of the marsh and landed.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.