Tag Archives: county

Marin Headlands, Winter Evening

Marin Headlands, Winter Evening
Marin Headlands, Winter Evening

Marin Headlands, Winter Evening. San Francisco Bay Area, California. January 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Golden evening haze over the Pacific Coast below the rugged cliffs of the Marin headlands

How we ended up here on this evening in a slightly complicated and random story. Our main goal was to go San Francisco’s De Young Museum, where the big show of David Hockney’s work was entering its final days – we had been planning to go but somehow the time passed and it was now or never. I’d write, “It is a great show and you should go…” but it is too late! Hockney’s work is engrossing and compelling and includes subjects that a landscape photographer can identify with. (Hockney’s relationship to photography is interesting and, it seems, a bit complex. He is known for some photo collages that he created, yet he disparages photography or at least the way photography is often done. He apparently said something about photography along the lines of it being fine if you want to view the world from the point of view of a paralyzed cyclops. Ouch!)

We spent a few hours in the exhibit and then it was mid afternoon. There were still a couple of hours of light left, so we decided to head across the Golden Gate Bridge, but with only the vaguest of plans in mind. (Basically the plan consisted of “Coffee and then look for something before the light is gone.”) By the time we got over there and were ready to look for light, we realized that we had only a short time before the light would go and we would have to head back over the bridge to get dinner. (We had reservations at a favorite Indian restaurant.) We realized that we had only enough time to drive up into the headlands on our way to the bridge, so up Conzelman Road we went. I missed a mysterious and ominous photograph of a large freighter in the haze outside the Golden Gate since I wasn’t able to find a place to stop and park – but we finally managed to park the car and get out and look around. I did not take my camera gear out at first, since I have more than enough photographs of The City and the bridge at sunset, but soon I became interested in the backlit glow around the rugged cliffs dropping to the water to the west and then the expanse of glowing, hazy air stretching over the water towards the horizon, where water and sky merged invisibly.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese in Flight, Dusk

Geese in Flight, Dusk
Geese in Flight, Dusk

Geese in Flight, Dusk. San Joaquin Valley, California. December 13, 2103. © Copyright 2014 G Dan Mitchell – all rights reserved.

A flock of geese takes to the air at dusk, San Joaquin Valley

After nearly a week in the dry and desiccated (and cold!) terrain of Death Valley National Park, I decided to break up my homeward drive with an evening stop in California’s San Joaquin Valley to photograph migratory birds. It is hard to imagine two places that are more different. Death Valley is mostly hard edged, dry, with only the hardiest vegetation, and a place of scarce wildlife. The San Joaquin is largely farmland, albeit due to irrigation, and where I went there is a lot of water and many thousands of birds. It was quite a contrast with where I had been and a sort of “welcome home” to a world that I am more accustomed to.

I arrived perhaps an hour before sunset, after a long drive that had begun early in the morning on the far side of the Sierra – and with a couple of hours of driving still to do. I drove across narrow farmland roads to get to the refuge, where I stopped and sat for a few moments before switching into “wildlife photographer mode.” As I had approached the place I had spotted a very large flock of Ross’s geese along the roadway that runs along the refuge, so I made steady progress back to this spot, where I figured I would do my evening photography. There was a very large group of geese already when I got there, and more were arriving from other far off locations. The geese mostly settle in on the pasture land and eat, but every so often something disturbs them and they take off en masse in a wild maelstrom of flapping wings and noise, fly around a few times, and soon return to almost the spot they left. There were two or three such giant “explosions” of flying geese as I photographed, and I shot this group using a rather slow shutter speed in post sunset dusk light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Summer Grass, Receding Ridges

Summer Grass, Receding Ridges
Summer Grass, Receding Ridges

Summer Grass, Receding Ridges. Diablo Range, California. August 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Late summer dry grass in golden hour light with distant hills receding into the haze

I made this photograph on what we sometimes refer to around here as a “random ride,” on an evening when I wanted to photograph something but didn’t have time or inclination to get to some of the usual spots. I formed a vague plan to head up towards the Lick Observatory on Mount Hamilton, above the Santa Clara Valley. I have a long history with Mount Hamilton. Since I was brought up in the Santa Clara Valley (now known to many as “Silicon Valley”), we used to head up this road when the occasional snow fell in the Diablo Range. Today they close the road when there is snow, but back then the authorities were less restrictive, and many families found their way up there to make snow men and have the rare snowball fights. Later, during a long period when I was a very serious bicyclist, I used to regularly do the 60 or so mile round trip from the valley to the summit and back, often as a morning ride. It is literally true to say that I know many of the twists and turns of this road like I know the back of my hand. As I drove up there on this evening I could still anticipate what the road would do a couple of blind turns beyond where I was.

I think I had a general idea of some photographs including oak trees and grass land, perhaps with evening vistas beyond. But as I drove it seemed like the right wasn’t quite right in most of the promising locations, and where the light was good the subjects didn’t appeal so much. But this turned out to be one of those trips on which I wasn’t anxious about whether or not I would get photographs, so I continued on and even explored a bit. In fact, when all ways said and done, I photographed exactly one subject – making several photographs of this bit of grassy ridge with the sunset light behind it on the receding hills.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandhill Cranes, Marsh, Dawn

Sandhill Cranes, Marsh, Dawn
Sandhill Cranes, Marsh, Dawn

Sandhill Cranes, Marsh, Dawn. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Flocks of sandhill cranes fly through dawn haze above San Joaquin Valley marshland

This is another New Year’s Day photograph – and probably won’t be the last one. The typical process when I shoot here is to start at a parking area near the entrance before the sun comes up, either meeting friends there or else simply pausing to get my gear ready and put on warm clothes. Without fail, I also pause for a few minutes to take in the extraordinary sound of the many thousands of migratory birds, usually coming from unseen places off in the mist or fog, and the sound always makes me smile. I may make a few initial photographs in the dim predawn light, and then I usually move off to start looking for subjects.

On this morning I began my “move” before the sun came up, but moments later I looked over my shoulder to see the first light of the rising sun, and I quickly found this location with a small gap in the tules, a bare tree, and some reflecting water, and I lined them up with the rising sun. In this foggy valley, when the fog is not too thick, there is a brief interval of perhaps a minute or two when the globe of the sun rises behind the fog, which mutes the light and allows me to shoot straight into the sun. Also right about dawn, flights of sandhill cranes lift off and fly in lines above the landscape – and on this morning the two ephemeral events happened simultaneously.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.