Dawn light on the snow-capped summit of Mount Gibbs above a frozen pond, Yosemite National Park.
This small pond is perhaps familiar to visitors to Tuolumne Meadows and Tioga Pass, though more likely with a different appearance. Here, early on a cold morning on the day after Tioga Pass opened for the season, the pond is still mostly frozen and it is surrounded by deep snow banks. The summit of Mount Gibbs is just touched by the first morning light as it passes through clouds over the Sierra crest.
Dawn light on the peaks of Kuna Crest is reflected in a meltwater channel in the frozen surface of Tioga Lake at Tioga Pass.
On the weekend that Tioga Pass opened this year, I spent the “opening day” photographing along highway 120 in the park. That night I stayed in Aspen Camp in Lee Vining Canyon, a standby for me at almost all times of year when I photograph in the area and Tuolumne Meadows campground is not open. (That NPS campground typically opens a few weeks after the pass opens and then closes in late September.) The next morning I was up fairly early, planning to photograph more or less in the Tenaya Lake area a bit after sunrise. I drove up toward the pass and soon came to Tioga Lake, which lies next to the road just below the pass.
I had noticed the striking veined patterns formed by the melting ice the previous day but had not photographed them. When I saw them in the morning I spontaneously decided to stop and see what I could do with the subject, especially since it looked like the ice was starting to pick up a bit of color from the pre-dawn light. I quickly got out and set up and found a way to line up the melted channel in the icy surface with the peaks of the distant Kuna Crest inside the park. As the light began to strike this ridge its color reflected on the frozen lake and I made a few photographs before moving on.
Early morning light striking minor dunes on Mesquite Flat with Cottonwood Mountains wash and the Last Chance Range in the distance, Death Valley National Park.
These dunes are not too far from the main Mesquite Dunes near Stovepipe Wells – they are a bit further east from the better known tallest section of the dunes. The areas of lower dunes provide some very interesting shapes and textures on a smaller scale in some ways that those of the larger dunes. I photographed these with a long lens, shooting from a rise, at a point in time very shortly after the first morning light had struck the sand. The background hills, part of a very large alluvial fan at the base of the Cottonwood Mountains, were in the shadow of a cloud.
The first morning light strikes Manly Beacon at Zabriskie Point, Death Valley National Park.
Icon alert!
I had more or less promised myself that I would not photograph at Zabriskie Point on this trip – been there, done that – unless the conditions were really special. But I miscalculated my morning start on this day and discovered that I wasn’t going to make it to my intended destination in time. As I passed Zabriskie on my way to the “other place,” telling myself that I still had a half hour before I needed to be in place for the early light… I noticed that clouds above this area were already starting to pick up the pink color of dawn light. I hesitated for a moment – I really wanted to photograph that other subject – but quickly realized that it would make a lot more sense to the shoot the subject that was here in the light that was developing than to drive further and miss out entirely on the first light.
So I turned into that familiar parking lot with its familiar fleet of photographers’ cars and quickly loaded up my gear. I was a bit surprised that I saw so few people up above at the official overlook, but it was quite windy and I figured that perhaps they had just dropped down on the other side of the wall below this spot. In any case, I had a different spot in mind, one further to the right, so I headed over that way and quickly discovered that the wind was blowing almost too strongly to make photographs. I made a couple of shots from a small gap there and then headed up toward the overlook. At the top of the little trail from the parking lot I dropped onto the small use trail to the side of the wall and was again surprised to see almost no other photographers. I walked a few feet farther and discovered that the “usual crowd” was huddled in a small area in the lee of the wall, trying desperately to find protection from the wind.
These days, my main project when I stop at Zabriskie is to find and photograph small, isolated elements of the landscape with a long lens. For the most part – unless truly magical conditions are present, and they weren’t on this morning – I don’t really spend much time on the classic views of Gower Gulch, the Valley, and the Panamint Range. However, since I’m there and know the progression of the light fairly well at this point, I’m not about to pass up the opportunity to get a better image of one of these iconic subjects. So as the first light was about to hit the summit of Manly Beacon I turned my rig that direction and spent a couple of minutes photographing it as the line between shadow and morning light traveled down its face.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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