Tag Archives: dark

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Dogwood Blossoms, Forest

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Dogwood Blossoms, Forest
Dogwood Blossoms, Forest

Dogwood Blossoms, Forest. Yosemite Valley, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

A dogwood tree blooms in the forest of Yosemite Valley.

I have a feeling that I need to try a largish print of this one – there is so much detail in the scene that it is almost hard to make sense out of it in a small jpg. In the late afternoon I had wandered along the north edge of the Valley until I reached a point a bit east of the Ahwahnee Hotel. Having finished in this area, I headed around the hotel grounds and toward the Merced River and the former campground areas that were closed after the epic floods of a decade or so ago. This area is in some spots largely overgrown by thick, low plants and in some places I know that there are some good specimens of dogwood.

Although it was early in this year’s dogwood bloom cycle, I found a couple of very good trees in this area, and these two were almost completely in bloom. The forest here is quite dark and thick, and especially during the early evening time when I arrived this made the density of the vegetation seem even more impressive. The idea here was to fill the frame with flower-laden branches with the strong vertical lines of the forest trees behind, but also with detail everywhere in the frame.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Dogwood Bloom and Leaves

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Dogwood Bloom and Leaves
Dogwood Bloom and Leaves

Dogwood Bloom and Leaves. Yosemite Valley, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

An early dogwood blossom and leaves in Yosemite Valley, California.

There is not a lot to add to the previous post that came along with the black and white version of this photograph – but for anyone who didn’t see the earlier post I’ll offer a short description. I had been at the Ansel Adams Gallery reception for Michael Fry’s exhibit there in the middle of the afternoon, and after a very enjoyable hour and a half or so viewing his wonderful prints and schmoozing with various folks who came for the reception, I decided to wander off to the east along the base of the north walls of Yosemite Valley, at first heading in the general direction of the Ahwahnee Hotel. Near there I stopped at a tree that I have photographed previously, when I shot the autumn colors of the leaves draped across a large boulder. The new flowers were just starting to appear, so I climbed up on the boulder and spent some time photographing before continuing my wandering out towards the Merced River.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Dogwood Bloom and Leaves

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Dogwood Bloom and Leaves
Dogwood Bloom and Leaves

Dogwood Bloom and Leaves. Yosemite Valley, California. May 7. 2011. © Copyright G Dan Mitchell – all rights reserved.

An early dogwood blossom and leaves in Yosemite Valley, California.

This is another plant that I’m on a first name basis with. I know this particular dogwood rather well, having first been attracted to it one fall while walking along the north side of Yosemite Valley looking for leaves against rock. At that time the fall-color leaves of this dogwood tree were draped across the top of a low, flat boulder. When I’m in this part of the Valley, I often walk past this tree to see what it is doing. On this first weekend of May, the tree was just getting its first blossoms of the spring season, and I was able to clamber up on top of the boulder, set up my tripod, and make a few close-up photographs of the flowers.

I originally figured it would be a color photograph but as I worked on it I started to think it might be interesting in black and white, too. (You’ll get to decide – the color version will appear tomorrow.) Besides having to wait for the slight breeze to pause so that I could make a 1/8 second exposure, another challenge was the dynamic range between the bloom and the rather dark background. I tend to slightly underexpose the highlights, since digital capture is not kind to over-exposed whites. Then I work in post to bright the brightest parts back up to where I think they should be, but without letting anything blow out.

For dogwood fans, the “word on the street” had been that these flowers were coming along a bit later than usual this year. But on this day it seemed like they were suddenly starting to appear in many of the usual places in the Valley. I’m expecting them to peak between now and perhaps a week or so from now, and later on at higher elevations. One potential wrinkle is the possibility of snow in the Valley on Sunday!

Update: There is also a color version of this photograph.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Hill Near Mesquite Flat, Dusk

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Hill Near Mesquite Flat, Dusk
Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dusk light above a hill near Mesquite Flat in Death Valley, backed by a large alluvial fan from Tucki Mountain.

At the end of this day I was shooting from the top of a low hill in the Valley east of Stovepipe Wells, and there were interesting subjects throughout almost the entire 360 degree panorama around this elevated position. With this in mind, I had chosen to use the long 100-400mm zoom so that I could have some flexibility in composing elements of this huge scene.

I was mainly working with things that were in the large arc to my west (dunes and Cottonwood mountains and base of Tucki Mountain), north (the main Valley and transverse dunes), and east (the mountains running along that edge of the Valley) since the further subjects of the lower Valley were more or less out of sight beyond the alluvial fan that appears in the photograph. But I kept being intrigued by the low, dark hill on the flats below the similar hill on which I was standing. There is a row of them stretching from near the Devils Cornfield area up and across this alluvial fan. As the evening light transitioned towards post-sunset light I saw that the glow from clouds (a bit of which is visible in the distance above the Black Mountains) was lighting this hill and the surrounding flats in an interesting and colorful way.

But I had a little problem. I was still working a number of subjects and once and I really needed to keep shooting that 100-400. 100mm was still too long for this scene, but I didn’t have time to remove it and put on a shorter lens. I figured that I could simply change the camera to vertical orientation, very carefully level the tripod, and include the whole scene in four panning vertical frames that I could stitch together later. People often do this so that they can produce extremely high-resolution image, but that wasn’t my goal at all. In any case, it worked, and not only did I manage to get the shot that needed a wider lens, but as a bonus it is a very high-resolution shot.

G Dan Mitchell Photography | Flickr | Twitter (follow me) | Facebook (“Like” my page) | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.