“Photographer, Sabrina Basin” — A photographer working the autumn colors from a ridge in Sabrina Basin, Sierra Nevada, as an early fall storm comes in.
I wandered out onto this ridge above Sabrina Basin, a spot that I know for its unobstructed view of the valley and the peaks of the Sierra crest above Sabrina Lake, far up the canyon. I had my eyes on some rocky benches that run along the top of the ridge As I approached I saw that I wasn’t the only photographer with this idea. As I crossed the rocks toward the overlook, he was working my intended camera position, so I decided to sit back and let him finish. (The ridge wasn’t wide enough for both of us to work together there.)
As I waited, I thought there was something interesting about his position above the valley, his concentration on shooting, his all-blue outfit (shirt and jeans, on a cold and rainy day!), and that wide brimmed hat. So I decided to make a few photographs of him. We barely talked at all. I hoped to get his name, but that didn’t happen. The best I was able to do was give him a card, and offer him a copy of the photo if he contacted me. Never heard from him…
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Autumn morning light on Piute Crags, reflected in the shoreline waters of a Sierra Nevada lake.
I made a lot of photographs during the past few months, traveling to the Sierra and a number of other places frequently. I often go through the photographs from the most recent shoot and post images soon after, but when I’m on to the next adventure fairly quickly I don’t always have time to get to everything in one batch before I shoot the next one. Inevitably, some images get “left behind.” Things have slowed down just a bit, and now I’m finding time to go back through some of that earlier work and pull out a few more images that I like. This is one of them.
Folks who photograph in the eastern Sierra will likely recognize this location. The long, rugged ridge of Piute Crags is striking, especially in the morning light, more so in the fall when the aspens change color, and double-especially on such a fall morning when clouds are moving in and out of the scene. I’m not going to say much more about the location beyond telling a little story. As I made this photograph there were perhaps 50 photographers set up more or less tripod-to-tripod a ways away shooting the same general subject from the place where almost everyone shoots. Their location is, indeed, a beautiful spot and I’ve shot there myself. (Heck, I shot there later on this same trip, though at a time of day when the workshops had gone elsewhere.) But there is more than one way to photograph a scene, and with a bit of thought and some wandering around it is usually possible to find a perspective that isn’t quite the same as the familiar one.
(If you know where I stood, please resist the temptation to say too much. This precise spot could not withstand the stress of dozens of photographers. Thanks!)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Brief sunrise light produces a rainbow and virga over the Buttermilks in the eastern Sierra Nevada above Bishop, California.
I have a story to tell about this photograph and how it came about. I’ve been in the Buttermilks — the rounded hills between Bishop, California and the actual Sierra Nevada — on a number of previous occasions. I’ve photographed there in the early morning when the first light hits these hills and the peaks of the Sierra, and I have some potential images filed away in my mind, waiting for a time when the light is right. I also know the Sierra well enough – though certainly not completely nor perfectly! – that I can pick up on developing conditions that might not apparent to someone less familiar with the range.
On this early October morning I was camped up in the Bishop Creek drainage. The forecast was for rain and wind and, sure enough, during the night the wind picked up and it began to rain. I woke before dawn and at the first light it was apparent that it would be overcast. This is not necessarily a bad thing for photographing fall color, but it can mean that subjects that would otherwise work at dawn might need to wait. I was thinking about how to modify my aspen photography plans when I noticed a bit of incipient color in the still-dim clouds, and it occurred to me that a special set of conditions might occur. Although I couldn’t see to the east from this campground, I know that sometimes clouds above the Sierra end a ways to the east over or beyond the White Mountains, and when this happens there is a narrow band of clear sky right above the horizon — and if everything works out just right a strip of dawn light shines through this gap, first hitting the clouds and then working its way down from the peaks to the lower foothills before quickly disappearing and leaving very bland light.
No sure thing at all, but I decided to dash down the road (past the steady stream of aspen photographers streaming up the road!) and see if I could get to the Buttermilks in time. I left the main road and headed up a side road that I know, somewhat resenting a (very reasonable!) 25mph speed limit near some roadside residences as I began to see the clouds above the crest starting to light up. As I hit the last section of gravel road the sky began to glow and I sped up, heading for a specific spot where I had photographed this scene before. With seconds I saw the light pick out a band of virga (rain that does not reach the ground) and a rainbow began to form in front of the eastern escarpment as I arrived at the hilltop where I planned to shoot. I quickly set up my tripod and mounted the 70-200mm lens (which I already knew would be the right one for this shot) and literally ran up a nearby knoll which I knew would put the foreground hill in a decent place in the composition. I was ready just as the soft light hit the foreground and I made this photograph. Within a minute the rainbow as gone!
Sometimes you just get lucky…
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Snow-dusted peaks of the eastern Sierra Nevada near Mammoth Lakes illuminated by dawn light and reflected in the surface of an Owens Valley alkali lake.
I like to stay flexible when I photograph so even though my original reason for traveling to the eastern Sierra was to photograph fall aspen color, when it seemed that other subjects might be just as interesting I switched gears and headed out into Owens Valley to photograph this high desert region and the morning views from there of the eastern escarpment of the Sierra Nevada. I first got this idea the previous morning while driving towards some prospective aspen color before dawn when I saw the outlines of fog over Crowley Lake and other areas of the valley. I ended up shooting along Hot Creek as fog rose from the water and the Sierra crest broke through in the distance. (Photos of that scene will likely appear here later on.) On my way to Hot Creek I passed this lake and decided not to stop since it looked like photography workshop participants were already crowded along one shore.
The next morning I once again thought that I’d start my day out in Owens Valley. This time I went straight to this lake – which I believe is known as “Little Alkali Lake” – and found it completely deserted and the water totally still. It remained that way as I made my way to the far shore and set up before sunrise. In this part of Owens Valley, on cold mornings there are clouds and columns of steam rising all around, coming from the many hot springs that remind one of the volcanic forces hidden just below the surface of this area. Some of the steam sources are visible across the lake in the photograph. Soon the dawn light began to touch the highest peaks and then work its way down toward the rolling hills of the valley floor, reflected in the smooth water of this small lake. This part of the Sierra includes an impressive group of peaks including Mounts Morrison, Baldwin, and Morgan along with McGee Mountain.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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