Tag Archives: curve

Window with Wrought Iron

Window with Wrought Iron
“Window with Wrought Iron” — Wroght iron casts a shadow below a window in Casals de Loivos, Portugal.

I photographed this window on the morning we departed Casals de Loivos on the final day of our one-week walk in the hills and vineyards of Portugal’s Douro Valley region. We took a brief walk thought this small village before walking the steep trail downhill to Pinhão, where this segment of our trip would end.

Our arrival in Casals de Loivos was a spectacular conclusion to the walk. We stayed at an inn with a terrace overlooking the Douro Valley and the winding Douro River far below. This window, with its wrought iron grate and fascinating shadows seems to me to capture one of the kinds of light we saw here — bright, brilliant, high angle light that somehow manages to not be harsh despite being intense.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Curving Portico

Curving Portico
“Curving Portico” — Light spills into a curving portico and walkway in Santiago de Compostela, Spain.

I can’t quite put my finger on precisely what it is, but the town of Santiago de Compostela, Spain has a different feeling than many others of about the same size. There are tourists, of course — but many of the visitors are completing a long camino. You’ll see lots of people carrying backpacks, and not the usual traveler’s carry-on luggage packs. Aside from the Cathedral and its large square, the scale of the place fells a bit smaller and more intimate.

In a few areas there are portico-covered walkways. Most streets do not have them, but where they exist they provide welcome shade and escape from the weather. I photographed this example, with lovely soft light shining between the pillars, during a moment when it was completely deserted.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Curve in the Canyon

Curve in the Canyon
“Curve in the Canyon” — A gravel wash curves through narrows in a Death Valley canyon.

The sensations upon entering one of these canyons after walking in desert heat and sun are striking. It is suddenly much darker and much quieter, and often the air is still. At this bend in the canyon, the walls and edges conspired to create a sort of spiral shape with everything centering on the bigger and warmer-toned section in the upper center of the photograph.

Hiking these canyons they ofcanten start to feel like a steady progression back and forth — a turn to the right is soon followed by one to the left, and so forth. In some canyons this leads to a somewhat humorous “just one more”situation. I might check my watch and note that it is about my turn-around time. I tell myself, “First, just hike to the next curve.” Getting there I tell myself, “You can take a look at what is beyond this section.” So I round the bend and see the canyon continues… and, of course, I just have to continue on to the next bend… and then next… and the one after that.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Canyon Bend

Canyon Bend, Death Valley.
“Canyon Bend” — A narrow desert wash curves though the depths of a slot canyon, Death Valley.

This photograph was made in a somewhat remote Death Valley canyon — access requires a long drive on primitive roads followed by a bit of walking. On this late February day it was very quiet here, and I saw only two other parties during my visit. We often see photographs of very colorful Utah slot canyons, but this photograph is more typical of Death Valley, where the rocks are more likely dark and much less colorful. But the shade and the quiet are just as wonderful.

I often photograph canyons in vertical “portrait” format. The feeling of these landscapes tends to be vertical — narrow passages between very high stone walls. But stepping back a bit we notice that the canyons wind back and forth. Rather than heading straight into the mountains they lazily twist from side to side. It felt like the horizontal “landscape” orientation might better illustrate this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.