Tag Archives: covered

Henkersteg, Pegnitz River

Henkersteg, Pegnitz River, Nürnberg
“Henkersteg, Pegnitz River” — A covered bridge spans the Pegnitz River, Nürnberg, Germany

Walking around in Nürnberg on a day that began with slowly dissipating fog, I saw this scene as we crossed a bridge over the Pegnitz River. There is still a bit of the fog in the sky above the buildings, an old covered bridge crosses the water, and the buildings, bridge, and a few trees are reflected in the smooth surface of the river.

Often when photographing in a location like this I sometimes cannot determine the name of the subject or I photograph quickly and move on without checking. That was the case here, and it was only later that I used maps to locate the bridge and found out that it is called the “Henkersteg.” I understand that this roughy translates to “hangman’s bridge.” Additional reading suggests that it got the name because long ago the town hangman lived in a tower near one end of the bridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Old Trees, Stone Fence

Old Trees, Stone Fence
“Old Trees, Stone Fence” — Old trees grow against a moss-covered stone wall in the forest along the Great Glen Way, Scotland.

From years of hiking in California and backpacking in the Sierra Nevada, I’m familiar with hiking in wilderness terrain. In those places the signs of human visitors are mostly subtle: a cleared area where people have camped, trails, blaze marks on trees, and occasional rustic dam raising a lake’s water level by a few feet. The experience is very different along Scotland’s Great Glen Way, the 80 mile trail between Fort William and Inverness. Here the marks of human presence are almost constantly visible. It isn’t all bad — each evening we stayed in nice lodging and ate great meals!

I made the photograph on the final day of our weeklong walk. We had assumed that it would be an easy day, since it would bring us to our final destination, it didn’t cross any high mountains, and it seemed (in a somewhat misleading way) to be short. We started in pasture-land and then entered forest… as the rain began. It continued for hours, all the way into Inverness. Here the route skirted a private forest (see the barbed wire!) lined with a very old, moss-covered rock wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Panamint Range Snow, Evening Light

Panamint Range Snow, Evening Light
Late-day light illuminates snow covered ridges and thin forest along the summit of the Panamint Range, Death Valley National Park.

Panamint Range Snow, Evening Light. © Copyright 2023 G Dan Mitchell.

Late-day light illuminates snow covered ridges and thin forest along the summit of the Panamint Range, Death Valley National Park.

The reputation of Death Valley National Park is mostly tied to heat — the desert, the dunes, the rare rainfall. I once asked German relatives why they choose to visit in the middle of summer when few of us would choose to go there. The answer, more or less, was that Death Valley is famous for being the hottest place on earth, and that is what they wanted to experience. People who “know” the park from that perspective are often shocked to find that snow is common here in the mountains.

When we visited the Panamint Mountains at the beginning spring the snow was plentiful, and we actually experienced a moderate snow squall. (One of the oddest experiences I’ve had in this park was some years back when we photographed spring wildflowers during a snow storm in Death Valley. Let that one sink in for a moment.) Late on this day we went to a high overlook to wait for sunset, and the warm light illuminated this nearby ridge in the very late afternoon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Free Beans

Free Beans
A very worn, largely illegible, and graffiti-covere sign on a Manhattan business.

Free Beans. © Copyright 2022 G Dan Mitchell.

A very worn, largely illegible, and graffiti-covered sign on a Manhattan business.

We don’t know if they are good beans, but at least they are free, or so we are led to believe. This window, made opaque, was under scaffolding that covered a sidewalk next to the building in Manhattan. Such scaffolding seems ubiquitous to me. I can’t vouch for this, but I was told by someone who should know about such things that the scaffolding contractors like to leave the stuff up since it is less expensive than moving it and warehousing it!

This kind of forgotten urban detritus fascinates me. At some point in the past, someone must have put some thought into the signage, determining which colors to use, what size fonts to use for different text, and aligning those yellow lines that divide it into sections. But neglect, weather, and graffiti have done their work, and today it is hard to even figure out what the sign is about.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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