Tag Archives: death valley

Sunrise Wave Cloud

Sunrise Wave Cloud
A wave cloud develops above Death Valley mountains at sunrise

Sunrise Wave Cloud. Death Valley National Park, California. April 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A wave cloud develops above Death Valley mountains at sunrise

When it comes to desert skies, it can be hard to find just-right conditions. Often the skies at Death Valley are simply clear, with few or no clouds aside from contrails from passing jets. And when there are clouds during the dawn and dusk hours when color potential is at its greatest, more distant clouds can block the light that would create the bright colors. This is especially true in the evening in Death Valley, where it is not uncommon for there to be thicker clouds in the moister regions to the west at sunset.

The latter situation was in play on this morning. In fact, I had originally planned to photograph south of this location. I had driven there and started to set up in the near darkness, only to realize that a fairly thick cloud deck was not going to clear and that it was going to block the morning light. I had a backup plan, and when I arrived at this spot a good distance to the north there was a break in the clouds. This color comes quickly and doesn’t last long — you more or less have to be ready for it before it is visible, though you may get a hint of developing color from clouds far off and near the horizon. Here a wave cloud is forming over Tucki Mountain, with a few more lenticular clouds out over the Cottonwood Range and beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains, Evening Light And Haze

Desert Mountains, Evening Light And Haze
Soft light and haze in the evening high in the Panamint Mountain Range, Death Valley National Park

Desert Mountains, Evening Light And Haze. Death Valley National Park, California. April 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Soft light and haze in the evening high in the Panamint Mountain Range, Death Valley National Park

From a high point along the ridge of the Panamint Mountains, there are stupendous views in all directions — north and south along the spine of the range, east into Death Valley and on to Black Mountains and beyond, west across the lower Panamint hills as they drop toward the Panamint Valley only to rise again and eventually culminate in the Sierra Nevada crest. Early and late in the day the low angle light sweeps across the terrain and reveals large and small features of the landscape.

On this evening it was quite hazy, probably because high winds had whipped up sandstorms in lower elevation areas. This dust filled atmosphere can seem to glow from within when back-lit, and as I pointed my camera down toward these western slopes I began to see that luminescence. In a way there is nothing special in this photograph — a nearby ridge, and intervening valley, and more ridges in the distance. But the further ridge is still in the warm-colored, evening light, whose color contrasts with the cooler blue tones of the shadowed ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Wash And Hills

Desert Wash And Hills
Morning light on a desert wash, hills on an alluvial fan, salt flats, and distant mountains of Death Valley National park

Desert Wash And Hills. Death Valley National Park, California. April 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light on a desert wash, hills on an alluvial fan, salt flats, and distant mountains of Death Valley National park

As I wrote in a previous message describing this Death Valley trip, one of the areas I decided to focus on this time was this one — a location along a fairly well-known Death Valley route that includes a vast alluvial fan, cut by washes, interrupted by hills of darker rocks, and always with extensive long views of surrounding mountains and off int the distant reaches of the valley itself.

This time I went in the early morning. I arrived before sunrise, set up, and watched as the morning began to unfold. From this location I could see a huge range of terrain. The highest point in the park at more than 11,000′, Telescope Peak, poked up above the bulk of the Panamint Range and caught the first dawn sunlight. Far to the west I could see the upper slopes of the Cottonwood mountains, and soon the sun lit them, too. The light slowly worked its way down from the mountains and before long fingers of morning sunlight reached the valley floor. I made this photograph while some distant parts of the valley were under cloud shadows, but when the light was beginning to shine on the desert wash at the base of the small hill from which I photographed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Edge Of The Valley

The Edge Of The Valley
Evening light on golden hills and a wash at the base of the Black Mountains

The Edge Of The Valley. Death Valley National Park, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light on golden hills and a wash at the base of the Black Mountains

I often use a sort of scheduling strategy when photographing in Death Valley. I get up before dawn and start with some subject that works will in the first light, and then I work a second subject that is promising in somewhat later light. Following a midday break (spent in camp or perhaps traveling to a more distant location) I reverse course later in the day, starting with a subject that works in non-golden hour light and then moving to one that works well around sunset and beyond. If conditions are right, I may even add a night subject! The second morning subject and the first afternoon subject are often canyons of one sort or another, where the edge-of-the-day light can be too dim, but where later light from a higher sun can be wonderful.

I had begun this afternoon’s photography with such a subject, one of the canyons along the eastern side of the valley. In the 90 degree plus afternoon heat I loaded up my pack with camera gear and water and slowly wandered into a narrow canyon where there was beautiful shade and somewhat moderated temperatures. Eventually it was time to return from the canyon and I reversed course and emerged from the mouth of the canyon during golden hour. This time I didn’t even have to travel to the final location since I was already there! At the time I made this photograph the long shadow of the Panamint range had stretched almost all the way across the valley and would soon steal the light from these hills, but for a few moments the golden light produced lengthy shadows and a colorful glow on the hills and along the wash emerging from the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.