Tag Archives: dead

Forest and Cliffs

Forest and Cliffs
Yosemite forest, with many dead and dying trees, and cliffs near Bridal Veil fall

Forest and Cliffs. Yosemite National Park, California. September 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Yosemite forest, with many dead and dying trees, and cliffs near Bridal Veil fall

In early September, about a week after returning from over a month of international travel — and missing the entire month of August in the Sierra! — I finally got to “go home” to the Yosemite high country for a few days. I camped in Tuolumne Meadows, traveled briefly to the East Side along US 395, and returned home via quick stops in Yosemite Valley, Oakhurst, and a favorite winter bird spot in the Central Valley. It was a quick trip, but just enough to get me back in contact with the mountains. (It also let me take an early look at the upcoming seasonal changes. The signs of fall in the Sierra are clear: corn lily plants dying off and falling over, bilberry reddening meadow edges, little spots of yellow on plants high up on rocky slopes, a few golden willow leaves here and there, and a general sense that everything is slowing after summer’s frantic burst of life.)

I rarely visit Yosemite Valley in the summer, preferring almost any other time to the crowds that go there during the vacation season. Although this was a post-Labor Day visit, and the biggest crowds had departed, there were still lots of people there. After a visit to the Ansel Adams Gallery, where a show celebrating the role of photography in the parks was close to concluding (it included five of my prints), I started to head out of the Valley. As I passed this spot I caught a glimpse of drought-killed trees (with the help of bark beetles), other trees standing tall, and the cliffs around Bridal Veil fall. I noticed it too late to stop… so I took one more loop around the roads of the lower valley and came back to make this photograph in the afternoon light and haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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A Dark Corner

A Dark Corner
A pathway ends at a dead end and cement walls, night photography at Mare Island

A Dark Corner. Mare Island Naval Ship Yard, Vallejo, California. November 7. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A pathway ends at a dead end and cement walls, night photography at Mare Island

Since I have photographed on this sprawling decommissioned ship yard for over a decade, I’m now more and more on the lookout for new subjects and locations there. Somehow I always seem to find them by poking around in (literally!) odd, dark corners. A first time visitor to the ship yard is most likely to be captivated by some of the larger and iconic subjects — the cranes, the old architecture, the tower at the old power plant, and more. But eventually one finds things missed on earlier visits.

I worked my way toward this odd little corner bit by bit. I first stopped to look at the front of a building that I not really spent much time with in the past. Near its front entrance I found a stairway leading up toward a dark terrace above. At first I spent some time making photograph of the stairs. Over the course of long exposures my eyes adapted to the darkness and I began to become aware of other shapes and textures and qualities of light nearby. The light in such places at night is often tremendously varied, coming from almost every kind of lightning imaginable. Sodium vapor lamps glow with an intense yellow color, led light can appear almost like daylight, fluorescent lamps can be greenish, and the glow of the city of Vallejo across the water has a reddish-brown quality. Here an overhead light sent beams of slightly blue-green light downwards, almost parallel to the surface of the concrete walls. That light from the town across the water found its way to these walls too, turning the close wall on the left an intense red-brown color and lending a faint glow to the back wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Snag, Sky

Snag, Sky
“Snag, Sky” — An old, twisted snag against a gray and cloudy Sierra Nevada sky

Old dead snags can be some of the most compelling sights in the High Sierra. They are everywhere —on the glaciated granite slabs, high atop ridges, within the first, lying in meadows. They are the other end of the life cycle begin by small trees at the edges of meadows. Sometimes to me they seem almost closer in spirit to rocks than to other living things, and some that die in dry rocky places continue to stand for a long time before finally decaying and fading away. Because they are stripped of small branches and needles, the reveal the complex and twisting shapes of the inner tree.

I came across this snag high in an area of granite slabs above a lake where we were camped. I visited it several times, intrigued by its shape and challenged to figure out a way to photograph it that did not include the surrounding living trees. Finally I found an angle that I could photograph with a long lens, tightly cropping a section of its form against the gray of a cloudy sky. In the end I decided on a monochrome rendition, feeling that it better captures the abstract from of the trunk and branches.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Fallen Tree, Lake Shore Autumn Grasses

Fallen Tree, Lake Shore Autumn Grasses
An old fallen tree and lakeshore autumn grasses at a Sierra Nevada lake.

Fallen Tree, Lake Shore Autumn Grasses. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

An old fallen tree and lakeshore autumn grasses at a Sierra Nevada lake.

During a week at this backcountry lake and the surrounding area I had plenty of time to wander about, work in varied conditions, and see beyond the obvious first impressions. After a few long stays in such places I have come to be familiar with a certain cycle. I arrive with a mixture of “how will I ever manage to find enough here for a week of work?” and “once I slow down I know there will be plenty to see.” After a day of settling in it begins to feel like there will be plenty to photograph, but that there is no real urgency to the work. I tend to wander, looking at whatever happens to catch my attention and not really working much from a plan. At some point near the middle of the stay there comes a time when I do a count of subjects remaining to photograph and number of mornings/evenings remaining… and I realize that I have to formulate a plan! And then, invariably, on the final day or two I realize that even with a week to work there will be subjects that I won’t get to.

I photographed this scene close to the midway point on the trip — when there still seemed to be plenty of time and just before I felt the need to begin planning more carefully. This is a wonderful time on such a trip, when there are opportunities to engage in “aimless” wandering — though there is very much an aim to that aimlessness! This subject is one that I could easily overlook early on during a trip or during the end-of-trip attention to specific remaining subjects. The skeletal gray of the fallen tree contrasts wonderfully with the rich coloration of the early fall meadow around the edges of this sub-alpine lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.