Tag Archives: covered

Islands, Fog

Islands, Fog
“Islands, Fog” — Two small reed-covered wetlands islands in thick winter tule fog.

At times I like to make photographs that contain as little detail as possible, photographs that might suggest more than they tell. The most distinct feature in this scene is the darker island at the left. Beyond that we see (barely) one more island and then nothing. Any further detail is masked by the thick Central Valley tule fog.

It was a remarkably foggy day. I drove over there from my home about two hours away, and the last half hour or so of the drive was in fog so thick I could barely see the roadway. I had initially hoped that I might get a bit of sunrise color and then a late-morning clearing, but neither happened. If anything, the fog got thicker after noon!


Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Tables and Columns

Tables and Columns
“Tables and Columns” — Tables set up between pillars under a portico, Santiago de Compostela, Spain.

On a cool May Day, these tables in the sunlight between stone columns along a narrow street in Santiago de Compostela were quite attractive. While the narrow streets serve, in part, to reduce the amount of hot sun on the passageway in the summertime, on this cloudy day a bit of sunshine between the arches seemed appealing.

For us, travel is an opportunity to stretch boundaries and step outside of the usual routines. At home, we’re more likely to just walk along our local streets without stopping, but here it seems like stopping is the point.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Leaves and Frost

Autumn Leaves and Frost
“Autumn Leaves and Frost” — Fallen autumn leaves, covered by frost, on a cold fall morning in the Sierra Nevada.

These fallen, frost-covered leaves were so interesting that I took a significant break from photographing trees to focus on them. They lay in a shaded strip along the edge of a gravel back-country road high in the Eastern Sierra. (I wonder what the other aspen hunters who drove past must have thought when they saw me ignoring the big trees and pointing my lens down at the ground!)

The photograph is a reminder to me — one that I frequently experience — that sometimes the thing you came to photograph is not the only subject worthy of attention. It is important to look away from that and see what else is around. Look away from the “big” and toward the small, turn around and see what is behind you.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Aspen Leaves, Morning Frost

Aspen Leaves, Morning Frost
“Aspen Leaves, Morning Frost” — Fallen aspen leaves covered in morning frost, Eastern Sierra Nevada.

I had been photographing long views of colorful aspen groves on mountainsides as the sun came up. Photography in quickly-changing early morning light can be intense, and ideal conditions only last a short time. As the sun rose the light soon become too intense for the photographs I was interested in, so I went for a stroll along the base of a nearby rocky hill where it was still shady.

The hill produced the conditions that made this photograph possible. The most obvious was that the shaded light remained soft, revealing subtle elements in this little scene. Because direct sunlight had not yet arrived, the fallen leaves were still covered in frost. Morover, it is likely that the leaves collected here in the first place because the hill provided some protection from wind.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.