Tag Archives: dark

Storm Clouds Above The Crest

Storm Clouds Above The Crest
Dark clouds beyond the crest while morning light shines on the east slope of the Sierra Nevada.

Storm Clouds Above The Crest. © Copyright 2021 G Dan Mitchell – all rights reserved.

Dark clouds beyond the crest while morning light shines on the east slope of the Sierra Nevada.

This should be a fine photograph in this series made in early morning light in the eastern Sierra Nevada above Bishop, CA. The morning began before dawn in extremely soft and blue-tinted light. Then the first direct light came through a narrow gap between the White Mountains and the clouds behind me and gradually spread down the escarpment of the Sierra. I continued photographing as this process unfolded, and by the time I made this photograph the direct light had arrived at my location and the deep golden color of the dawn light was dissipating.

Locations like this one are among the best to understand the immense size of the Sierra and the height of the crest. Far behind my camera position and quite a bit lower lies the Owens Valley, but even from this higher vantage point the steep faces of the peaks are formidable. On this morning the clouds added another dimension to the show. Up higher, above the area of this composition, gently curving clouds mirrored the shapes of the ridges. Below those clouds lay the dramatically dark form directly above the peaks, as seen in the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Eastern Sierra Morning

Eastern Sierra Morning
Morning light on the eastern escarpment of the Sierra Nevada under stormy skies.

Eastern Sierra Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on the eastern escarpment of the Sierra Nevada under stormy skies.

This photograph was made mere moments after another of the eastern Sierra Nevada escarpment that I shared recently. That photograph included the first, warm-tone light of the new day. This one comes after that initial golden hour light has left the highest peaks — though a bit of it remains in the lower foreground — and these formations are illuminated by somewhat harsher light. It was a remarkable morning, with conditions changing with extreme rapidity. The gently curving wave cloud in the previous photograph had, by the time I made this one, turned into a very dark layer beyond the crest.

There is another background story related to this series of photographs — a story that is partly about photography and partly about learning to know places. I first went to this location quite a long time ago, almost by accident the first time. Intrigued, I returned frequently when I had a moment, and as a result I saw the place in rather varied conditions. I began to get a sense not only of what I actually saw, but also of how this landscape might respond to conditions that I did not encounter. Eventually this served me well, and more than once I’ve aborted other photographic plans to go to this spot based on nothing more than a hunch about what the conditions might be like.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Tower, Night Sky

Tower, Night Sky
A tower against night sky at the historic Mare Island Naval Ship Yard.

Tower, Night Sky. © Copyright 2013 G Dan Mitchell – all rights reserved.

A tower against night sky at the historic Mare Island Naval Ship Yard.

This is not the first nor the only photograph I’ve made of this structure. It comes from the historic Mare Island Naval Ship Yard in the San Francisco Bay Area, the place where I did my first serious night photography almost two decades ago. (It happened on more or less a lark when I saw an announcement of a free event, showed up, and became hooked.) This structure is one half of a pair of gigantic overhead tracks that I believe originally supported some sort of lift mechanism that moved heavy mechanical systems (probably engines) to ships that were under construction. The buildings were originally various shops connected to the shipbuilding work, though today, years after the facility was decommissioned, many of them have been taken over for other purposes.

The relationship between night photographs and objective reality is a complex thing. I think of it as revealing “what the camera sees” more than as capturing what we see at night. In truth, in places like this and in lightning like this… we can’t really see much at all. But by extending the exposure times we can make images out of what is largely unseen. (A close examination of this photograph will reveal star trails made as the earth rotated beneath the night sky over the course of a several minute exposure.) In the end, many decisions about such images — luminosity, color, and more — must be subjective, since there really is no objective reality that corresponds to what the camera sees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rainbow and Afternoon Shower

Rainbow and Afternoon Shower
A rainbow and afternoon showers in the Kings Canyon National Park high country.

Rainbow and Afternoon Shower. © Copyright 2013 G Dan Mitchell – all rights reserved.

A rainbow and afternoon showers in the Kings Canyon National Park high country.

This photograph is a somewhat different “take” on a scene and subject that I shared in another photograph a few weeks ago. A group of us had been camped near this little tarn (and dozens of other nearby lakes) for over a week as we photographed the heck out of the area. This spot was perhaps a ten minute walk from our base camp, so we visited often and photographed the area in a variety fo conditions — morning and evening, sun and rain.

Being established in one backcountry location for a lengthy period of time has all kinds of advantages for photography. While you might not see as large a swath of the range, you do see the smaller area in much more detail. Speaking for myself, my mental attitude toward the landscape changes in these circumstances and instead of always looking for the big thing I start to look more for the unseen thing or the unanticipated way of seeing it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.